Cosmic eggs

1: The Metamorphosis of Narcissus (1937) by Salvador Dalí.

dali1.jpg

dali2.jpg


2: Geopoliticus Child Watching the Birth of the New Man (1943) by Salvador Dalí.

dali3.jpg


3: The Crack in the Cosmic Egg: Challenging Constructs of Mind and Reality (1971) by Joseph Chilton Pearce.

pearce.jpg


4: Karthago (1971) by Karthago.

karthago.jpg


5: Supernature (1973) by Lyall Watson.

watson.jpg

Cover art by Jerry Pinkney.


6: The Crack in the Cosmic Egg (1996) by Steven Freeman & Alan Freeman.

freeman.jpg


7: Cosmic Egg (2009) by Wolfmother.

wolfmother.jpg

Cover by Invisible Creature.


8: Krautrock: Cosmic Rock and Its Legacy (2012) edited by Nikos Kotsopoulos.

krautrock.jpg

Edmund Dulac’s Tanglewood Tales

dulac23.jpg

Another Dulac I’d not seen before, and what an exceptional edition it is. Tanglewood Tales is Nathaniel Hawthorne’s retelling of Greek myths, a popular book for children that’s been through many reprints. Dulac’s edition dates from 1918, with the illustrations combining some of the stylisation of Greek art with Dulac’s own derivations from Persian miniatures. This might seem odd historically—the Greeks and Persians were enemies, after all—but every plate is a beautiful piece of work. Collectors of Pan imagery should note a fine example in the twelfth painting.

dulac24.jpg

dulac25.jpg

Continue reading “Edmund Dulac’s Tanglewood Tales”

Edmund Dulac’s Tempest

dulac02.jpg

This is a copy of The Tempest that I managed to miss when I was looking for illustrated editions a few years ago. When Edmund Dulac is away from his beloved (and mythical) Arabia or Persia his work tends to resemble that of Arthur Rackham, and that’s what you get in this volume from 1915, a series of Rackham-like colour plates with a handful ink vignettes. Dulac shows us Ariel in his harpy form, and as the more familiar fairy being, while Caliban is depicted as a bearded troglodyte. Of note near the end is Prospero’s sword—which has a moon-shaped hilt of a type only seen in modern-day witchcraft or ritual magic—and the plate for “We are such stuff as dreams are made on”, a suitably strange and almost abstract rendering of a dissolving cosmos.

dulac01.jpg

dulac03.jpg

dulac04.jpg

Continue reading “Edmund Dulac’s Tempest”

Weekend links 293

meyohas.jpg

Red Petals by Sarah Meyohas.

• “For MMoB, I want it to be like a [Werner] Herzog movie, so at our concerts the people on stage aren’t necessarily people who are named. We’re trying to create an entity that is beyond music and relates visually and sonically with everything in a way that’s different.” Randall Dunn talks to Simona Mantarlian and Daniel Jones about the Master Musicians of Bukkake and his production work for other artists.

• “Is reel-to-reel tape the new vinyl?” asks FACT mag. It’s certainly better than cassette tape (if less convenient) but it was always a niche format for albums, even in the 1970s. Rene Chun made a similar argument for an emerging trend last October. Those expensive machines do look tempting… Early adopters should start collecting here before prices rise.

Airwaves: Songs From The Sirens is a new release of spectral audio transmissions by A Year In The Country: “…a gathering of scattered signals plucked from the ether, cryptograms that wander amongst the airwaves…” Physical versions come with the usual plethora of monochrome artefacts.

A vivid memory to his friends, Litvinoff was one of those people whose performance was their life. His most lasting achievement was the profound influence he had on Performance – the hallucinatory film directed by Nic Roeg and Donald Cammell, and starring Mick Jagger, which captured the London of the late 1960s, merging pop stardom, violent criminality, illegal drugs, gender-blurring, the occult and Jorge Luis Borges.

Jon Savage on David Litvinoff

• Virgin Prunes “are THE #1 most underrated group of the post-punk era” says Richard Metzger. I’d say that honour goes to The Passage but the Virgin Prunes were unique even if they’re too often dismissed as a freak footnote in the U2 story.

Magic, Witches & Devils in the Early Modern World is a free exhibition at the John Rylands Library, Manchester, that will run until August 2016. Related: “John Dee painting originally had circle of human skulls, x-ray imaging reveals.”

• “What I’m seeing now is an awful lot of people just following things. We tried to find our own thing and ask, ‘What else is there?'” Charles Hayward on the past and present of post-punk band This Heat.

• “I’ve never been tempted to write anything that was not essentially nightmarish.” Thomas Ligotti in a comprehensive profile (originally run in 2010) at Dennis Cooper’s blog.

• Mixes of the week: An introduction to Stereolab by Jon Dale, and Silent Radio Transmission Jan 2016 by SilentServant.

• Kicked Toward Saintliness: Max Nelson on the dark erotics of Jean Genet’s Our Lady of the Flowers.

• Reverse Engineering: Danny Hyde on Coil, Backwards and NIN.

Fuck Yeah! Anna von Hausswolff

Harry Flowers (1970) by Jack Nitzsche | Flowers In The Air (1970) by Sally Eaton | Darkness: Flowers Must Die (1972) by Ash Ra Tempel

Jumping, a film by Osamu Tezuka

jumping.jpg

Osamu Tezuka is best known as a prolific manga pioneer and the creator of Astro Boy. He also found time to direct several short animations which play with the form a little more than is allowed in big commercial productions. Copyright restrictions have been keeping these away from YouTube but Jumping (1984) is an exception. This is six minutes from the viewpoint of a young girl jumping along a street. A car approaches so she jumps over it. Then she jumps over a hedge, and a house, and… Watch it and see.