Earthrise

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It was forty years ago this week that Apollo 8 astronaut William A Anders took this famous photograph of the Earth appearing over the Moon’s horizon. I was six years old at the time but remember the considerable interest caused by the mission, the first to leave the Earth and orbit the Moon, and I was old enough to appreciate that the flight path of the capsule formed a figure eight. This was the beginning of a four-year obsession with the Apollo missions, taking in model kits, jacket patches of spacecraft insignia and an eager viewing of every TV transmission. (Although I missed the first Moon landing a year later as it was after my bedtime.) I was convinced that by 2008 many of us would be living in space; a part of me remains disappointed that we’re not.

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The above graphic comes from the quaintly primitive Apollo 8 press kit which can be downloaded from one of NASA’s pages. On another page there’s the crew’s Christmas message to the world which controversially included readings from the Bible. And as usual with NASA you can see William Anders’ photo in a variety of sizes including luscious high-res. The impact of his picture may have diminished over the the past four decades but its import as an ecological symbol remains as pertinent as it was in 1968.

Things will be quiet here over the next few days while I visit family but I’ll be leaving the archive plug-in running for anyone who wants a random dip into the past. If you need some more retro space thrills there’s always this.

Have a good one.

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Previously on { feuilleton }
East of Paracelsus

Welcome to Mars

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Arriving today—and barely surviving the postman’s attempts to cram it through the letterbox—is the latest volume from Strange Attractor, Welcome to Mars by Ken Hollings. I’m really looking forward to reading this since it touches on areas of interest which span the development of Cold War technologies to pulp science fiction, examining the interconnections between these disparate zones; most histories of the period prefer to stay in one area or the other. A glance at the chapter titles immediately pushes my buttons: “1947 Rebuilding Lemuria”, “1951 Absolute Elsewhere”. If all that wasn’t enough there’s an intro by Erik Davis and the first 250 copies come with a CD of “classy analogue Outer Space exotica” by Simon James. Order from the SA Shoppe and get a free postcard!

Welcome to Mars is a map of the post-war Zone, a non-fiction Gravity’s Rainbow that follows the arc of Germany’s V2 rocket to the end of the rainbow – to America.’ Erik Davis

Welcome to Mars is an iconoclastic, penetrating and darkly humorous history of America from 1947-1959, the decade in which the nation defined its image and created the blueprint for the world we live in today.

Welcome To Mars draws upon newspaper accounts, advertising campaigns, declassified government archives, old movies and newsreels from this unique period when the future first took on a tangible presence. Ken Hollings depicts an unsettled time in which the layout of Suburbia reflected atomic bombing strategies, bankers and movie stars experimented with hallucinogens, brainwashing was just another form of interior decoration and strange lights in the sky were taken very seriously indeed.

Seamlessly interweaving developments in technology, popular culture, politics, changes in home life, the development of the self, collective fantasy and overwhelming paranoia, Hollings has produced an alarming and often hysterically funny vision of the past that would ultimately govern all of our futures.

“Ken Hollings shows brilliantly how the extraordinary web of technologies that drove the Cold War have shaped not just our culture but the very way we think of ourselves as human beings. Welcome to Mars offers a rare and fascinating glimpse of the roots of the strange humanoid culture we live in today.” Adam Curtis

‘Ken Hollings has placed his critical focus at the precise point where the high technologies of information control and social manipulation intersect the passionate search for scientific ways to probe the human mind. Welcome to Mars is a searingly accurate and deeply disturbing exposé of the fantasies of American modernism that have inspired the many nightmares and the few hopeful visions of our new Millennium.’ Dr Jacques Vallée

Previously on { feuilleton }
SAJ again
Strange Attractor Journal Three
How to make crop circles

Obsolete formats continued

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Following yesterday’s post, more cassette culture. Cassette Generator allows you to make your own labelled cassette graphic like the one above. I’m not quite sure this has any compelling purpose but that’s the web for you. For the question of what to do with the world’s stock of unwanted cassettes, Designboom has a few suggestions, including the belt buckle below. If you need more bling, there’s also a gold version. And for real obsessives, there’s Tapedeck.org.

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Old music and old technology

Old music and old technology

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Clearing junk today turned up some obsolete artefacts one of which (the Kraftwerk) has been kept for purely sentimental reasons. It’s been amusing the past few years watching the vinyl disc refuse to crawl onto the scrapheap of history despite its death having been announced many times over by journalists who should know better. Several of the CD releases I’ve designed recently have also been brought out in vinyl editions. Meanwhile the audio cassette really is on the way out: “Sales of music cassettes in the U.S. dropped from 442 million in 1990 to about 700,000 in 2006” says Wikipedia. I certainly won’t mourn its passing; portability aside, I always hated these things. Music sounded shitty unless the tape was chrome or some other high-quality format, and whatever the quality they were all subject to mangling by cheap cassette players.

Continue reading “Old music and old technology”

The Corpus Clock

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This splendid clock is unveiled by Professor Stephen Hawking later today at Corpus Christi College in Cambridge. If it hadn’t cost a million pounds to develop I’d probably be demanding that someone find me one for Christmas. The mechanical monster perched at the top is explained by its creator:

“It is terrifying, it is meant to be,” said John C Taylor, the creator and funder of an extraordinary new clock to be unveiled tomorrow by Stephen Hawking at Corpus Christi College in Cambridge. “Basically I view time as not on your side. He’ll eat up every minute of your life, and as soon as one has gone he’s salivating for the next. It’s not a bad thing to remind students of. I never felt like this until I woke up on my 70th birthday, and was stricken at the thought of how much I still wanted to do, and how little time remained.”

Unfortunately there are few decent pictures to be had of the device but the Telegraph has an article which describes its “grasshopper escapement”, while the Guardian goes one better with a video of the clock in action.

Update: Longer video at the university site with Dr Taylor explaining the clock in detail.

Previously on { feuilleton }
Gold robots
The art of Sergei Aparin
The art of Almacan
The sculpture of Christopher Conte
The Bowes Swan