Weekend links 349

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• Before Stanley Kubrick fixed an image of Alex and his droogs in the popular imagination, artists could get away with playing on the threat of biker gangs as Wilson McLean does in this vaguely psychedelic cover from 1969. (McLean’s interpretation may possibly derive from a 1965 edition.) LibraryThing has a collection of Clockwork Orange covers from around the world which run the gamut of cogs, orange hues and variations on David Pelham’s famous Penguin design from 1972. Meanwhile, AL Kennedy celebrates 100 years of Anthony Burgess by examining the writer’s career as a whole, although the web feature still manages to get a photo of Malcolm McDowell in there.

• “Even bad books can change lives,” says Phil Baker reviewing The Outsider by Colin Wilson and Beyond the Robot, a Wilson biography by Gary Lachman. I wouldn’t call The Outsider a bad book but Wilson’s more wayward opinions (and later works) are best treated with scepticism.

• “Murtaugh refers to his subject’s ‘pervasive sense of doom’ and Welch himself speaks of ‘the extraordinary sadness of everything.'” David Pratt reviewing Good Night, Beloved Comrade: The Letters of Denton Welch to Eric Oliver, edited by Daniel J. Murtaugh.

• At The Quietus this week: Tinariwen bassist Eyadou Ag Leche is interviewed by Richie Troughton, Jane Weaver unveils a new song from her forthcoming album, Modern Kosmology, and Danny Riley explores the strange world of Ben Chasny.

• “A micro-history of cultural gatekeeping: once told by the censors what we may read, then by critics what we should, we are now told merely what we can read.” Ben Roth writing against the use of “readability” as a literary value.

• Yayoi Kusama’s amazing infinity rooms are at the Hirshhorn Museum and Sculpture Garden, Washington DC, until May. For the rest of us, Peter Murphy’s panoramic photo is still online.

• More music: my friends Watch Repair have become visible enough to be interviewed by an Argentinian website. The group’s Bandcamp page recently made three new releases available.

• Yet more music: They Walk Among Us, a new song and video by Barry Adamson, and Anymore, a new song and video by Goldfrapp.

• Earth and The Bug announce Concrete Desert, a collaborative album inspired by Los Angeles and the fiction of JG Ballard.

• Bad Books for Bad People: Episode 7: The Incal – Epic French Space-Opera Comics.

• Mixes of the week: FACT Mix 589 by Aisha Devi, and Secret Thirteen Mix 212 by Qual.

Eduardo Paolozzi‘s forays into fashion and furnishings.

Cooking with Vincent [Price]

Moroccan Tape Stash

• Tin Toy Clockwork Train (1986) by The Dukes Of Stratosphear | Clock (1995) by Node | Clockwork Horoscope (2009) by Belbury Poly

Weekend links 65

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From Light Beyond Sound, a new series of works by Tatiana Plakhova.

“The invasion philosophy of the Olympic Park strikes me as just like the invasion philosophy behind going into Iraq,” he says, “or anywhere else that you blast into, put up the fence, establish the Green Zone, explain everything, put it all into this lovely eco-terminology…” Iain Sinclair

• Iain Sinclair has a new book out, Ghost Milk: Calling Time on the Grand Project, a critique of the tendency of British governments to waste money on white elephant projects. He’s visited this territory before in Sorry Meniscus, the small book/essay about the Millennium Dome. That book grew out of a piece for the London Review of Books which can be read here. Among the current round of interviews there’s this piece in which the title of the book is explained, and a talk with John Walsh at The Independent where he describes how the site for the 2012 Olympics has destroyed his patch of London.

A celebration of the writing and art of Mervyn Peake: “Mervyn Peake, creator of Gormenghast, is now recognised as a brilliant novelist and artist. Michael Moorcock, China Miéville, Hilary Spurling and AL Kennedy celebrate his achievements.”

• Looking like a children’s book invaded by the inhabitants of alchemical engravings, Die Geburtstagsreise (The Birthday Trip, 1976) by Monika Beisner.

• At AnOther mag this week: The ear in Blue Velvet and publisher Peter Owen on Salvador Dalí’s novel Hidden Faces.

Four Days, Four Recordings by Jon Brooks aka The Advisory Circle. Related: The Hauntological Society.

Leaving it to Chance: maverick director Nicolas Roeg on Don’t Look Now.

Brian Eno: “This is my problem with Tracey Emin; who fucking cares?”

• Scans of Max Ernst’s masterwork Une Semaine de Bonté.

Susie Bright: Mapping the Erotic and the Revolutionary.

How to Become a Sensuous Witch, 1971.

The View From Her Room (1982) by Weekend | Weekend live on the OGWT (October, 1982) • Gormenghast Drift (1992) by Irmin Schmidt.