{typography} – Page 43 – { feuilleton }

Weekend links 8

Another label design of mine for the Adur Brewery. Much as I like Otto Weisert’s Arnold Böcklin typeface it’s something I’ve been reluctant to use in the past due to its lazy deployment by UK shop sign makers. The ribbon motifs and the hops are adapted from one of my Art Nouveau reference books, however, so it seemed appropriate in this case.

• Dead Fingers Talk: The Tape Experiments of William S. Burroughs, a forthcoming exhibition at IMT, London, “presenting two unreleased tape experiments by William Burroughs from the mid 1960s alongside responses by 23 artists, musicians, writers, composers and curators.” Related: get a Naked Lunch t-shirt (or another cover design) at Out of Print clothing.

• Ronald Clyne: American folk modernist. Rediscovering the album and book cover designer.

• Better Things: The Life and Choices of Jeffrey Jones. A documentary about the work of artist Jeffrey Jones. Related: Mike Kaluta appears in the trailer and Golden Age Comic Book Stories has pages from Kaluta’s illustrated Metropolis (1988), a novel by Thea von Harbou.

• “I imagined myself as a giant penis launching off from earth like a spaceship.” WFMU’s Beware of the Blog explores Cary Grant’s use of LSD. Related: Orange Sunshine – The Brotherhood of Eternal Love and Its Quest to Spread Peace, Love, and Acid to the World, a book by Nicholas Schou.

• Britain’s armed forces have a lesson for the US: “Only 10 years ago, the Army was expelling soldiers for homosexuality. Now gay weddings get the regimental blessing.” A very modern military partnership.

• Cassette tapes and their growing curiosity/fetish value. Related: Michael Stipe and Maison Martin Margiela’s sterling silver microcassette charm.

• Another week, another theremin link: Detergent bottles become theremins.

• “Edinburgh is a city built on the production of books”.

• The National Archives UK’s photostream at Flickr.

• Typographic playing cards.

• A song for Cary Grant: The Trip by Park Avenue Playground, an obscurity from 1967. And These New Puritans have a new video for Attack Music.

Styles of Ornament

Pages from Styles of Ornament (1904), a collection of ornamental designs by Alexander Speltz. This is one of a great collection of books from the Digital Library for the Decorative Arts and Material Culture at the University of Wisconsin. I only found their collection today so I’ve yet to take a detailed look at the rest of the volumes.

And speaking of ornament, Callum at Front Free Endpaper posted this elegant Art Nouveau-styled cover from a Pearson’s Magazine collection, just the kind of thing I enviously covet.

Previously on { feuilleton }
• The Grammar of Ornament by Owen Jones

Equus and the Executionist

I wrote about Peter Shaffer’s fascinating play, Equus, in September last year, and in passing touched on the horse and Mari Lwyd-inspired paintings of Clive Hicks-Jenkins which seemed to complement the play’s themes of sexuality and passionate obsession. Callum James had been having similar thoughts about Clive’s art and urged his friends at The Old Stile Press to bring play and artist together. Clive was in touch last week to let me know that his illustrated edition of the play is now in print. The Old Stile Press produce limited collectors’ editions of books to the highest standard. Consequently these are expensive works but then they’re as much art pieces as books, as you can see from the care which has been lavished on this particular volume. Nice to see one of my favourite typefaces, Bodoni, used for the text.

Also in touch last week was photographer Gray Scott with news of this striking picture entitled Executionist which also happens to be a limited edition print. This is another expensive piece—as limited prints tend to be—but there’s no law that says the best things have to be cheap, is there?

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Dark horses
• Gray Scott

The Studio & Studio International

Back in February I posted some pictures from a 1971 collection of Art Nouveau illustration and design, some of which were competition entries from The Studio magazine. The Studio, which later became the long-running Studio International, can be seen from issue 11 onwards at the Internet Archive now that they’ve started uploading Google’s book scans. I’ve only looked at one of these so far, Volume 11–13 which runs over 850 pages and so takes some time to go through, as do all these rather unwieldy PDF books. The issues are missing their covers and so aren’t dated but would appear to be from around 1896 to 1898, one of the final entries being a memorial piece for Aubrey Beardsley who died that year; The Studio was the magazine which had introduced Beardsley to the public only five years earlier.

The Studio ran regular competitions among its readers and the examples shown here are from some of those. I especially like these type designs; dare we assume that the “Dorian” design below is named after Dorian Gray? As a whole the magazine is an odd mix of very dull Victorian art of the landscapes and artisans type, with occasional flares of interest when they devote a feature to the emerging Art Nouveau style or profile a Symbolist artist such as Giovanni Segantini.

A note for anyone wishing to download Google scans from the Internet Archive: some of the PDF links lead you to a Google page where they’re trying to sell you an e-text or get you to buy a book. To see the available files you need to click “All Files: HTTP”.

Previously on { feuilleton }
• The Great God Pan
• Art Nouveau illustration
• Jugend Magazine

Charles Ricketts’ Hero and Leander

Enthusiasts of Charles Ricketts’ illustrations can find book collections of his drawings and paintings but the artist (with partner Charles Shannon) was also a printer, typographer and book designer who would no doubt have preferred his illustrations to be seen in their intended setting. The Internet Archive has a few choice examples of Rickett’s books, of which the most profusely illustrated is Hero and Leander (1894), Christopher Marlowe’s poem (completed by George Chapman).

Also of interest is Danaë (1903) by Thomas Sturge Moore with its black and red type, A Bibliography of the Books Issued by Hacon & Ricketts (1904), and A Defence of the Revival of Printing (1899). The latter is of interest to book designers and typographers for its presentation of Ricketts’ aesthetic philosophy. Ricketts’ and Shannon’s books made continual use of a small leaf motif as a pilcrow to mark a fresh paragraph. In A Defence of the Revival of Printing Ricketts discusses his replacement for the ampersand (&), which he disliked, preferring instead a new character combining the letters E and T, ampersands being a contraction of the Latin word “et”. There’s also some discussion of his unique type designs which he charmingly refers to as “founts”, preferring, like contemporary William Morris, the antique terminology.

Colophon from Hero and Leander. A rose forms the monogram of Ricketts’ and Shannon’s Vale Press.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Art Nouveau illustration
• Dorian Gray revisited