The Fallen Angels Entering Pandemonium, from ‘Paradise Lost’, Book 1 (c.1841) by John Martin.
• “Hergé’s heirs sue artist over his Tintin/Edward Hopper mashups.” The complaint is that the paintings of Xavier Marabout besmirch Tintin’s character by making him seem…human? Silly. I’d sooner complain that Hergé’s ligne claire drawing style is an awkward match for Hopper’s realism. And besides which, isn’t Tintin gay? There’s a lot of wish-fulfilling slash art showing Tintin and Captain Haddock in a closer relationship than Hergé ever would have wanted. This Canadian magazine cover by Normand Bastien dates from 1987.
• “Everyone wanted to make products that looked fast and angry and maybe wanted to lay eggs in your brain.” Alexis Berger tells S. Elizabeth how she avoided years stuck in a design office by becoming a jeweller instead.
• New music: Chiaroscuro by Alessandro Cortini, and Frequencies For Leaving Earth Vol. 4 (One-Hour Loop) by Kevin Richard Martin & Pedro Maia.
The Willows is less a flight of fancy and more an attempt to articulate the ways in which what we dubiously still call “nature” is at once an object of human systems of knowledge and yet also something that undermines those same systems. Thus if The Willows is indeed a classic of “supernatural horror” (as HP Lovecraft would famously note), we might also be justified in calling it “natural horror” as well. In Blackwood’s wonderfully slow, patiently constructed scenes of atmospheric suspense, there is the sense of an impersonal sublime, a lyricism of the unhuman that shores up the limitations of anthropocentric thinking, as well as evoking the attendant smallness of human beings against the backdrop of this deep time perspective.
Eugene Thacker on how Algernon Blackwood turned nature into sublime horror
• Women of Letters: John Boardley talks to Lynne Yun, Deb Pang Davis, Coleen Baik and Duong Nguyen about their typographic designs.
• At Google Arts & Culture: Music, Makers & Machines: A brief history of electronic music.
• At The Public Domain Review: The Universe as Pictured in Milton’s Paradise Lost (1915).
• Beyond the Perseverance drone: Chloe Lula on the sounds of space.
• At Wormwoodiana: Colour magazine (1914–1932).
• Wyrd Daze Lvl.4 FOUR STAR is here.
• At Dennis Cooper’s: Hell.
• O Willow Waly (1961) by Isla Cameron And The Raymonde Singers | Cool Iron (1972) by The Willows | The Willows (2005) by Belbury Poly