A journal by artist and designer John Coulthart.
Two untitled neo-Baroque works by Argentinian artist Rodolfo Sanz. No details of construction for these but a number of them use nautilus and other shells. His more recent work takes the form of miniature theatres and galleries.
Thanks to Ed for the tip!
Painting by Matthew Buck.
I’ve linked in the past to previous shows at Observatory, an arts and events space in Brooklyn, NY, so I’m very pleased to be contributing to their forthcoming exhibition, A Love Craft: Art Inspired by Monsters, Madness and Mythos, which takes HP Lovecraft’s work as its theme. Other participants will include Aeron Alfrey, Esao Andrews, Matt Buck, Paul Carrick, Melita Curphy, Mike Dubisch, Bob Eggleton, FuFu Frauenwahl, Cyril van der Haegen, Dan Harding, Stephen Hickman, Joshua Hoffine, Kurt Komoda, Dieter Van der Ougstraete, Greg Ruth, Johnny Ryan, Andrew Scott, Allison Sommers, and AJ Wagar.
Wilbur Whateley from The Dunwich Horror (1989).
Prints of four of my Lovecraft-related works will be on display including everyone’s favourite rendering of Wilbur Whateley’s terminal moment from The Dunwich Horror. Visitors will have a rare opportunity to see my ink drawing of R’lyeh at a large size. I’m also told that prints of various works will be available for purchase but you’ll have to either visit the exhibition or contact Observatory for further details.
A Love Craft opens on Friday, June 11th at 7:00pm and runs to July 23rd, 2010.
Previously on { feuilleton }
• The monstrous tome
• Lovecraftian horror at Maison d’Ailleurs
I have a peacock-heavy piece of art out next month so with that grasping for spurious relevance here’s a few more peacock discoveries.
Antoine Helbert‘s untitled peacock man is one of a number of striking portraits turning humans into birds. Via Chateau Thombeau.
Peacock styles, Anchor Buggy Co. (1897) at the Library of Congress.
Ed Jansen writes again with news that no. 13 of his Dutch-language web magazine Passage is now online:
Number 13 of Passage contains stories about the Buddha Machine, a strange little box that emits music, then there is ‘Escape from the dollhouse?’, which is about the art of Hans Bellmer, surreal and strangely erotic, ‘The Skeleton that Climbed in Through the Window’ tells the equally strange and sad story of the life of Unica Zürn, companion of Bellmer and ‘Nomads of the Timestream’ is of course about the work of Michael Moorcock. This collection begins and ends with two sides of a story about the version of the visit of Odysseus to the Underworld, by Ezra Pound.
The customary eclectic mix, in other words. The Buddha Machine section is a nice overview of recent ambient music machines. I love the ad art for Zhang Jian’s Short-Wave of Bengal Bay.
Previously on { feuilleton }
• Passage 12
• Gristleism
• Passage 11
• Buddha Machine Wall
• Passage 10
• God in the machines
• Layering Buddha by Robert Henke
Jean Michel as Fantômas.
Ernst Moerman’s Belgian short from 1937 is available for viewing at Ubuweb and is described on its title card as “Un film Surrealiste”. One might equally describe it as “un film amateur” since it’s very much in the home movie mould as was much of the independent cinema of this time. The direction may be perfunctory but the photography is surprisingly good in places. The action, such as it is, concerns an avatar of the Surrealists’ favourite anti-hero, Fantômas, in a series of farcical scenes many of which are filmed on a beach with a few spare props. The most notable moment for me is one which none of the online documentation mentions, a brief appearance by a youthful René Magritte who pretends to be painting Le Viol. Magritte was a great Fantômas enthusiast so his presence here isn’t too surprising.
Previously on { feuilleton }
• The Dark Ledger
• Judex, from Feuillade to Franju
• Fantômas