AS Byatt – { feuilleton }

Weekend links 74

Johnny YesNo video cover, 1983. Design by Neville Brody.

Being a Cabaret Voltaire enthusiast of long standing it was good to hear last week about the imminent reappearance of Johnny YesNo, an hour-long film by Peter Care for which the Cabs provided the soundtrack. Mute Records will be releasing Care’s debut on DVD in a set which includes two versions of the film together with two music CDs. I never got to see the original release on CV’s VHS label, Doublevision; for most of the 1980s I didn’t even have a colour TV never mind a video recorder so I missed all CV’s videocassettes aside from Gasoline In Your Eye. The new edition will be available in November. Brainwashed has a list of the contents while The Quietus posted a clip from the new “redux” version. (And before anyone tells me it’s on YouTube…yeah, everything is on YT in shitty quality and barnacled with the misanthropy-inducing drivel which passes there for comment. If I’m going to watch something for the first time I’d prefer it to be on a shiny disc, thanks.)

• The world has noticed Terrence Malick again following the release of The Tree of Life. Malick’s second feature is returning briefly to UK cinema screens, an event which prompted David Thomson to ask Is Days of Heaven the most beautiful film ever made?

• This week in imaginative art: S. Elizabeth on The Fantastical Fairy Tale Art of Sveta Dorosheva, AS Byatt on the strange paintings of Richard Dadd (there’s another Dadd article here), and Rick Poynor on Chris Foss and the Technological Sublime.

• Ethan Hein demonstrates how Alan Lomax came to have copyright control over many songs he had nothing to do with simply by recording traditional music.

• Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation, a book by David Ensminger.

• More Club Silencio: Inside David Lynch’s Paris nightclub and a gallery of photos.

• Histoire un-Naturelle, selected works by Ruth Marten.

• Come hither: The deceptive beauty of orchids.

• Facsimile Dust Jackets.

• More Peter Care: Just Fascination (1983) by Cabaret Voltaire | Sensoria (1984) by Cabaret Voltaire | Rise (1986) by Public Image Ltd.

Weekend links 4

Will at A Journey Round My Skull turned up this hand-coloured picture from Ronald Balfour’s illustrated Rubáiyát some of whose other drawings were featured here recently. That distant volcano is a curious detail. Related: Golden Age Comic Book Stories posted plates from Willy Pogány’s edition.

• Authors on authors: China Miéville on JG Ballard; Rodrigo Fresán on Jorge Luis Borges; AS Byatt on Lewis Carroll.

• Events: Alan Moore & Sunn O)))’s Stephen O’Malley present Simultaneous Conjugation of Four Spirits in a Room at the Laing Art Gallery on March 13th, 2010 (via Arthur); in October Weirdstone will celebrate the fiftieth anniversary of Alan Garner’s The Weirdstone of Brisingamen.

• New blogs: Wonder Kabinet / Wunderkammer, “curiosities, ephemera, and fragments from The Cutting Room Floor and Evan J Peterson”; Pencil Tool, a Tumblr by Charity Pomaybo; and another Tumblr from Mountain*7.

• Perversity Think Tank is a new book from Supervert. Download it for free or order the delicious limited edition.

• The Casual Optimist lists 10+ Flickr Groups for Book Design and Inspiration.

• Via BibliOdyssey: 400 woodcuts by Eric Gill.

• “At least in self-abuse / There’s a little dignity…” Song of the week was Hands 2 Take by The Flying Lizards from their second album, Fourth Wall (1981). I bought this when it came out but hadn’t listened to it for years. Thrilling, urgent stuff with the fabulous Patti Palladin on vocals. Play loud.

There’s something about Alice

There’s something about Alice | AS Byatt on Lewis Carroll.

The Age of Enchantment: Beardsley, Dulac and their Contemporaries

“Everything about her was white.” Illustration by Edmund Dulac for
The Dreamer of Dreams by Queen Marie of Roumania (1915).

A major exhibition of British fantasy illustration opens at the Dulwich Picture Gallery this Wednesday, running to February 17th, 2008. Considering the huge resurgence of popularity in fantasy for children I’m surprised none of the UK galleries have done this before now. The Dulwich organisers have chosen a suitably wintry picture by the wonderful Edmund Dulac to promote the exhibition which—intentionally or not—happens to look like a precursor of the poster art for The Golden Compass.

With the death of Aubrey Beardsley in 1898, the world of the illustrated book underwent a dramatic change. Gone were the degenerate images of scandal and deviance. The age of decadence was softened to delight rather than to shock. Whimsy and a pastel toned world of childish delights and an innocent exoticism unfolded in the pages of familiar fables, classic tales and those children’s stories like The Arabian Nights and Hans Andersens’ Stories. These were published with lavish colour plates and fine bindings: these were the coffee table books of a new age.

As a result a new generation of illustrators emerged. This new group of artists was intent upon borrowing from the past, especially the fantasies of the rococo, the rich decorative elements of the Orient, the Near East, and fairy worlds of the Victorians. The masters of this new art form were artists like Edmund Dulac and Kay Nielson, whose inventive book productions, with those of Arthur Rackham, became legendary. Disciples gathered, like Jessie King and Annie French, the Scottish masters of the ethereal and the poetic, the Detmold Brothers, masters of natural fantasy, as well as those who remained in Beardsley’s shadow: the warped yet fascinating works of Sidney Sime, a joyously eccentric coal-miner turned artist, Laurence Housman, master of the fairy tale, the precious inventions from the classics by Charles Ricketts, the Irish fantasies of Harry Clarke, himself a master of stained glass as well as the gift book, and the rich and exotic world of Alaistair. Children’s stories were transformed by the imaginations of a group still bowing to the Victorians Walter Crane, Randolph Caldecott and Kate Greenaway and the fairies of Richard Doyle but these were now given a more colourful intensity by Charles Robinson, Patten Wilson, Anning Bell, Bernard Sleigh and Maxwell Armfield.

The exhibition of British fantasy illustration will be the first such exhibition in Britain and the first worldwide for over 20 years (the last being in New York in 1979). All works, of which over 100 are planned, will come largely from British museums and private collections, many of these will never have been seen publicly before in Britain.

The exhibition is curated by Rodney Engen.

AS Byatt reviewed the exhibition for The Guardian and also looked at the sinister perversity underlying many of the Edwardian fairy tales.

• Edmund Dulac at Art Passions

Books by Queen Marie of Roumania:
• The Dreamer of Dreams (1915; illus: Edmund Dulac)
• The Stealers of Light (1916; illus: Edmund Dulac)
• Vom Wunder der Tränen (1938; illus: Sulamith Wülfing)

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Masonic fonts and the designer’s dark materials