The art of Ivan Bilibin, 1876–1942

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Ivan Tsarevich catching the Firebird’s feather (1899).

The Firebird again, one of Bilibin’s many illustrations of Slavic folktales. These examples are from the collection at Wikimedia Commons. SurLaLune has more of Tsarevitch Ivan, the Firebird and the Grey Wolf (1899) along with other Bilibin books while the trusty Internet Archive has a 1917 edition of Russian Wonder Tales.

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Ex libris design (1922).

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Ruslan and Giant’s Head (1917).

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The illustrators archive

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Magic carpet ride

Grandville’s Un Autre Monde

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Un Autre Monde by JJ Grandville is a satire from 1844 whose wittily inventive illustrations were among that select group of prior works which received praise from the Surrealists. Some of them also act as early examples of humorous science fiction, and the two pieces shown here have been reprinted endlessly, they even turn up in histories of astronomy. The other illustrations are rarely seen, however, so it’s good to find a Flickr set with scans of the entire book. Comic artist Philippe Druillet took the bridge between worlds as the inspiration for his Lone Sloane story Torquedara Varenkor: The Bridge Over the Stars in 1970, turning the already unlikely construction into a galaxy-spanning edifice.

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The etching and engraving archive

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Druillet meets Hodgson

Jewelled butterflies and cephalopods

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Above: gold, silver & enamel butterfly and squid, both by John Paul Miller. More at this Flickr page.

Below: Tintenfisch und Schmetterling (Octopus and Butterfly; 1900) by Wilhelm Lucas von Cranach, a master jeweller who liked his octopuses.

Tips by Chateau Thombeau and Fine & Dandy (NSFW).

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Geoffrey Haberman’s brass insects
Elizabeth Goluch’s precious metal insects
Kelly McCallum’s insect art
The art of Jo Whaley
The art of Philippe Wolfers, 1858–1929
Lalique’s dragonflies
Lucien Gaillard

Ronald Balfour’s Rubáiyát

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If the work of illustrator Ronald Balfour (1896–1941) isn’t as well-known as it should be it’s probably because his 1920 edition of the Rubáiyát is his sole major work according to a recent feature in Book & Magazine Collector. These illustrations were produced when he was 24 and while the drawing can be uncertain in places, they’re really splendid examples of the post-Beardsley style, owing far more to Aubrey’s flourishes and details than to the usual Arabian exotica found in other Omar Khayyam adaptations. As usual I love the profusion of peacocks and winged figures, and, unlike many rare editions of this period, we’re fortunate that someone has put all the illustrations onto Flickr. Feast your eyes here.

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Elsewhere on { feuilleton }
The illustrators archive