Weekend links 118

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The Garden of Urban Delights (2010) by Marcin Owczarek.

His protagonists are misfits: alienated, implicitly gay, longing for love, frequently hard to be around, always fixated on small pleasures that compensate for an essential feeling of not belonging. […] His patroness Edith Sitwell termed him “that rare being, a born writer.” William Burroughs dedicated The Place of Dead Roads to him, declaring Welch “certainly the writer who most directly influenced my work.” John Waters has called In Youth is Pleasure “so precious, so beyond gay, so deliciously subversive, [it] is enough to make illiteracy a worse social crime than hunger.”

Sadie Stein on Denton Welch, a writer I’m embarrassed about still not having read. Edith Sitwell and William Burroughs had a famously disputatious correspondence in the pages of the TLS over The Naked Lunch. An appreciation of Welch’s work was one of the few things they had in common.

• Don’t mention guitars: Robert Hampson on acousmatic music, the curse of Loop and the rebirth of Main.

• No Straight Lines: A Collection Of Queer Comics part one, part two, part three. A history by Justin Hall.

Pieces Of Gold by The Aikiu: shots from gay porn videos repurposed via some smart editing.

• RIP Ilhan Mimaroglu, electroacoustic composer. Ubuweb has a selection of his recordings.

“A good ground rule for writing in any genre is: start with a form, then undermine its confidence in itself,” he says. “Ask what it’s afraid of, what it’s trying to hide – then write that.” For Harrison, the most satisfying writers are “at odds with their cultural context. They’re trying to fit in and failing, or they’re trying to remove themselves and failing. The attempt to resolve the conflict is an angle – a frame or a context – in itself.”

The Guardian’s A Life in Writing profiles M. John Harrison. His new novel, Empty Space, was published on Thursday. There’s also this recent video interview with Arc magazine.

• Stephen Usery interviews editor Russ Kick about The Graphic Canon: Volume One.

At home with Prince Zaleski, the “most decadent and imperial detective in fiction”.

• A Visit with Magritte: photographs by Duane Michals.

Loitering airships could dispense drones on demand.

• Creating a Forever Object: Ian Schon’s Pen Project.

• A Tumblr for the late, lamented Arthur Magazine.

• “Few cities can boast a railway line for the dead.”

The Lost Tapes by Can: An Oral History.

Space Reflex (1963) by Dick Hyman & Mary Mayo | Space Is Deep (1972) by Hawkwind | Space Is The Place (1973) by Sun Ra | Space Moment (1995) by Stereolab | Space Pong (2006) by T++

Zeppelinology

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Robe dans le style Zeppelin, Berlin, vers 1930.

So after you’ve donned your very best Zeppelin dress (and grabbed a pair of binoculars)…

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…you can head on over to the Zep Diner for lunch.

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Try some of the Zeppelin Bread: it’s light as air!

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Afterwards (if it’s not too early) you can relax with a martini prepared in a Hindenburg shaker

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…whilst listening to Billy Murray singing a song about his (male) sweetheart, Come Take A Trip In My Airship, and browsing colour photographs of the Hindenberg interior.

(Thanks to Thom for starting the ball rolling with his new Paris/Berlin tumblr!)

Previously on { feuilleton }
Vickers Airship Catalogue
The Air Ship
Dirigibles
The Airship Destroyer
Zeppelin vs. Pterodactyls

Aether Cola

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Another piece of work from the end of last year has now been unveiled. The brief this time was from UK company Cybercandy who asked for a steampunk-themed cola can. If this sounds like the mechanical shark has been well-and-truly vaulted then it’s necessary to note that Cybercandy specialise in novelty food products with science fiction (or similar) themes. They also import food products from other countries. The cans are small size (250 ml) for which I chose a bronze/copper metallic ink that looks great on the finished articles. The job made a welcome change from work for books or CDs.

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Aether Cola is available from Cybercandy’s UK outlets. I’m not sure about the availability elsewhere but there’s a dedicated site for the drink here with details of their shops here.

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Previously on { feuilleton }
Crafting steampunk illustrations
SteamPunk Magazine
Morlocks, airships and curious cabinets
The Steampunk Bible
Steampunk Reloaded
Steampunk overloaded!
More Steampunk and the Crawling Chaos
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts

Crafting steampunk illustrations

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Today’s post is another guest piece at Tor.com where I talk a little about using collage to create steampunk illustrations and designs. The post is part of their Steampunk Week, and I take the opportunity to acknowledge the influence of some artists who have become familiar points of reference here, namely Max Ernst and Wilfried Sätty.

Meanwhile, in light of this news, I should say that I don’t own an iPod, iPad or iPhone but there are four Apple computers of various vintage in this place, all of which have been used to create the art and design work I’ve been producing since the late 1990s. Apple machines and Adobe software literally changed my life by allowing me to get involved in graphic design and create artwork that would have been impossible to produce using pencil, ink and paint. Many thanks, then, to Steve Jobs. And RIP.

Previously on { feuilleton }
Initiations in the Abyss: A Surrealist Apocalypse
SteamPunk Magazine
Morlocks, airships and curious cabinets
The Steampunk Bible
Vultures Await
Steampunk Reloaded
Wilfried Sätty: Artist of the occult
Illustrating Poe #4: Wilfried Sätty
Steampunk overloaded!
More Steampunk and the Crawling Chaos
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts

Weekend links 75

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Eternal Pain (1913) by Paul Dardé. (And also here)

Rain Taxi caused a stir this week with its savaging of Hamlet’s Father by science fiction writer Orson Scott Card. The book is another of Card’s blatherings about the hell of being homosexual dressed in garments stolen from the unfortunate William Shakespeare. Rain Taxi made the obvious point about many of Shakespeare’s sonnets being homoerotic. For my part I was more appalled by the quoted extract which reduced one of the greatest plays in the language to that lifeless, cardboard-character-speak which is endemic in bad genre writing. News of the travesty quickly spread to gay news blogs, The Outer Alliance and elsewhere, ensuring that what’s left of Card’s reputation continues to spiral down a Mel Gibson-shaped black hole.

• “Sounds only like itself, like no one before or after.” Julian Cope on Tago Mago by Can which will be reissued in a new edition in November. Nice to see the return of the original sleeve design, something I saw once in a record shop then didn’t see again for years. For a long time I thought I’d imagined it. Related: two German art exhibitions inspired by the group.

The Responsive Eye (1965), a catalogue for the MoMA exhibition that launched Op Art. Also at Ubuweb: La femme 100 têtes, a film by Eric Duvivier based on the collage work by Max Ernst.

• More apocalyptic art: William Feaver on John Martin whose exhibition will be opening at Tate Britain later this month. There’s a trailer here.

Borges and I, an essay by Nandini Ramachandran. Related: Buenos Aires: Las Calles de Borges, a short film by Ian Ruschel.

• “Who was JG Ballard? Don’t ask his first biographer,” says Robert McCrum.

Biologically-inspired fabric and material design by Neri Oxman.

• Cross-pollinating subgenres: “Steampunk ambient” at Disquiet.

In the Shadow of Saturn, a photo by the Cassini spacecraft.

• The art and fashion designs of Alia Penner.

Fleet of hybrid airships to conquer Arctic.

• RIP Jordan Belson, filmmaker.

• Ten years of Ladytron whose new album is released on the 12th of September: Playgirl (2001), Seventeen (2002), Destroy Everything You Touch (2005), Sugar (2005), Ghosts (2008), Ace Of Hz (2011).