ICA talks archived

ica.jpg

I’ve linked to the British Library’s sound archive before but it was only recently that I had a browse through their collection of talks from the Institute of Contemporary Arts, London. The public discussions cover the period 1981–1994, and while there’s a wide range of contributors the lion’s share of interviewees are writers. Most of the talks run from 60–90 minutes. The following is a selection from some of the contents:

JG Ballard and Matthew Hoffman in conversation, 1984. Ballard discussing his latest novel, Empire of the Sun.

Derek Jarman and Ken Campbell in conversation, 1984. Jarman discussing his autobiography, Dancing Ledge which was also published that year. (A revised edition appeared in 1991.) If Ken Campbell seems an unusual interviewer it should be recalled that he appeared in Jarman’s 1979 film, The Tempest.

Alan Moore and Charles Shaar Murray in conversation, 1987. Mr Moore caught in the year when the world at large became aware of comics in general and his work in particular.

Whose Fantasy? Hosted by Neil Gaiman (uncredited) with M. John Harrison, Terry Pratchett, Geoff Ryman & Diana Wynne Jones, 1988. One of a series of events examining British genre fiction. Neil Gaiman was the host of each discussion but is uncredited on the site for several of the talks. This one concerns fantasy and science fiction.

Whose Fantasy? Hosted by Neil Gaiman (uncredited) with Clive Barker, Ramsey Campbell, Roz Kaveney & Garry Kilworth, 1988. The following day’s discussion was oriented more towards horror.

Laurie Anderson and Sarah Kent in conversation, 1990. Laurie Anderson’s latest album (and one of hers I like a great deal) Strange Angels is discussed.

Weekend links: fifth anniversary edition

demuth.jpg

The Figure 5 in Gold (1928) by Charles Demuth.

It’s a little surprising to find I’ve been doing this for five whole years yet here we are. Having seen a number of blogs call it quits at the five-year point I should note that I don’t feel quite that exhausted although maintaining a discipline of daily posting can be a chore at times, especially when you’re pressured by work. On the whole the advantages continue to outweigh the disadvantages. Some of the discoveries here have fed back into things I’ve been working on or opened avenues for future exploration. Researching something for an audience (however slight that audience or the resulting post) encourages you to look more deeply into a given subject; sometimes you learn more as a result and occasionally make surprising discoveries. Obsessions are teased out which might otherwise have lain dormant. Yes, it’s an extra bout of work but I’ve spent much of my life saying to people “if you like that, you may like this”, and that’s all many of these posts are doing.

This year promises to be an interesting one so watch this space. And, as always, thanks for reading!

John x

On to the links…

Cathedral Scan translates the architectural plans of Gothic cathedrals into open-ended musical scores via custom software. There’s more at Blake Carrington‘s website.

Forty-three William Burroughs recordings (tape experiments and readings) at the Ubuweb archives.

• The opening scene of Deadlock (1970), an obscure German film with a theme by the mighty Can.

Strange Lands: A Field-Guide to the Celtic Otherworld, a new book by Andrew L Paciorek.

• The enduring nature of Frankenstein, currently on stage at the National Theatre, London.

shimojo.jpg

Owl One (2004) by Yuri Shimojo.

¡Activista! by Sonny Smith: Drag Queens, Borders, Rivers, Death and Transformation.

• Estonian sculptor Mati Karmin makes furniture out of Russian anti-submarine mines.

Alan Moore’s contribution to the Save Our Libraries campaign.

• Innsmouth Free Press is raising funds for their running costs.

A history of queer street art (Facebook link, unfortunately).

Illuminated book design for Heston’s Fantastical Feasts.

Physica Sacra, an engraving set at Flickr.

Egypt (1985) by Tuxedomoon | Egyptian Basses (1998) by Coil | Soleil D’Egypte (2001) by Natacha Atlas.

Kenneth Grant, 1924–2011

grant.jpg

Kenneth Grant by Austin Spare (c. 1951).

Kenneth Grant, writer and occultist, died last month but the event was only announced this week. He’ll be remembered for the nine fascinating occult treatises he wrote from 1972 to 2002, and for continuing the work of Aleister Crowley as head of the Ordo Templi Orientis, a position which became fraught in later years as various occult factions disputed his authority. Having collected occult books for much of the 1980s I find his name calls out from the shelves more than many other writers; as well as authoring his own works he edited all the major Crowley texts with Crowley’s executor John Symonds, presenting them in authoritative editions for a new readership.

Grant proved a very loyal champion of people he admired, significantly so in the case of Austin Osman Spare whose work he collected, exhibited and republished from the 1950s on. It was Grant’s position as one of the many advisors for Man, Myth & Magic in 1970 which resulted in the part-work encyclopedia using one of Spare’s stunning drawings as the cover picture for its first issue. That effort alone gave Spare an audience far beyond anything he received during his lifetime, and Grant ensured the magazine featured Spare’s work in subsequent issues. Grant’s occult works made liberal use of unique illustrations by his wife, Steffi Grant, Austin Spare and others. The books were singular enough even without their pages of curious artwork, a beguiling and sometimes incoherent blend of western occult tradition, tantric sex magick and hints of cosmic horror which were nevertheless always well-written, annotated and crammed with technical detail. Alan Moore in 2002 examined the experience of an immersion in Grant’s mythos with a wonderful review he called “Beyond our Ken“. He notes there the influence of HP Lovecraft, another of the visionary figures who Grant championed throughout his life.

between.jpg

In Spaces Between from The Great Old Ones (1999).

And speaking of Lovecraft, I’ve often wondered whether Kenneth Grant ever saw a copy of my Haunter of the Dark collection. For the opening of the Great Old Ones Kabbalah sequence which Alan Moore and I created for the book I added an extra piece of art entitled In Spaces Between, a reference to Coil via an epigraph from Grant’s Outside the Circles of Time (1980) which I borrowed for the facing page:

For there are Thrones under ground
And the Monarchs upon them
Reign over Space and Beyond

Invoke Them in Darkness, Outside
The Circles of Time

In Silence, in Sleep, in Conjurations
Of Chaos, the Deep will respond…

Coil aficionados will recognise those words as the origin of some lines from Titan Arch (1991):

There are Thrones under ground
And Monarchs upon them
They walk serene
In spaces between

Grant followed his epigraph with another quote, from Lovecraft’s Necronomicon.

In addition to Alan Moore’s Grant review, Fulgur have a detailed Kenneth Grant bibliography on their pages. They were also the publishers in 1998 of Zos Speaks! Encounters with Austin Osman Spare by Kenneth and Steffi Grant, a memoir and celebration of Spare’s work which revealed this trio of remote astral voyagers to be human beings after all. The book is currently out of print but it’s essential for anyone interested in Austin Spare or, for that matter, Mr and Mrs Grant.

Previously on { feuilleton }
New Austin Spare grimoires
Austin Spare absinthe
Aleister Crowley on vinyl
Austin Spare’s Behind the Veil
Austin Osman Spare

CthulhuPress

keepcalmcthulhu2.jpg

The Twitter consensus yesterday was that CafePress products based on this design were required so here they are. As usual I never know what people want from CafePress so I tend to throw the design on their entire range so long as it fits the requisite size and shape. This piece works better than most since it’s simple and direct, my more detailed and pictorial creations look better as prints. I keep feeling that someone must have made a design like this already, these variations on the “Keep Calm” poster have proliferated so much, but searching didn’t reveal anything so… The web address doesn’t appear on the CafePress things, that’s just for the images posted here if and when they drift into Tumblr’s Sargasso Sea of uncredited pictures.

coc.jpg

The Call of Cthulhu (1987–88).

While we’re on the subject of everyone’s favourite Great Old One, I may as well take the opportunity to remind those interested that these earlier renderings are also available as various CafePress products. The Call of Cthulhu piece above is the opening page of my comic strip adaptation of the story as seen in The Starry Wisdom anthology from Creation Books and my Haunter of the Dark collection.

cthulhu.jpg

Cthulhu from The Great Old Ones (1999).

The Great Old Ones drawing was one of the plates from the series of the same name I produced with Alan Moore for the Haunter book. And Cthulhu Rising is the cover of that volume, of course, seen here with its Haeckel-derived frame. The Great Old Ones Cthulhu was drawn with a Biro pen then tweaked slightly in Photoshop. I don’t think I’ve ever posted a large version of it so here it is.

cthulhu2004.jpg

Cthulhu Rising (2004).

Elsewhere on { feuilleton }
The Lovecraft archive

Weekend links 45

sa4.jpg

That essential journal of esoteric culture, Strange Attractor, announced a fourth number this week sporting a psychedelic cover which may be the work of Julian House (no credit is given on the SA site). As to the contents:

From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit conspiracy theories; junkie explorers; Dali’s Atlantis; the resurgence of Pan (in London’s Crouch End); anarchist pirates on Madagascar; an ancient Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen’s forgotten tales and Alan Moore’s unpublished John Dee opera.

Further details and the means to order a copy can be found here.

• Resonance FM’s Weird Tales For Winter has returned beginning with a presentation of The Gateway of the Monster, one of the better Carnaki tales by William Hope Hodgson. The story is read by Moon Wiring Club‘s Ian Hodgson (no relation) and the musical atmospheres are provided by The Advisory Circle. I ought to have posted this news yesterday since you’ll have missed the broadcasting of the first half but the second half will go out at midnight (UK time) on Monday. Details here, and the next release on the Café Kaput label in February will be the soundtrack, Music for Thomas Carnaki (Radiophonic Themes & Abstracts).

keepcalmcthulhu2.jpg

• The Keep Calm and Carry On Image Generator lets you work your own variations on the ubiquitous poster. It wouldn’t work for me, however, so I rolled up my sleeves and made my own. This may be good as a CafePress design, yes?

Interplay is an album by John Foxx and The Maths due to be released on March 21st. As with last year’s collection of Foxx instrumental pieces, DNA, the package design is by Jonathan Barnbrook. John Foxx first came to prominence as the lead singer in Ultravox (do I need to say “of course”? Okay…“of course”) and Ultravox’s debut album was part-produced by Brian Eno. It’s been painfully obvious recently (and it pains me to say it) that Foxx’s DNA was a far more accomplished and engaging work than Eno’s recent collection of over-hyped instrumentals. Related: Barnbrook Design’s albums of 2010.

Word Horde 2.0, “a substantial archive of manuscript material, correspondence, and books and printed matter, mostly signed” from the William Burroughs archives can be yours for $260,000. Related: William Burroughs’ Wild Boys photos. Also: Rudy Rucker on David Cronenberg’s Naked Lunch.

• “Nabokov described how ‘a modern taxonomist straddling a Wellsian time machine with the purpose of exploring the Cenozoic era’ would encounter the following series of events in the evolution of these butterflies…” The Royal Society confirms that a contentious theory of Vladimir Nabokov’s concerning the descent of butterfly populations was accurate.

• The work of Gérald Bertot aka Thomas Owen, a Belgian author of weird fiction, is explored at A Journey Round My Skull.

The Other Side of the Wind, Orson Welles’ unfinished film from 1972, may finally be given a release.

• Jon Savage celebrates Roy Harper and his extraordinary Stormcock album.

Philip Pullman wants the Tory philistines to leave our libraries alone.

• Rick Poynor takes a dérive through the arcades of Paris.

Space music new and old.

Young Savage (1977) by Ultravox | Clicktrack (2010) by John Foxx & Jonathan Barnbrook.