Weekend links 96

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Sin título (monstruas) (2008) by Marina Núñez.   

• Salon asks Christopher Bram “Is gay literature over?” Bram’s new book, Eminent Outlaws: The Gay Writers Who Changed America, is reviewed here.

Robert Montgomery is profiled at the Independent as “The artist vandalising advertising with poetry.”

In addition to aesthetics, McCarthy noted a deeper link between great science and great writing. “Both involve curiosity, taking risks, thinking in an adventurous manner, and being willing to say something 9/10ths of people will say is wrong.” Profound insights in both domains also tend arise from a source beyond the limits of analytic reason. “Major insights in science come from the subconscious, from staring at your shoes. They’re not just analytical.”

Nick Romeo meets Cormac McCarthy at the Santa Fe Institute.

• For FACT mix 316 Julia Holter mixes radio broadcasts, street recordings and music.

• This week in the Tumblr labyrinth: fin de siècle art and graphics from Nocnitsa.

“There’s a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future,” he says. “All of the genuinely interesting work is being done on the margins, with independent companies, self-producing, and alternative distribution networks.”

Alan Moore on Watchmen’s “toxic cloud” and creativity v. big business.

Stone Tape Shuffle, a 12” LP of readings by Iain Sinclair. Limited to 400 copies.

Monolake on how we cope with death: mythologies, rituals, drugs and Ghosts.

Kraftwerk perform at New York’s Museum of Modern Art in April.

Kathy Acker (in 1988?) interviewing William Burroughs.

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Willy Pogány’s erotica: illustrations for a 1926 edition of The Songs of Bilitis by Pierre Louÿs.

• Nicholas Lezard on David Lynch: director of dreams.

Did otherworldly music inspire Stonehenge?

Coilhouse has an Eyepatch Party.

Tanzmusik (1973) by Kraftwerk | The Model (1992) by the Balanescu Quartet | Trans Europe Express (2003) by the Wiener Sinfonie Orchestra & Arnold Schönberg Choir.

Weekend links 95

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Seven Songs (1982) by 23 Skidoo. Sleeve by Neville Brody.

The first volume of The Graphic Canon will be published in May by Seven Stories Press, a collection of comic strip adaptations and illustrations edited by Russ Kick. The anthology has already picked up some attention at the GuardianWestern canon to be rewritten as three-volume graphic novel—and Publishers’ WeeklyGraphic Canon: Comics Meet the Classics. I know someone who’ll bristle at the lazy use of “graphic novel”. The Graphic Canon isn’t anything of the sort, it’s a three-volume voyage through world literature presented in graphic form with a list of contributors including Robert Crumb, Will Eisner, Molly Crabapple, Rick Geary, and Roberta Gregory. My contribution is a very condensed adaptation of The Picture of Dorian Gray that will appear in volume 2. More about that closer to the publication date.

• LTM Records announces a vinyl reissue for Seven Songs (1982) by 23 Skidoo, an album produced by Ken Thomas, Genesis P Orridge & Peter Christopherson that still sounds like nothing else. Related: an extract from Tranquilizer (1984) by Richard Heslop, cut-up Super-8 film/video with audio collage by 23 Skidoo.

• New exhibitions: Another Air: The Czech–Slovak Surrealist Group, 1991–2011 at the Old Town City Hall, Prague (details in English here), and Ed Sanders – Fuck You / A Magazine of the Arts 1962–1965 at Boo-Hooray, NYC.

• “…we have a situation where the banks seem to be an untouchable monarchy beyond the reach of governmental restraint…” Alan Moore writes for the BBC about V for Vendetta and the rise of Anonymous.

Announcing Arc: “a new magazine about the future from the makers of New Scientist“. Digital-only for the time being, as they explain here. Their Tumblr has tasters of the contents.

• From another world: Acid Mothers Temple interviewed. Also at The Quietus: Jajouka or Joujouka? The conflicted legacy of the Master Musicians.

• More from Susan Cain on introverts versus extroverts. Related: Groupthink: The brainstorming myth by Jonah Lehrer.

Ten Thousand Waves, an installation by Isaac Julien.

Afterlife: mouldscapes photographed by Heikki Leis.

• The book covers of Ralph Steadman. And more.

• “James Joyce children’s book sparks feud

Arkitypo: the final alphabet.

Book Aesthete

Kundalini (1982) by 23 Skidoo | Vegas El Bandito (1982) by 23 Skidoo | IY (1982) by 23 Skidoo

Erotic bookplates by Franz von Bayros

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Tuesday’s bookplate post included a rather mild example by Franz von Bayros (1866–1924), the greatest pornographic artist of his generation. Quite by accident I found a substantial collection of his work earlier this week that includes more bookplates.

Von Bayros is far better known today than he would have been during his lifetime when his explicit rococo prints and drawings were available only to collectors. Erotic couplings of any variety quickly become repetitive so the Von Bayros approach was to make a feature of the decor and design, creating elaborate frames and decorative embellishments where the tiniest details emphasise the theme. Alan Moore once described this process to me as “fractal porn”, something you can see at work in these bookplates which are part of a substantial cache at Zeno.org. This is the best collection of Von Bayros art I’ve seen anywhere, quality copies for the most part, in with what appear to be complete sets from each of his illustrated editions. Whenever I look at this artist’s work I think it’s a shame he wasn’t gay. But then as Osgood says at the end of Some Like It Hot: “Nobody’s perfect!”

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Continue reading “Erotic bookplates by Franz von Bayros”

Weekend links 91

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Untitled (1978) by GR Santosh at 50 Watts.

Evertype Publishing produces a range of Lewis Carroll special editions including Ailice’s Àventurs in Wunnerland (a translation in Scots), Alicia in Terra Mirabili (a Latin version), and an edition printed in the Nyctographic Square Alphabet devised by Carroll.

• This week’s bookshop animations: Type Books, Toronto presents The Joy of Books while at Shakespeare and Company, Paris, Spike Jonze and Simon Cahn explore the erotic life of book covers in Mourir Auprès de Toi.

• Invisible Girls and Phantom Ladies, a 1982 article on sexism in (US superhero) comics by Alan Moore. Thirty years on, things haven’t improved much at all.

I reread it now, 35 years later, and I am struck by its capacity to change like a magic mirror. Where I had originally seen it as a book about writing, about becoming a writer, I now see it as a book about reading, about taking one’s place in the chain. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.

Tilda Swinton on Virginia Woolf’s Orlando

Dark Water, Lovecraftian carpet designs (yes, carpets) by Kirill Rozhkov. Danish carpet manufacturer Ege has a catalogue showing the finished products.

Neil Gaiman ventures into the treacherous labyrinth of M. John Harrison’s Viriconium.

Nicholas Lezard reviews The White People and Other Weird Stories by Arthur Machen.

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The Dream (1910) by Henri Rousseau at the Google Art Project.

• Reassessing the Saul Bass and Alfred Hitchcock Collaboration by Pat Kirkham.

• Getting There Too Quickly: Peter Bebergal on Aldous Huxley and Mescaline.

Hidden in the Open: A Photographic Essay of Afro-American Male Couples.

Filles En Aiguilles, a new musical work by Schütze+Hopkins.

RubiCANE’s Erotic Illustrations.

Laurie Anderson has a Godplex.

Alan Bennett on Smut.

The Jungle Line (1975) by Joni Mitchell | The Jungle Line (1981) by Low Noise (Kevin Armstrong, Thomas Dolby, JJ Johnson & Matthew Seligman) | The Jungle Line (2007) by Herbie Hancock with Leonard Cohen.

Weekend links 88

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Typographic Composition (1924) by Teresa Zarnowerówna from a post about Polish graphic design at 50 Watts.

• “Direct action is a matter of acting as if you were already free… […] …the link between military and money systems remains the dirty secret of capitalism.” A lengthy and essential interview with “anarchist anthropologist” David Graeber, author of Debt: The First 5000 Years.

• “…it was after being told by an art director that he preferred her images of women to men that Toyin [Ibidapo] began to shoot boys in an attempt to prove him wrong. Something that Cult of Boys does perfectly.”

The pornographic imagination is deeply intertwined with the pain and horror of life. Some of that comes from our basic biological reality, which is unpleasant enough, and much of it comes from our social structures. Biological life has been completely degraded and continues to become more and more degraded in novel and more horrific ways, so it is inevitable that our horrible social structures – our schools, prisons, families, slaughterhouses and farms – become sites for the pornographic imagination.

Stephen Beachy discusses his novel, boneyard.

• “To my right is a wall bracket that, on closer inspection, turns out to be a human face made of porcelain fruits. The anteater rests on top of the television.” Jonathan Jones meets Jan Svankmajer.

Anselm Kiefer‘s new exhibtion at White Cube, London, takes its name and some inspiration from Fulcanelli’s alchemical exegesis, Le Mystère des Cathédrales (1926).

• Today (Sunday, 11th December) on Resonance FM at 8.00pm GMT, Alex Fitch talks to Alan Moore about HP Lovecraft and related matters.

Nick Hydra is putting all 112 issues of occult encyclopaedia Man, Myth & Magic online.

• Ira Cohen ‘s 1968 film The Invasion of Thunderbolt Pagoda is available again on DVD.

• Colleen Corradi Brannigan’s paintings of Italo Calvino’s Invisible Cities.

• “Margate’s a bloody toilet!” Can you handle The Reprisalizer?

• Bibliothèque Gay on Cocteau’s Le livre blanc (in French).

• Josie & the Pussycats in A Clockwork Orange.

Lovely Book Covers

Words With The Shaman (1985) by David Sylvian w/ Jon Hassell, Steve Jansen & Holger Czukay – I: Ancient Evening | II: Incantation | III: Awakening (Songs From The Treetops).