It was just over a year ago that I was wishing there was some way to see whole issues of Jugend magazine, the German periodical launched in 1896 whose Art Nouveau style gave its name to the movement in Germany, Jugendstil. Yesterday’s search for Heinrich Vogeler artwork turned up that very thing, scanned editions of Jugend at the University of Heidelberg’s digital archive. Whole numbers from 1896 to 1925! I am aghast. As well as the scanned pages being very high quality you can download the bound collections as PDFs, each one totalling over 400 pages. Leafing through pages of old magazines in a foreign language doesn’t sound very stimulating if you can’t read German but Jugend was a very visual publication. Each issue is crammed with a variety of drawings in styles which range from black-and-white Art Nouveau motifs and quasi-Symbolist illustration to humorous drawings and cartoons. Each issue also featured a large drawing or painting on a fold-out spread.
Heinrich Vogeler’s illustrated Wilde
The Fisherman and his Soul.
It’s always satisfying when a search intended to satisfy curiosity turns up more than you expect. The subject in this case was German artist Heinrich Vogeler (1872–1942) and the surprise was finding these illustrations for a German collection of Oscar Wilde stories lurking in the archives of the Visual Telling of Stories site. The stock of imagery there is substantial and wide-ranging but the search facility stopped working a while ago and has now been removed so you either have to hit things at random or hope for happy accidents such as this. Vogeler’s volume dates from 1911 and while his draughtsmanship isn’t as assured as some of his contemporaries there’s enough going on to make me want to see more of his illustration work.
The Young King.
Elsewhere on { feuilleton }
• The illustrators archive
• The Oscar Wilde archive
Weekend links 3
It’s a curious feeling when a drawing which is nearly 26 years old makes it out into the world. The image above is the cover of a new 7″ single release, Dominion of Avyaktam by metal band Orator, the picture being something I drew in 1984 entitled Mahakala after the Tibetan deity which it depicts. The inspiration was the cover of another recording, a Nonesuch Explorer album, Tibetan Buddhism – Tantras Of Gyütö: Mahakala, and also the track Mahakala by 23 Skidoo from their 1983 album The Culling is Coming. The skull is drawn from a real one I was given. Looking at this today none of the elements seem to work together—and the landscape stuff looks like a lazy way of filling in space—but it’s nice to see it find a home. Dominion of Avyaktam is out now on the Legion of Death label.
• Surprise of the week: two books I’ve worked on were nominated for Nebula Awards, Jeff VanderMeer’s Finch, and Kage Baker’s The Hotel Under the Sand whose interior I designed.
• More music: a recording of Paul Schütze’s Third Site played live in 1999 (with Clive Bell, Raoul Björkenheim, Simon Hopkins & Thomas Köner’s voice) is now available as a free download on his website. More Schütze: Paul Schütze & Simon Hopkins playing a set at the Horbar in Hamburg on December 28, 2009.
• The incredible pinscreen animations of Alexander Alexeieff and Claire Parker are finally available on DVD. Also new to DVD, Alan Bennett at the BBC, a four-disc set of some of his TV plays including a particular favourite of mine, his Kafkaesque drama The Insurance Man.
• More Ghost Box business: Jon Brooks aka The Advisory Circle has a blog. And Ghost Box’s Jim Jupp was interviewed recently by Peter Bebergal at Mystery Theater. Related (forgot to mention this last week): The ASDA Mix, a great mixtape of spooky retro weirdness by Moon Wiring Club available for free at The Wire.
• The trailer for Mellodrama, a documentary about the Mellotron by Dianna Dillworth.
• The Parajanov Festival will be screening some of the director’s films in London and Bristol.
• Lots of weird and wonderful exhibits at the ~Wunderkammer~.
The recurrent pose 31
Two more variations on the Flandrin pose. The photo above is by Chris Knight who has a selection of luscious homoerotica if you look in his “Human Form” gallery. Thanks again to Thom!
The picture below of French rugby player Maxime Médard is from a recent feature in Vanity Fair Italia with photography by Claudio Carpi. Although this deviates slightly from the customary posture, I try and thrown in some beef now and then for those who feel deprived by the surfeit of lithe and twinky creatures. Via VGL.
Elsewhere on { feuilleton }
• The recurrent pose archive
Jorge Luis Borges’s lost translations
Jorge Luis Borges’s lost translations | A dispute with Borges’s estate has left works he produced with the translator Norman Thomas di Giovanni in publishing limbo.