A few thousand science fiction covers

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Seems that this has been around for a while but I’ve only just run across it. Jim Bumgardner has created a browsable “table-top” of thousands of sf magazine covers using minimal Flash and Perl scripting; unlike many Flash-oriented web toys you don’t have to waste valuable minutes watching a progress bar before it starts working. Rest your mouse anywhere on the picture and a cover lifts itself from the mass; double-click that cover and it grows larger. He also has a similar page for covers of Mad magazine and 1001 graphic novels and comics. And an explanation of how it all works.

Previously on { feuilleton }
The book covers archive

Wasted Talent: A Scanner Darkly

scanner.jpgWasted talent

John Patterson
Friday July 14, 2006
The Guardian

If you’re making a serious movie about drugs, it doesn’t hurt to assemble a cast that knows whereof it collectively speaks. And for his adaptation of A Scanner Darkly, Philip K Dick’s unsettling 1977 masterpiece about drugs, fractured identity, paranoia and betrayal, Richard Linklater has found a quartet that runs the full gamut of the drug experience. You’ve got Keanu Reeves – who for all we know has never even smoked a single joint, but whose name is a byword for stoner inarticulacy – playing Dick’s addict- cum-narcotics-detective Bob Arctor. As Arctor’s dealer-addict paramour Donna, we have Winona Ryder, all grown up since her apparently pill-induced moment of shoplifting madness. Hemp activist Woody Harrelson plays one of Arctor’s drug-addled housemates, while the other is played by no less august an imbiber of chemicals and sacred roots than Robert Downey Jr, who has what one might call an embarrassment of riches in this field.

(More.)

Nova Swing

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The always excellent M John Harrison has a new sf novel out soon, Nova Swing, set in the same future as his masterful Light. You can read a sample of it on his website.

Harrison, along with Moorcock, Ballard, Alan Moore and Iain Sinclair, is one of Britain’s finest living writers. He’s the creator of one of my favourite fantasy cities, Viriconium, and author of a number of intelligent (and often disturbing) novels and short stories. He’s one of the few living writers equally adept at working with the big three genres—sf, fantasy and horror—whilst also being able to write straightforward “literary” fiction with far greater facility than the usual suspects that clog the Booker lists. The novels don’t come very often so a new one is an event, and something worthy of your attention.

Nineteen Eighty-Four

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WAR IS PEACE
Nineteen Eighty-Four, 1949

“I just want you to know that, when we talk about war, we’re really talking about peace.” George W. Bush, June 18, 2002

George Orwell’s classic novel was published fifty-seven years ago today. There’s little reason to remind anyone of its prescience or the ubiquity of the neologisms Orwell invented; examples like the one above are all too easy to find in the current political landscape. That prescience can also be seen in his essay ‘Politics and the English Language‘ written in 1946, which shows how much his mind was engaged with the use of language and its relationship to politics shortly before he began writing the novel. The extract below is especially pertinent and worth bearing in mind whenever you hear a politician talking.

In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality, as used in art criticism, are strictly meaningless in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, “The outstanding feature of Mr. Xs work is its living quality,” while another writes, “The immediately striking thing about Mr. X’s work is its peculiar deadness,” the reader accepts this as a simple difference of opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way.

Many political words are similarly abused. The word Fascism has now no meaning except insofar as it signifies “something not desirable.” The words democracy, socialism, freedom, patriotic, realistic, justice, have each of them several different meanings which cannot be reconciled with one another. In the case of a word like democracy, not only is there no agreed definition, but the attempt to make one is resisted from all sides. It is almost universally felt that when we call a country democratic we are praising it: consequently the defenders of every kind of regime claim that it is a democracy, and fear that they might have to stop using the word if it were tied down to any one meaning.

Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different. Statements like Marshal Petain was a true patriot, The Soviet Press is the freest in the world, The Catholic Church is opposed to persecution, are almost always made with intent to deceive. Other words used in variable meanings, in most cases more or less dishonestly, are class, totalitarian, science, progressive, reactionary, bourgeois, equality.

Blade Runner DVD

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Blade Runner concept painting by the great Syd Mead.

Several reliable news sources are reporting that Blade Runner is to finally receive a decent DVD release.

In September of 2006, Warner Home Video will release a restored and remastered version of the Blade Runner 1992 Director’s Cut for a special four month limited release, in anticipation of a series of exciting and unprecedented releases of the film in theaters and on DVD.

Following a four month run of the remastered Blade Runner DVD, this disc will be placed on moratorium, by WHV. In 2007, Warner will follow with a limited theatrical run of Blade Runner: The Final Cut, which is being touted as Ridley Scott’s definitive version. Subsequently, there will be a multi-disc Special Edition DVD release which will contain three alternate versions of the film: the original U.S. theatrical cut, the expanded international theatrical cut and the 1992 director’s cut. “Ample, groundbreaking bonus features will also be included,” according to the WHV press release.

Blade Runner has been on DVD already in a very shoddy edition that’s now happily deleted, a rush release from the early days of DVD. Most news reports don’t seem to mention that the re-issue of the film was held up by various legal wrangles; the Blade Runner fan site, BRmovie.com, details the whole sorry tale. Here’s hoping Ridley’s masterpiece will be given the same treatment as the excellent (if unfortunately named) Alien Quadrilogy which had great transfers of the films and an insane amount of extras.