Weekend links 709

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Guardian Angels (1946) by Dorothea Tanning.

• “If photographs can outlive their subjects, and memory works like photography, do images somehow endure in the brain after death? Could these undead memories be recovered with the right technologies?” Speculative fiction from 1899 in Dr Berkeley’s Discovery by Richard Slee and Cornelia Atwood Pratt.

• Mix of the week: Astral Loitering: Excursions In New Age, 1970–1989: 210 minutes of well-chosen selections that continue where I Am The Center left off. In a similar zone, albeit more recent, there’s the regular monthly report from Ambientblog, DreamScenes—January 2024.

• At American Scientist: The Source of Europe’s Mild Climate: “The notion that the Gulf Stream is responsible for keeping Europe anomalously warm turns out to be a myth”. An article from 2006 that you’d think would be more widely known today.

The Anomalist: “World News on UFOs, Bigfoot, the Paranormal, and Other Mysteries at the Edge of Science”. Too many of the links lead to worthless tabloid filler but the headlines can be fun.

• Coming soon from Strange Attractor: Two-Headed Doctor: Listening for Ghosts in Dr John’s Gris-Gris, a book by David Toop which analyses the Doctor’s voodoo-themed debut album.

• At Unquiet Things: Beyond The Shadows Of The Labyrinth: Exploring the Groovy Kaleidoscope of Ted CoConis’ Art.

• DJ Food unearths a batch of Portuguese Hauntology via Prisma Sonora Records.

• At Dennis Cooper’s: John Waters Day (restored/expanded).

• New music: Moon by Retep Folo & Dorothy Moskowitz.

New Age (live) (1969) by The Velvet Underground | New Age (1980) by Chrome | 1966 – Let The New Age Of Enlightenment Begin (2014) by Sinoia Caves

Forbidden reproductions

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La Reproduction Interdite (1937) by René Magritte.

English translations of the title of Magritte’s painting vary, with Not to be Reproduced and Reproduction Prohibited being two of the most popular. I prefer Reproduction Forbidden, a title that sounds more serious, and with a use reinforced by Forbidden Games, the English title of a René Clement feature film, Jeux Interdits. Whatever the translation, this is one of Magritte’s most popular inventions, one that people like recreating.


The Flat (1968).

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Jan Svankmajer’s short has more justification for copying the painting than some of the examples which follow. Svankmajer and Eva Svankmajerová were members of the long-running Prague Surrealist group, and The Flat is very much a Surrealist piece, with a man trapped inside a room where none of the mundane objects behave as he expects. In addition to the overt Magritte quote there’s an appearance by Svankmajer’s film-directing friend, Juraj Herz, as a bowler-hatted man carrying a chicken.


Sabotage (1975) by Black Sabbath.

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The front cover is the Magritte idea but with them all facing away from the mirror.


One Of The Boys (1977) by Roger Daltrey.

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One of the things that makes Magritte’s original work so well is the blank space in the mirror which directs attention to the impossible reflection. I suspect that if design group Hipgnosis had been asked to imitate the painting they would have done something similar, avoiding the lacklustre effect achieved here by photographer Graham Hughes. Hipgnosis acknowledged their own debt to Magritte in the title of their first book, Walk Away René in 1978, and often constructed whole sets for photo shoots. Hughes tried another Magritte-like effect for the back cover of the Daltrey album but with diminished success.


Dolores Claiborne (1995).

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The following images are from films (and a TV series), two of which are coincidentally based on Stephen King stories. To date I’ve only seen Secret Window which isn’t one I’d recommend. Are there any more forbidden reproductions out there?


Secret Window (2004).

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The Double (2013).

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Us (2019).

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Euphoria (2019).

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Update: Added Sabotage and Euphoria.

Elsewhere on { feuilleton }
The Surrealism archive

Previously on { feuilleton }
René Magritte, Cinéaste
Magritte: The False Mirror
Magritte, ou la lecon de chose
René Magritte album covers
Monsieur René Magritte, a film by Adrian Maben
George Melly’s Memoirs of a Self-Confessed Surrealist
The Secret Life of Edward James
René Magritte by David Wheatley

Ragnar von Holten’s Maldoror

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More Maldoror, and more collage, this time from Swedish artist and art historian Ragnar von Holten (1934–2009). The Historical Dictionary of Surrealism describes von Holten as a Gustave Moreau enthusiast who first contacted the Paris Surrealists in 1960 when he was organising a retrospective of Moreau’s work at the Louvre. André Breton had long been a champion of Moreau, especially in the decades when the artist was out of fashion, and wrote a preface for von Holten’s L’Art Fantastique Gustave Moreau. One of the many things I like about the Surrealists is the continuity they provide with the history of fantastic and visionary art.

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Von Holten’s Maldoror collages were begun in the late 1960s and completed in 1972 when they were published in a Swedish edition of the novel. I don’t know how many illustrations there were in all but you can see more at the Moderna Museet website. Not all the collages are labelled as being derived from Maldoror but many of the titles refer to the text all the same. Also there are two drawings intended as vignettes, one of which depicts in a rather literal fashion Lautréamont’s most popular metaphor.

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Elsewhere on { feuilleton }
The Surrealism archive

Previously on { feuilleton }
Harry O. Morris’s Maldoror
Covering Maldoror
Kenneth Anger’s Maldoror
Chance encounters on the dissecting table
Santiago Caruso’s Maldoror
Jacques Houplain’s Maldoror
Hans Bellmer’s Maldoror
Les Chants de Maldoror by Shuji Terayama
Polypodes
Ulysses versus Maldoror
Maldoror
Books of blood
Magritte’s Maldoror
Frans De Geetere’s illustrated Maldoror
Maldoror illustrated