Who designed Vertigo #6360 620?

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Autobahn by Kraftwerk; Vertigo #6360 620.

Colin Buttimer was in touch last week to let me know he’d copied my Barney Bubbles post (with my permission) to his excellent new site, Hard Format, which is devoted to the art of music design. In the intro to that piece he repeats something he’d mentioned to me earlier, namely his belief that Barney Bubbles designed the UK release of Kraftwerk’s Autobahn album in 1974. I thought this unlikely at first but the more I’ve been thinking about it the more possible it seems. So here’s a quick run through the evidence in the hope that someone out there may have more information to either confirm or deny the theory.

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Earth in Manchester

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Earth, looking suitably infernal.

Out this evening to the Zion Centre in Hulme to see Seattle drone metal band Earth. I didn’t get to see their performance at the 2005 Arthurfest in Los Angeles but this event made up for that. Support—which we missed due to late arrival—was from Sir Richard Bishop, whose portrait I produced for the last issue of Arthur Magazine.

Earth play that kind of slowed-to-a-crawl metal which has its roots in Black Sabbath (the origin of their name) and Swans. The band have some great album and track titles, among them Thrones and Dominions, Hex (Or Printing in the Infernal Method) and Teeth of Lions Rule the Divine, the latter being borrowed by a drone doom supergroup. Unlike followers Sunn O))), who don robes and fill the stage with fog, the Earth presentation is a minimal one: no vocals, just the music, and no effects, red light only. I’d heard a couple of Earth CDs but what becomes obvious when you see them live is that this kind of music really benefits from loud volume and a good sound system. Both those elements were in place tonight which made for a thoroughly immersive experience.

Earth have a new album out at the end of this month, The Bees Made Honey in the Lion’s Skull, on the Southern Lord label.