Weekend links 585

bertha_lum.jpg

Fox Woman (c. 1916) by Bertha Lum.

• “Apparently he had been walking though customs/arrivals with a large cube of weed stuck on the end of his silver Dr Martens and a foot long silver flashlight full of seed, but when they realised who he was, and that today was his 60th birthday, he was released with just a warning.” Radio Lancashire DJ Steve Barker remembers the late Lee “Scratch” Perry, and links to one of his shows with Perry (and Roger Eagle) here.

• “…it’s the chase itself that shapes the film’s distinctive aesthetic—the under-lit interiors and the sunless and frigid exteriors of the many locations across the city, sites that take the cops well beyond their usual beat, to places both above and below ground.” Chris McGinley explains how William Friedkin’s The French Connection reinvented (and exploded) the police procedural.

• “Toibin, who is himself gay, has always extended historical sympathy to sexual outsiders. As he’s written elsewhere, ‘There are no 19th-century ballads about being gay.'” Dwight Garner reviews Colm Toibin’s The Magician, a novel about Thomas Mann.

Here is the key point: to experience such marvels you have to risk an unsophisticated, even credulous love for corn, and part of that love involves a willingness to submit to what [Phil] Ford calls a “magical hermeneutics” capable of transforming marginal chunks of pop culture. As he writes in the wonderful 2008 essay that inspired the episode, exotica is “less a genre of music than a class of cultural objects that share a characteristic projection of the self across boundaries of space and time.” This makes it essentially psychedelic—“film music for daydreams”—and Ford draws out that historical connection in his essay, which argues that while the hippie movement that Nature Boys like Ahbez prophesied looks like a radical rejection of the space-age bachelor pad of ’50s consumerism, tendrils of transcendent yearning link the exotica imaginary to the earnest if stoned mysterioso to come.

Erik Davis on Eden Ahbez and Californian exotica

Edgar Froese interviewed on WSHU radio in 1974 where he talks about Tangerine Dream, live performance and the future of electronic music.

• At Dangerous Minds: A momentary lapse of reason…when Dario Argento interviewed Pink Floyd in 1987.

• It’s that man again: John Doran interviews Kevin Martin, aka The Bug.

David McKenna on The Strange World of France, La Nòvia & friends.

• At Dennis Cooper’s: Tape deck.

Exotica (1958) by Martin Denny | Exotica Lullaby (1976) by Harry “The Crown” Hosono | Exotica (1979) by Throbbing Gristle

Kwaidan

kwaidan1.jpg

Kwaidan: Stories and Studies of Strange Things (1904), a book by Lafcadio Hearn retelling Japanese ghost stories. Later an incredible film by Masaki Kobayashi and a drawing by Vania Zouravliov.

kwaidan2.jpg

Kwaidan (aka Kaidan; 1964).

kwaidan3.jpg

Kwaidan by Vania Zouravliov (no date).

Kwaidan, Stories and Studies of Strange Things by Lafcadio Hearn with an introduction by Oscar Lewis (1932).

Previously on { feuilleton }
The art of Bertha Lum, 1869–1954
The Boy Who Drew Cats
The art of Takato Yamamoto

The art of Bertha Lum, 1869–1954

lum1.jpg

Mother West Wind (1918).

The first thought which comes to mind when looking at these beautiful prints is to wonder why American artist Bertha Lum isn’t more well-known, she had a particularly fondness for fluid lines and swirling arabesques as in the example above. There is at least a wealth of detail about her career online, and her biography shows her to be far more than a careful pasticheur like Edmund Dulac and others. She travelled to Japan specially to learn printmaking, and her later works were produced in collaboration with Japanese artisans. No surprise to see she was attracted to the works of Lafcadio Hearn (1850–1904), another Westerner who did much to introduce the rest of the world to Japanese folklore—especially the ghost stories—during the late Victorian era.

lum2.jpg

The Dragon King and his Bride (1924).

Four pages of catalogued works at Bertha-lum.org
Biography page in English and a reference gallery

lum3.jpg

Spider Woman (1936).

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
The Boy Who Drew Cats
More Arabian Nights