Robert Anton Wilson, 1932–2007

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There are few people who really change your life but Robert Anton Wilson—who died earlier today—certainly changed mine. Wilson’s Illuminatus! trilogy (written with Robert Shea) was my cult book when I was at school in the 1970s, a rambling, science fiction-inflected conspiracy thriller that opened the doors in my teenaged brain to (among other things) psychedelic drugs, HP Lovecraft, James Joyce, William Burroughs and Aleister Crowley as well as being a crash-course in enlightened anarchism. I’ve had people criticise the books to me since for their ransacking of popular culture but this was partly the point, they were collage works, and they worked as a perfect introduction for a young audience to worlds outside the usual circumscribed genres.

The philosophical side of Wilson’s work was probably the most important at the time (and remains so now), his “transcendental agnosticism” made me start to question the adults around me who were trying to force my life to go in a direction I wasn’t interested in at all. I’m sure I would have resisted that kind of pressure anyway but the value of RAW’s writings in Illuminatus! and the later Cosmic Trigger came with being given an intelligent rationale for those decisions; I couldn’t necessarily articulate why I was “throwing my life away” by wanting to drop out of the whole education system but Wilson’s work had convinced me it was the right thing to do. I still mark the true beginning of my life as May 1979, the month I left school for good.

He wouldn’t want us to be maudlin, I’m sure. It’s typical for a writer who spent so much of his life writing about drugs and coincidences that he managed to die on Albert Hofmann’s birthday. So I’ll just say thank you Robert, for changing my life. And Hail Eris!

Previously on { feuilleton }
The Absolute Elsewhere

Kenneth Anger on DVD…finally

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Finally…well, we’ll see. Forgive my sceptical tone, these announcements have been cropping up for years although this one seems genuine, with an Amazon page and everything. Good to know that it’s a Fantoma production since they did a great job with Jodorowsky’s Fando y Lis.

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The enigmatic Marjorie Cameron portrays the
Scarlet Woman for Inauguration of the Pleasure Dome.

The word “classic” is often used too easily but these films are classics by any standard, masterworks of underground filmmaking, pioneering in their gay content (Fireworks [1947] is like Genet directed by Jean Cocteau and all the more remarkable since Anger was still a teenager when he made it), camp and occult in equal measure, and Inauguration of the Pleasure Dome, made in 1954, can claim to be one of the first examples of truly psychedelic cinema. DVD would be the perfect medium to present Inauguration with multiple soundtracks (it’s had at least two over the years) although I suspect we’ll only get the Janacek score and not the bizarre Electric Light Orchestra version I saw once at a cinema screening.

At long last, THE FILMS OF KENNETH ANGER VOLUME 1 is finally available on DVD this January.

Fantoma Films’ special edition DVD hits stores on January 23, 2007.

“It’s time that Kenneth Anger’s work became more available, because he is, without a doubt, one of our greatest artists.” Martin Scorsese

Cinematic magician, legendary provocateur, author of the infamous HOLLYWOOD BABYLON books and creator of some of the most striking and beautiful works in the history of film, Kenneth Anger is a singular figure in post-war American culture.

A major influence on everything from the films of Martin Scorsese, Rainer Werner Fassbinder and David Lynch to the pop art of Andy Warhol to MTV, Anger’s work serves as a talisman of universal symbols and personal obsessions, combining myth, artifice and ritual to render cinema with the power of a spell or incantation.

Covering the first half of Anger’s career, from his landmark debut FIREWORKS in 1947 to his epic bacchanalia INAUGURATION OF THE PLEASURE DOME, Fantoma is very proud to present the long-awaited first volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time anywhere in the world.

In production for over 5 years, THE FILMS OF KENNETH ANGER VOLUME 1 is easily the most requested title in Fantoma Films’ history. Painstakingly restored by Fantoma, these shorts represent the beginning of the independent film movement as we know it today and Anger’s revolutionary use of blending film to music has often been credited as giving birth to the music video. The films contained in this set include: FIREWORKS (1947), PUCE MOMENT (1949), RABBIT’S MOON (1950, shown here in the rarely seen 16 minute version), EAUX D’ARTIFICE (1953), and INAUGURATION OF THE PLEASURE DOME (1954).

THE FILMS OF KENNETH ANGER VOLUME 1 contains the following special features:

-High Definition transfers from newly restored elements.
-Screen specific audio commentary for all films from Kenneth Anger.
-Rare outtakes and behind-the-scenes images.
-Restoration Demonstrations.
-A 48 page book with a written appreciation of Kenneth Anger by legendary
filmmaker Martin Scorsese, exclusive to this release, extensive notes for
each film, rare photos, never before seen sketches for Anger’s unproduced
film PUCE WOMEN, and more.

Fantoma Films’ DVD of THE FILMS OF KENNETH ANGER VOLUME 1 will be available in stores on January 23, 2007 for a retail price of $24.98.
Fantoma Films: www.fantoma.com
MySpace page: www.myspace.com/fantomafilms.

(Thanks to Jay!)

Previously on { feuilleton }
Ten films by Oskar Fischinger
Lapis by James Whitney
La Villa Santo Sospir by Jean Cocteau
Un Chant d’Amour by Jean Genet

Salvador Dalí’s apocalyptic happening

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The oft-despised concept album of the 1970s doesn’t come more demented than 666, a double disc set by Greek group Aphrodite’s Child released in 1972. The group featured Vangelis and Demis Roussos among their number (Roussos later turned up on Vangelis’s score for Blade Runner) and this is about the only thing they’re now remembered for, a post-psychedelic fantasy based on the Book of Revelations. So far, so heavy. Searching for information about the album turned up a proposal by Salvador Dalí for a celebratory “happening” to be staged in Barcelona for the album’s world premiere (lyricist Costas Ferris having met Dalí in Paris shortly after the recording):

The main concept:

1. Martial Law shall be ordered on a Sunday, in Barcelona. No one shall be allowed to walk in the streets, or watch the event. No cameras, no TV. Only a young couple of shepherds will have the privilege to witness the event. So, they can later describe it to the people, by oral speech.

2. Giant loudspeakers shall be put in the streets, playing all day the work 666, by Vangelis, Ferris and the Aphrodite’s Child. No live performance.

3. Soldiers dressed in Nazi uniforms, will walk in military march in the streets of Barcelona, arresting who-ever wants to break the law.

4. Hundreds of swans will be left to move in front of the Sagrada Famiglia, with pieces of dynamite in their bellies, which will explode in slow motion by special effects. (real living swans, that should be operated for putting the dynamite inside their belly).

5. Giant Navy planes, will fly all day in the sky of Barcelona, provoking big noise.

6. At 12:00 sharp, in the mid-day, those planes will start the bombardment of the great church, throwing all of their munitions.

7. Instead of bombs, they shall throw Elephants, Hippopotami, Whales and Archbishops carrying umbrellas.

No, it didn’t happen, but if you do hear the album try and think of swans exploding in slow motion while elephants and archbishops rain down from the sky.

Previously on { feuilleton }
The apocalyptic art of Francis Danby
The music of Igor Wakhévitch
Dalí Atomicus