Steampunk catalogued

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Another month, another exhibition catalogue. Steampunk: The Art of Victorian Futurism is still running at Artcenter IDA in Seoul with a selection of my book covers on display among a great variety of mechanical sculptures, costumes and other creations. The catalogue is a suitably lavish affair, so much so that it puts to shame many of the bandwagon-jumping coffee-table books that have been appearing recently. Excellent printing with lots of gold-ink embellishment, and all the exhibits are given substantial space. I especially like the mechanical type designs, and can now credit them to designers Se Byeol Moon and Han Woong Yoon. Korean TV news has run a couple of reports about the exhibition, the best of which may be seen here. The exhibition itself continues until May 18th.

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Previously on { feuilleton }
Steampunk: The Art of Victorian Futurism
Steampunk Calendar
Words and pictures
Nathanial Krill at the Time Node
Fiendish Schemes
Ghosts in Gaslight, Monsters in Steam
Steampunk Revolution
The Bookman Histories
Aether Cola
Crafting steampunk illustrations
SteamPunk Magazine
Morlocks, airships and curious cabinets
The Steampunk Bible
Steampunk Reloaded
Steampunk overloaded!
More Steampunk and the Crawling Chaos
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts

Weekend links 207

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Chthonic Cities by David Chatton Barker. One of a series of Folklore Tapes screenprints available from Bleep.

• The original version of Kenneth Anger’s Lucifer Rising, the one with the Jimmy Page soundtrack that was completed in 1973, has always been described as lost/stolen/buried or otherwise gone forever. So you’d think the news that a print had been discovered recently by Brian Butler would have received greater attention. There’s a screening in Los Angeles this Thursday. When do the rest of us get to see it?

Chris Marker: A Grin Without a Cat, an exhibition and series of Marker-related events at the Whitechapel Gallery, London. Related: The Encounter of M. Chat & Chris Marker as Told By Louise Traon.

• The trailer for The Gospel According to St Derek, a forthcoming documentary about Derek Jarman. Related: Carl Swanson on why Tilda Swinton is not quite of this world.

Maybe there’s just something conservative at the bedrock of American fiction. […] Or maybe it’s just another symptom of the creeping conservatism that’s infected so many aspects of the culture.

Eric Obenauf talks to author Jeff Jackson whose comments about cultural conservatism could equally be applied to the UK.

• Primitive graphics, inventive graphics, budget Surrealism, and some great theme tunes; it’s Trunk TV, Episode 1: Title Sequences.

• Mixes of the week: Secret Thirteen Mix 110 by Black To Comm, and Intro To Drone For Debcon 1, almost 7 hours of music!

Joseph Burnett reviews Ett, an album of electronic music by Klara Lewis.

The Delian Mode (2009), a film about Delia Derbyshire by Kara Blake.

• Extracts from Tokyo Reverse by Simon Bouisson and Ludovic Zuili.

Dan Piepenbring on The Haunting Illustrations of Alfred Kubin.

• At Strange Flowers: Photos of arcades by Germaine Krull.

• Fish, Fiends, and Fantasy: The Gothic Art of Ian Miller.

• At 50 Watts: Richard Teschner and His Puppets.

• Sonic Foam: Ian Penman on Kate Bush and Coil.

Bits and Pieces

Lucifer (1968) by The Salt | Experiment IV (1986) by Kate Bush | Methoxy-N, N-Dimethyl (5-MeO-DMT) (1998) by Coil

The Miracle of Bali: Recital of Music

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This is a great half-hour film of a type that the BBC used to produce on a regular basis when the corporation was still pursuing the Reithian mission of informing as well as entertaining. The Miracle of Bali was originally a series of three half-hour films broadcast in 1969: The Midday Sun, Night, and Recital of Music.

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The narrator is David Attenborough who leads us through a range of different music and dance performances from the island. This form of music is very familiar to me—I have several albums of gamelan music from Bali and Java—but I’ve never seen the instruments themselves presented in such detail before. There’s a taste of most of the main styles of Balinese music, beginning with a furious recital from a gamelan orchestra. Three dances follow, then the film ends with a stunning performance of the Kecak, or Monkey Chant. This is a common feature of recordings from Bali but seeing it staged takes the performance—which also includes dance and theatre—to a different level entirely. Watch it here. Via MetaFilter.

Previously on { feuilleton }
The Gamelatron

Weekend links 206

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Nova Express (2014) by Paul Komoda.

• Last week it was Kraftwerk, this week it’s Can in another astonishing 70-minute TV performance from 1970. For those who know where to look in the torrent world there are copies of these recordings circulating there.

JG Ballard: five years on. Extracts from introductions by John Gray, Hari Kunzru, Robert Macfarlane, Deborah Levy, James Lever, China Miéville and Michel Faber for a new series of Ballard editions.

• Mix of the week: Needle Exchange 147 by Inventions. Also at Self-Titled Mag: Suzanne Ciani on her Buchla beginnings, talking dishwashers, and why no one got electronic music in the ’70s.

• At Dangerous Minds: It’s So Far Out It’s Straight Down, a Granada TV documentary from 1967 featuring Paul McCartney, Allen Ginsberg, International Times, Pink Floyd et al.

The Wonderful World of Witches: Portraits of English Pagans. A photo-special from the 1960s at LIFE. Related: From 1974, the US TV ad for Man, Myth and Magic.

• Suspicious Minds: Adam Curtis on Stephen Knight, Jack the Ripper, squatters, heists, From Hell, and why people no longer trust those in authority.

• Here be men with beards and syntezators: Andy Votel‘s Top 10 Early Patch-Bay Polymaths From Eastern Europe.

The New York Public Library has made 20,000 maps available as free, high-res downloads.

• An oscilloscope video by Vincent Oliver & Steve Bliss for Riff Through The Fog by Clark.

Anne Billson interviewed Alejandro Jodorowsky in 1990.

• At BLDGBLOG: When Hills Hide Arches.

Do gay people still need gay bars?

Pixelord Dreams

I’m So Green (1972) by Can | Nova Feedback (1978) by Chrome | Gay Bar (2003) by Electric Six

Weekend links 204

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RIP Steve Moore. We never met, unfortunately, but I was very pleased he asked me to create a cover for his unique occult novel, Somnium, in 2011. Prior to this we’d been connected by shared acquaintances, colleagues, and membership in the informal cabal that was (and maybe still is) The Moon & Serpent Grand Egyptian Theatre of Marvels. Steve’s long friendship with Alan Moore (no relation) is well-documented, not least by Alan himself who made Steve the subject of his Unearthing project. One surprising connection for me was that Steve also had a link to Savoy Books. In the late 1960s he was working for comics publisher Odhams where he was able to copy for David Britton some Ken Reid comic art which Odhams had refused to print. Dave published the forbidden pages in his first magazine, Weird Fantasy, in 1969. In 2011 Steve talked to Pádraig Ó Méalóid about Somnium, and also to Aug Stone at The Quietus. Aug Stone penned a few memorial words here.

• “People love using the word ‘porn’ as long as there’s a partner for it. Pair ‘porn’ with something else and it’s usually a good thing. A celebration of style and culture. But that word on its own? Well.” Porn star Conner Habib asks why people have such a problem with porn actors.

Dave Maier‘s Russian cinema recommendations. Several favourites there including the magical and remarkable Shadows of Our Forgotten Ancestors (1964) which, as Maier notes, isn’t really Russian but should be seen in any case.

Shakespeare uses verbal magic, cantrips and ditties, nonsense songs and verses throughout the plays, but in Othello he gives a glimpse of how powerful a spell becomes when it’s no longer oral, but fixed in material form. The fatal handkerchief is no ordinary hanky; it’s a love spell, and it was made with gruesome and potent ingredients (mummified “maiden’s hearts”) by a two-hundred-year-old sibyl in Egypt—Egypt being the birthplace and pinnacle of magic knowledge.

Marina Warner on magic.

• Mixes of the week: an hour of electro-acoustics and contemporary classical recordings sequenced by Laurel Halo, and (from 2010) 36-minutes of “umbral electronic hypnagogia” by The Wyrding Module.

• “This is the book that, 10 years later, inspired Richard Hollis’s landmark design for John Berger’s Ways of Seeing.” Rick Poynor on Chris Marker’s Commentaires.

• Is the Linweave Tarot the grooviest deck ever made? Dangerous Minds thinks so.

• Bobby Barry talks to Holger Czukay about his 1969 audio collage, Canaxis 5.

• “What Happened to Experimental Writing?” asks Susan Steinberg.

Aldous Huxley‘s lectures on visionary experience at MIT, 1962.

Laura Palmer will see Agent Cooper again in just a few hours.

Callum found a copy of The Gay Coloring Book (1964).

Metal Cats

Moonshake (1973) by Can | Lunar Musick Suite (1976) by Steve Hillage | Dark Moon (1993) by Holger Czukay | Boy In The Moon (2012) by Julia Holter