{ feuilleton }

The Major Arcana by Jak Flash

The Fool.

I’d like this photo series by young British photographer Jak Flash even if it didn’t feature attractive men; the eye candy is icing on a thaumaturgic cake. The Major Arcana takes the Trumps of the Tarot as its inspiration and manages to reinterpret the symbolism whilst retaining the hieratic nature of the traditional images. Of his reworking, the photographer says:

I developed my own themes based around things like geometric shapes so that I could encode my images with meaning. The images link to each other and can be read to some extent almost as a progressive story, or commentary. Various signifiers are used throughout the images such as cubes, triangles and spheres to help communicate my ideas. Cubes for example are a representation of the material world and triangles show transition. In an image such as The Hanged Man we see two men firmly seated on a large cube, whilst above their heads another cube breaks apart around them. … The Lovers image is an interpretation of the fall of man from Eden. The man represents mankind in his fall after taking the fruit of Knowledge, whilst being denied eternal life. (More.)

The Major Arcana is available in book form at Blurb. Via Homotography, doing all the leg work once again.

top left: The Lovers; top right: Justice.
bottom left: The Wheel of Fortune; bottom right: The Sun.

Previously on { feuilleton }
• The Sapphire Museum of Magic and Occultism
• Strange Attractor Salon
• The art of Pamela Colman Smith, 1878–1951
• Layered Orders: Crowley’s Thoth Deck and the Tarot
• In the Shadow of the Sun by Derek Jarman
• The Major Arcana

Ghost clocks

Ghost Clock by Yee Ling Wan (2005).

We’ve had skeleton clocks and mystery clocks this week, ghost clocks would seem the next logical step. There don’t seem to be many devices which fit the label unfortunately but this pair are interesting enough. Yee Ling Wan’s clock is relatively cheap (around £70) compared to yesterday’s antiques and can be purchased from a number of online outlets.

Ghost Clock by Wendell Castle (1985).

Wendell Castle’s Ghost Clock isn’t a timepiece at all but is a solid block of mahogany carved and laminated to give a trompe l’oeil impression of a sheeted grandfather clock. The wrapped object and the confounding of expectations reminds me of Magritte who may have been an inspiration. Ce n’est pas une horloge, perhaps.

Previously on { feuilleton }
• Mystery clocks
• Skeleton clocks
• The Midsummer Chronophage
• The Corpus Clock

Mystery clocks

Yesterday’s post concerned skeleton clocks so I have to follow up with something about mystery clocks, those fascinating devices whose hands move without any apparent attachment to gears or clockwork. It’s the glass that moves, of course, and the trick is easily puzzled out in many of the pieces with circular faces. Rather more ingenious are square clocks like the simple and elegant Smiths Electric Mystery Clock from 1934 which used a central pane of glass moving from side to side to operate the hands. Especially impressive is this one-off piece which is entirely clear and seems to have no moving parts at all.

The clocks shown here are among the more lavish examples. The piece above is an early model from circa 1837 credited to Jean Eugène Robert-Houdin, the renowned stage magician who was also a notable inventor, clockmaker and scientist. Below is one of a series of Art Deco-styled clocks made by Cartier during the 1920s. Having the clock suspended rather than supported is an unusual touch which adds just that bit more mystery.

Previously on { feuilleton }
• Skeleton clocks
• The Midsummer Chronophage
• The Corpus Clock

Skeleton clocks

Behold the complexity of the Smith of Clerkenwell skeleton clock from 1865, one of many such intricate devices at this site devoted to the collection, restoration and construction of skeleton clocks old and new. The Clerkenwell manufacturers also made a musical version of this machine and I like this moonphase astronomical clock from 1870. Don’t mention Steampunk, these chronometers are surely Clockpunk if they’re anything.

Previously on { feuilleton }
• The Midsummer Chronophage
• The Corpus Clock

Portuguese Diseases

This volume appears to be in print now, the Portuguese edition of The Thackery T Lambshead Pocket Guide to Eccentric and Discredited Diseases, a unique fantasy anthology compiled in 2003 by Jeff VanderMeer and Mark Roberts. The new edition is published by Saida de Emergência and translated by Luís Rodrigues, João Seixas and Vítor Morta. I didn’t design this cover with its eccentric kerning but I did design the original edition for Night Shade, to date still one of my most elaborate and detailed book designs, too elaborate for the larger publishing houses, in fact, who either dropped or amended the deliberately diseased title spread for their paperback editions. You can see some of the original pages below. I sent the Portuguese publishers all the artwork and layouts but since I haven’t seen a printed copy of the book I don’t know how the interior looks. I don’t even know whether my name appears on the cover as it does here since other examples online show a different design. However, it’s often the case these days that cover designs get sent out prematurely for marketing purposes before things have been finalised.

Title spread.

Contents spread.

Previously on { feuilleton }
• Pasticheur’s Addiction