Dodgem Logic #4

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The magazine isn’t out for another couple of weeks but my cover art has been posted to various websites so I can finally show this here. Alan Moore was in touch at the beginning of February asking for a wraparound cover design, the only brief being that he liked my Alice in Wonderland calendar and asked for something equally florid or—for want of a better term—psychedelic. Alan’s magazine owes something to the underground mags of the 1960s and a common feature of those, especially Oz magazine, was a degree of provocation in the choice of cover art. A picture of two boys kissing is nothing more than a show of affection yet to many people the sight still inspires enormous outrage. This was demonstrated a week or so after I’d finished the cover when the Washington Post was deluged by angry letters and emails after they showed a photo of two newly-weds outside the Washington DC Superior Court. People used to have a similar reaction to the sight of a black man kissing a white woman; the only way attitudes change is when something becomes so commonplace it’s no longer worthy of note.

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Aside from the politics, this was also an excuse to run riot with more Art Nouveau motifs, especially peacocks and butterflies. The butterfly-winged boys are a nod to the paintings of Yannis Tsarouchis, and this in turn gave me an excuse to borrow from another magazine cover, Frank X Leyendecker’s 1922 painting of The Flapper for Life. Frank X was the brother of the more renowned illustrator JC Leyendecker. Joseph C was known to have been discreetly homosexual; so too was brother Frank according to this article in which case his butterfly woman has an additional resonance.

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Having written a lengthy polemic about Roger Dean’s work in January I had the idea of doing the magazine title in his lettering style. I spent the best part of two days working on these as I wanted the result to be as accurate as possible. All the gold parts of the cover shown here are gradients but I made a slightly different version for print which will render those areas in gold ink. I’m looking forward to seeing this printed.

Previously on { feuilleton }
Roger Dean: artist and designer
The art of Yannis Tsarouchis, 1910–1989
Dodgem Logic
Psychedelic Wonderland: the 2010 calendar
Butterfly women

Alexandre de Riquer book covers

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A pair of cover designs by the very prolific Alexandre de Riquer (1856–1920), an illustrator and designer who might be described as the Catalan equivalent of Alphonse Mucha. It’s often the case with the artists of this period that you find one or two examples of their work in books but see little else. Riquer has better representation on the web than most. These are from a post at Bajo el Signo de Libra which features other cover designs while this site has many pages devoted to the artist’s paintings, bookplates, poster designs, decorative work and even his books of poetry.

Elsewhere on { feuilleton }
The book covers archive

Krazy Kat animations

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Krazy Kat – Bugologist (1916).

Among the films at the Library of Congress YouTube channel are a number of shorts from the early days of animation including several of the first Krazy Kat films. George Herriman apparently had nothing to do with these, they were Hearst corporation spin-offs, which perhaps explains their lack of Herriman’s eccentricities. They’re necessarily crude, of course; cartoon animation had barely begun in 1916 and Walt Disney was yet to make a film. It’s curious watching a cartoon which transcribes the comic strip conventions so literally, with speech balloons growing from the characters mouths. Also at the LoC channel is one of the later Gertie the Dinosaur films and the very strange The Centaurs, both by Winsor McCay and son.

The specimens of Alex CF

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Artist Alex CF makes beautifully detailed—and very authentic—cases for cryptozoological specimens. I think I’d seen examples of these before but not the Lovecraft exhibits like this collection which presents samples and studies retrieved from the Mountains of Madness. Among other Lovecraftiana there’s also a case devoted to artefacts from R’lyeh. These would have been ideal additions to the Lovecraft show at Observatory which (as a reminder) opens this Friday.

Via ~Wunderkammer~. (I think. If it wasn’t, it should be…)

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Previously on { feuilleton }
At the Mountains of Madness
Walmor Corrêa’s Memento Mori
The art of Ron Pippin
Custom creatures
Cryptozoology
The Museum of Fantastic Specimens