Weekend links 738

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How They Met Themselves (1860) by Dante Gabriel Rossetti.

• At Igloo magazine: Justin Patrick Moore interviews inventor and electronic music composer Don Slepian about his life and work.

• At The Washington Post (archived link): Michael Dirda in praise of weird fiction, horror tales and stories that unsettle us.

• At The Daily Heller: Tina Touli’s explosively twirling typography. Steven Heller’s font of the month is Doublethink.

• At Colossal: Dreams and memories form and dissipate in Tomohiro Inaba’s delicate iron sculptures.

• At Unquiet Things: Jerome Podwil’s captivating cover art.

• New music: Strangeness Oscillation by 137.

• At Dennis Cooper’s: Craig Baldwin’s Day.

Brìghde Chaimbeul’s favourite albums.

Penguin Series Design

Double Image (1971) by Joe Zawinul | Double Flash (1999) by Leftfield | Double Rocker (2001) by Stereolab

Weekend links 737

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The Massed Gadgets of Auximines – Pink Floyd – in stereo concert with the “Azimuth Co-ordinator”. Design by Hipgnosis, 1969.

• At Rond1900: Sander Bink explores the life of another obscure Dutch Symbolist, Léonard Sarluis (1874–1949): artist, friend of Oscar Wilde and lover of Alfred Jarry.

• At Spoon & Tamago: Manga artist Hirohiko Araki pays tribute to Osaka station’s history and culture with new public art sculpture.

• At Public Domain Review: Scenes of reading on the early portrait postcard by Melina Moe and Victoria Nebolsin.

• At Dennis Cooper’s: 33 films that either faked ingesting LSD or did.

• At Bandcamp: Blissful Noise, Bad Vibes: A Doomgaze Primer.

• Mix of the week: Azimuth Coordinator by Tarotplane.

• New music: Global Transport by Monolake.

• The Strange World of…Gay Disco.

Speak & Glitch

Postcard From Jamaica (1967) by Sopwith Camel | Postcards Of Scarborough (1970) by Michael Chapman | An Unsigned Postcard (1991) by Tuxedomoon

Daybreak in the Universe, a film by Julius Horsthuis

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Being 25 minutes of alien architecture, or extraterrestrial lifeforms, or DMT landscapes… There’s something of all these things in Daybreak in the Universe, a journey through shimmering fractal geometries, with music by synthesist Michael Stearns from his 1980 album, Morning Jewel. Looks best on a big screen, needless to say. There are similar explorations at the Julius Horsthuis YouTube channel.

Via Scotto Moore.

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Continue reading “Daybreak in the Universe, a film by Julius Horsthuis”

Weekend links 730

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Cover Design for ‘The Yellow Book’ Vol.I (1894) by Aubrey Beardsley.

• “[Dorian Gray’s] version of Decadence filled the popular imagination when Decadence became an ostentatiously stylish zeitgeist—stylish being the operative word. For Decadent style encapsulated the attitude of being hellbent on thrilling experiences.” The danger of Decadence is also its value. We need more of it, says Kate Hext.

• At Swan River Press: Of Wraiths, Spooks and Spectres. Robert Lloyd Parry, in an interview with John Kenny, talks about the researches that led to the compiling of his latest ghost-story collection, Friends and Spectres.

• The latest pictorial accumulation from DJ Food is a collection of late-60s concert posters by Jim Michaelson, an artist whose designs look like Mad magazine going fully psychedelic.

• Old music: Future Travel by David Rosenboom; new music: Taking Shasta Mountain (By Strategy) by John Von Seggern & Dean DeBenedictis.

• At Public Domain Review: Hunter Dukes on Rückenfiguren, views of the human back as a subject in the history of art.

• In a week when Adobe has been in the news for pissing off its users, a list of alternatives for Adobe software.

• At Spoon & Tamago: Hokusai-inspired erasers reveal Mt. Fuji the more they get used.

• At Unquiet Things: A celebration of Annie Stegg Gerard’s enchanting worlds.

• Mix of the week: DreamScenes – June 2024 by Ambientblog.

• At The Quietus: The Strange World of…Diamanda Galás.

Wraith (2002) by Redshift | El Wraith (2002) by Amon Tobin | Wraith (2015) by John Carpenter

Weekend links 728

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Composition: Cones and Spirals (1929) by Edward Alexander Wadsworth.

• “Repeating items over and over, called maintenance rehearsal, is not the most effective strategy for remembering. Instead, actors engage in elaborative rehearsal, focusing their attention on the meaning of the material and associating it with information they already know.” John Seamon on the vicissitudes of memory, and how actors remember their lines.

• “Mary McCarthy described it as ‘Fabergé gem, a clockwork toy, a chess problem, an infernal machine, a trap to catch reviewers, a cat-and-mouse game, and do-it-yourself novel’, among other things.” Mary Gaitskill on the pleasures and difficulties of Nabokov’s greatest novel, Pale Fire. Also a reminder that I ought to read it again.

• New music: Movement, Before All Flowers by Max Richter; A Thread, Silvered And Trembling by Drew McDowall; Unspeakable Visions by Michel Banabila.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: Ulysses by James Joyce.

• The latest cartographical design from Herb Lester Associates is Facts Concerning HP Lovecraft and His Environs.

• At the Daily Heller: A look back at the craze for poster stamps.

• Mix of the week: A tuning mix for The Wire by Tashi Wada.

• At Dennis Cooper’s: Michael Lonsdale Day.

Annie Hogan’s favourite music.

Clockworks (1975) by Laurie Spiegel | Tin Toy Clockwork Train (1985) by The Dukes Of Stratosphear | Clockwork Horoscope (2008) by Belbury Poly