The South Bank Show: Dracula

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While illustrating Dracula earlier this year I was listening to Wojciech Kilar’s soundtrack to Francis Coppola’s Dracula to sustain the vampiric mood. I also watched Coppola’s film again, it’s an adaptation I enjoy a great deal despite its flaws. (This post detailed some of the plus points.) The South Bank Show‘s programme devoted to Dracula on page and screen was broadcast in early 1993, timed for the opening of Coppola’s film in the UK. I watched this when it was first shown, and remembered it being a good one but neglected to go searching for it back in January. I also remembered it being more about Coppola’s film than it is, although there’s still enough to make it a substantial promo piece.

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The territory here may be familiar but the evolution of Stoker’s novel is contextualised by some expert commentators—Leonard Wolf, Elaine Showalter (with a copy of Bram Dijkstra’s Idols of Perversity at her side) and Christopher Frayling—while discussion of the film adaptations includes Christopher Lee, Francis Coppola, James V. Hart (the screenwriter of Coppola’s film), Gary Oldman, Winona Ryder and others. Among the film clips there are several scenes from Count Dracula, Gerald Savory’s 1977 adaptation for the BBC. This is surprising since The South Bank Show was screened by the BBC’s rival, ITV. But Savory’s Count Dracula is still the most faithful screen adaptation that I’ve seen (and possibly the most faithful to date) so it’s a worthwhile choice, and one whose naturalism makes a sober contrast to Coppola’s Sturm und Drang.

Previously on { feuilleton }
Illustrating Dracula
Illustrating Frankenstein
Dracula and I by Christopher Lee
The Dracula Annual
Nightmare: The Birth of Horror
Albin Grau’s Nosferatu
Count Dracula
Symbolist cinema

Weekend links 415

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The Creation of the Birds (1957) by Remedios Varo.

• “I think my music is very modern and very old. Together.” Sandy Robertson interviewed Popol Vuh’s Florian Fricke for Sounds in 1981. The Fricke-directed Sei Still Wisse ICH BIN referred to in the feature may be viewed here. Further Vuh-ing: Popol Vuh on Beat Club, 1971; a news clip of the group from the same year; a filmed improvisation from around the same time (Florian still had his Moog); and the group miming to recorded music from a year or two later.

• More Rammellzee (see last week): Gothic Futurism, a video collage based on Rammellzee’s treatise of the same name. Probably the only place you’ll ever see Rammellzee, the late Glenn Branca and art historian Kenneth Clark thrown together.

• After releasing 5 albums, Disjointed Oddities And Other Such Things is the first EP of “odd strange electronics, psych, Radiophonics, drone and quirky folk” by Keith Seatman.

Alina Cohen on Remedios Varo, a Spanish Surrealist painter whose work has been receiving increased attention in recent years but whose life remains under-examined.

• More German music: “I grew up in total ruins”—Irmin Schmidt of Can on LSD, mourning and musical adventures.

• Mixes of the week: FACT mix 655 by Matthewdavid, and The Monday Is Okay mix by JQ.

Olivia Laing, Sarah Wood and Philip Hoare discuss Modern Nature by Derek Jarman.

National Geographic has digitized its collection of 6,000+ vintage maps.

• At Bandcamp: The Transcendental Sound of Moroccan Gnawa Music.

Joe Fletcher on the nightmarish dream logic of Bruno Schulz.

Levi Stahl on the mind of Donald E. Westlake.

Affenstunde (1970) by Popol Vuh | Toy Planet (1981) by Irmin Schmidt & Bruno Spoerri | Adithaim (2005) by The Cracow Klezmer Band

Aubrey Beardsley and His World

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This US TV programme isn’t the greatest quality, and it’s blighted throughout with a large watermark, but it’s a revelatory piece both for Aubrey Beardsley enthusiasts and Oscar Wilde aficionados. Camera Three was a CBS arts show which presented Aubrey Beardsley and His World on 12th March, 1967, as a preview for the Beardsley exhibition which had just opened in New York. This was the same landmark exhibition that made such a splash the year before at the V&A in London, and V&A curator Brian Reade appears in the programme to discuss Beardsley’s importance with host James Macandrew. It’s good to see Reade again (he was also in a later BBC documentary) since his Beardsley monograph is a great favourite of mine; as is typical of the period, he looks and sounds very upper class but his scholarship is always authoritative.

Ordinarily this would be enough to satisfy me, even though the programme only runs for 27 minutes and doesn’t tell me anything about Aubrey that I didn’t know already. The great revelation comes near the end with the appearance of Vyvyan Holland, the younger son of Oscar Wilde. Holland not only admired Beardsley’s work but actually met him in 1895 shortly before the artist’s untimely death. Holland was 9 years old at the time, and was taken to visit Aubrey by his mother; he was 81 in 1967, and died himself later that year so we’re very fortunate that he was captured on tape at all. The programme also includes a short extract from Alla Nazimova’s 1923 film of Salomé, with costumes and decor all based on Beardsley’s drawings. Watch it here.

Elsewhere on { feuilleton }
The Aubrey Beardsley archive

Weekend links 408

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Kujaku (2018) by Yasuto Sasada.

• “The Ernst picture [Of This Men Shall Know Nothing] has also been interpreted as depicting sexual alchemy, which also ties in with much of Peter Grey’s writing on Babalon and the goddess’ connection to sexual magic and the three ‘Fs’: f(e)asting, flagellation and fucking!” Hawthonn’s Phil & Layla Legard talk to Folk Horror Revival about their superb new album, Red Goddess (of this men shall know nothing).

• South London “Psychic Circuit”: A walk with London writer Iain Sinclair inspired by cult writer Steve Moore—from Shooter’s Hill and the Shrewsbury burial mound to Charlton House then Maryon Park and the locations used in Antonioni’s Blow Up.

• Czech filmmaker Juraj Herz, director of The Cremator (1969) and Morgiana (1972), died last week. One of his later films, The Ninth Heart (1978), featured an animated title sequence by Jan Svankmajer and Eva Svankmajerova.

• The week in psychedelic visuals: Ben Marks on Bill Ham’s San Francisco light shows (a piece from 2016), and Dangerous Minds on Astralvision’s Electric Light Voyage (1979), a light show on Betamax tape.

• “From glaciers to nuclear bunkers, photographer Chloe Dewe Mathews descends into the dark heart of the Swiss mountains that inspired Mary Shelley.”

• Mix of the week: Secret Thirteen Mix 250 by Sote, and XLR8R Podcast 537 by SNTS.

When The Horses Were Shorn Of Their Hooves, new music by Dylan Carlson.

Emily Temple on Edward Gorey’s illustrated covers for literary classics.

Hidden Hydrology: Coil’s Lost Rivers studio sessions.

Tube: Minimalist YouTube search

Sukhdev Sandhu is In Wild Air

• Lost Roads (1988) by Bill Laswell | Lost Sanctum (1994) by Lull | Lost Ways (2016) by Pye Corner Audio

Weekend links 407

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Cover art by Alonso for a 1929 Spanish edition of The Canterville Ghost by Oscar Wilde.

• Major music news of the week is the announcement, after a hiatus of nine years, of a new Jon Hassell album. Listening To Pictures (Pentimento Volume One) will be released on Hassell’s new label, Ndeya, in June. Meanwhile, Paul Schütze has a new album (also his first in a long while), The Sky Torn Apart, released at the end of this month by Glacial Movements. For those impatient for new sounds, Red Goddess (of this men shall know nothing) by Hawthonn is out now, and very good it is too.

Ghost Story (1974): a British film directed by Stephen Weeks, and starring (among others) Marianne Faithfull, Penelope Keith, Murray Melvin and (in a rare appearance) Vivian MacKerrell, the real-life model for Withnail from Bruce Robinson’s Withnail and I. Also from 1974, a TV adaptation of Oscar Wilde’s The Canterville Ghost starring David Niven.

Nandini Ramnath on how an Indian film distributor in London (Mehelli Modi of Second Run DVD) is helping rescue forgotten classics from obscurity.

Simon Reynolds explains why he thinks Boards of Canada’s Music Has the Right to Children is the greatest psychedelic album of the ’90s.

• At I Heart Noise: an interview with Dylan Carlson about his forthcoming solo album, Conquistador.

• At Dennis Cooper’s: David Ehrenstein presents…Donald Cammell Day.

• Photos by David Graham of Mexico City’s “gay subway”.

Circuit Des Yeux‘s favourite albums.

The Gospel of Filth: a book list.

Fountain Of Filth (1974) by Devo | The Heart’s Filthy Lesson (1995) by David Bowie | Filthy/Gorgeous (2004) by Scissor Sisters