Category: {typography}

Typography

The Journal of Ottoman Calligraphy

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Seeing as we’re living through a period of recurrent paranoia and hysteria, with a whole state of matter being declared dangerous, with people falling under suspicion for not being white, and with events like this a daily occurrence, one can only wonder how we endured thirty years of deadly IRA terrorism in this country without panic in the streets or the nation turning into a police state.

Useful then to be reminded of some of the many positive aspects of Arab culture which is exactly what the Journal of Ottoman Calligraphy is devoted to. This is a new blog so there isn’t much there just yet (although what’s there is gorgeous) but I look forward to seeing what they post in the future.

Via the excellent BibliOdyssey.

Previously on { feuilleton }
• Word into Art: Artists of the Modern Middle East

Helvetica: the film

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Yes, a documentary about a typeface by Gary Hustwit. And why not, say I? More films about typography, please. I paid homage to the ubiquitous Swiss font with my design for Savoy’s A Serious Life which used Helvetica Neue in various weights throughout.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about the choices and aesthetics behind their use of type.

Helvetica encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day.

The film was shot in high-definition on location in the United States, England, the Netherlands, Germany, Switzerland, France and Belgium. It is currently in post-production and is slated to begin screening at film festivals worldwide starting in early 2007.

Interviewees in Helvetica include some of the most illustrious and innovative names in the design world, including Erik Spiekermann, Matthew Carter, Massimo Vignelli, Michael Bierut, Wim Crouwel, Hermann Zapf, Stefan Sagmeister, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, and many more.

Via Typographica.

New work for July

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This new Savoy volume was an exhausting task, 608pp with illustrations on nearly every page. The book is another study of Savoy’s long career as publishers with many digressions examining the various maverick and often unsavoury characters that have fuelled David Britton’s books and the wider Savoy corpus, from real and imagined fascists to pulp writers, movie cowboys, PJ Proby and sundry rock’n’rollers. It forms a loose trilogy with two earlier books, Robert Meadley’s A Tea Dance at Savoy and DM Mitchell’s A Serious Life.

For the design I wanted to avoid the obvious that the title would imply and play around with a different brand of totalitarian imagery, namely the iconography of Soviet Russia and its accompanying propaganda. We used Jonathan Barnbrook’s Newspeak font for all of the titles and headings, a great design that has the right look while still being contemporary. The cover and interior chapter spreads borrow elements of the Soviet style, with some nods towards the general Bauhaus and Art Deco designs of the 1920s and ’30s. It was an enjoyable project even if it did seem interminable at times.

Word into Art: Artists of the Modern Middle East

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Love by Hassan Massoudy.

Word into Art: Artists of the Modern Middle East
The British Museum
18 May–3 September 2006
Room 35
Admission free

Word into Art: Artists of the Modern Middle East is an exhibition based largely on the collections of the British Museum complemented by a number of loans. It demonstrates the imaginative ways in which artists across the Middle East and North Africa are using the power of the written word in their art today.

The exhibition includes wonderful examples of calligraphy transforming writing into art, books of poetry, and works which reflect current issues facing the modern Middle East.

Opening times
Daily 10.00–17.30
Open late Thursday & Friday until 20.30