Weekend links 408

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Kujaku (2018) by Yasuto Sasada.

• “The Ernst picture [Of This Men Shall Know Nothing] has also been interpreted as depicting sexual alchemy, which also ties in with much of Peter Grey’s writing on Babalon and the goddess’ connection to sexual magic and the three ‘Fs’: f(e)asting, flagellation and fucking!” Hawthonn’s Phil & Layla Legard talk to Folk Horror Revival about their superb new album, Red Goddess (of this men shall know nothing).

• South London “Psychic Circuit”: A walk with London writer Iain Sinclair inspired by cult writer Steve Moore—from Shooter’s Hill and the Shrewsbury burial mound to Charlton House then Maryon Park and the locations used in Antonioni’s Blow Up.

• Czech filmmaker Juraj Herz, director of The Cremator (1969) and Morgiana (1972), died last week. One of his later films, The Ninth Heart (1978), featured an animated title sequence by Jan Svankmajer and Eva Svankmajerova.

• The week in psychedelic visuals: Ben Marks on Bill Ham’s San Francisco light shows (a piece from 2016), and Dangerous Minds on Astralvision’s Electric Light Voyage (1979), a light show on Betamax tape.

• “From glaciers to nuclear bunkers, photographer Chloe Dewe Mathews descends into the dark heart of the Swiss mountains that inspired Mary Shelley.”

• Mix of the week: Secret Thirteen Mix 250 by Sote, and XLR8R Podcast 537 by SNTS.

When The Horses Were Shorn Of Their Hooves, new music by Dylan Carlson.

Emily Temple on Edward Gorey’s illustrated covers for literary classics.

Hidden Hydrology: Coil’s Lost Rivers studio sessions.

Tube: Minimalist YouTube search

Sukhdev Sandhu is In Wild Air

• Lost Roads (1988) by Bill Laswell | Lost Sanctum (1994) by Lull | Lost Ways (2016) by Pye Corner Audio

Weekend links 403

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Cover art by Bruce Pennington, 1974. Via Clark Ashton Smith vs Bruce Pennington.

Garçons de Joie. Prostitution masculine à Paris 1860-1960 is an exhibition running at Galerie Au Bonheur du Jour, Paris, until May. The catalogue is expensive (and seems to be in French throughout) but features a substantial amount of rare homoerotic art.

• In the latest Expanding Mind podcast Erik Davis talks to Burt Shonberg biographer Spencer Kansa about LA bohemia, psychedelic art, Marjorie Cameron, gumshoe biography, and his new book Out There: The Transcendent Life and Art of Burt Schonberg.

Gregg Anderson on 20 years of Southern Lord’s dark and heavy art. Related: Earth’s Dylan Carlson announced a new solo album, Conquistador, and single, Scorpions In Their Mouths.

Without any formal training, Smith began to paint and draw his strange visions of sentient plants, grotesque creatures from other dimensions, and throbbing alien landscapes. Eventually commissioned to provide illustrations for Weird Tales, he became one of Lovecraft’s most voluminous correspondents (though never as voluminous as Lovecraft himself). Over the next 10 years, they filled one another’s mailboxes with effusive admiration for each other’s stories and poems. With Lovecraft’s adulatory wind at his back, Smith never strayed far from the Long Valley, and sat home to produce more than a hundred bizarre, linguistically challenging, often unforgettable stories and novelettes for the pulp magazines between 1925 and 1936. Unsurprisingly, Smith’s spurt of fictional creativity didn’t survive the death of Lovecraft in 1937, and while that rich burst of stories may not have earned Smith much money or fame, it caused an almost episteme-shifting earthquake in the brains of the young, aspiring writers lucky enough to read him.

Scott Bradfield on Clark Ashton Smith

Psychomagic, An Art That Heals will be Alejandro Jodorowsky’s next feature film if the crowdfunding is successful. Many rewards are available, large and small.

• At The Quietus this week: Val Wilmer on Sun Ra, and The Strange World of…Cocteau Twins.

• Spectacular images from Chicago’s turn-of-the-century design bible (The Inland Printer).

The shop that buys your dead uncle’s porn collection.

• Mix of the week: FACT mix 642 by Mokira.

Cafe Bohemian (1959) by The Enchanters | Genius Of Love (1981) by Tom Tom Club | A Scandal In Bohemia (1986) by United States Of Existence

Weekend links 400

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Le Répit (La Mort allaitant une chauve-souris) (1895) by Valère Bernard.

Playhouse 90 presents Heart of Darkness by Joseph Conrad. An American TV production from 1957 starring Boris Karloff, Roddy McDowall, Eartha Kitt and others; introduced by Sterling Hayden. It’s bizarre. Acidemic goes into the detail.

• Erik Davis talks to occult writer and drug geek Julian Vayne about Baphomet, the (sur)reality of spirits, evolution, ritualizing entheogens, and his new book Getting Higher: The Manual of Psychedelic Ceremony.

• “Unsurprisingly, 1. Outside was the record that the #BowieBookClub readers most readily associated with Hawksmoor.” Anna Aslanyan revisits Peter Ackroyd’s architectural mystery.

The Flowers of Dorian Gray: part one of a series of posts examining one of Oscar Wilde’s favourite symbols.

• At Haute Macabre, an interview with Michael Locascio & Heather Jean Skawold of Dellamorte & Co.

One Minute Art History, an animated film by Cao Shu.

Film posters at the Harry Ransom Center, UT-Austin.

• Mix of the week: FACT mix 639 by Black Milk.

Susanna‘s favourite albums.

• Welcome to The Spoodoir.

• Flowers Of Evil (1983) by Cortex | Baphomet (1989) by Foetus Inc. | Heart Of Darkness (1989) by Syd Straw

The weekend artists, 2017

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Art by Twins of Evil for the forthcoming blu-ray from Arrow Academy.

The laziest post of the year is invariably a review of the artists/designers/photographers featured on the weekend posts, so here’s another end-of-year list for you. Scroll down to see what caught my attention over the past twelve months.

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Mass by Ron Mueck at the National Gallery of Victoria Triennial. Photo by Tom Ross.

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French poster by Basha (Barbara Baranowska) for Andrzej Zulawski’s extraordinary Possession (1981).

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I Had Sweet Company Because I Sought Out None. Collage by Helen Adam.

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Still of an Alive Painting by Akiko Nakayama.

Continue reading “The weekend artists, 2017”

Weekend links 385

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• It won’t be out until late January—and then in the UK only—but the blu-ray premiere of The Mystery of Picasso (1956) by Henri-Georges Clouzot was announced this week. The initial run of the discs (there’s also a DVD) will include a booklet containing my essay about the film, something I was very pleased and honoured to be asked to write. Clouzot’s remarkable study of Picasso drawing and painting for the camera was made immediately after his masterwork, The Wages of Fear (also newly available on UK blu-ray), and this new edition will include two short extras, one of which, A Visit to Picasso (1949) by Paul Haesaerts, is an excellent precursor/companion to the main feature. More on this subject later.

• At the Internet Archive: an almost complete run of The Twilight Zone Magazine (1981–1989). While masquerading as a TV-series spin-off, TZ under the editorship of TED Klein was an excellent periodical devoted to horror and dark fantasy. In addition to running original fiction by major authors (Stephen King was a regular), the magazine contained features about older writers such as Lovecraft and Machen along with book reviews by Thomas Disch, film reviews by Gahan Wilson, interviews and more.

• “Bram Stoker was gay,” says Tom Cardamone in a review of Something in the Blood: The Untold Story of Bram Stoker, the Man Who Wrote Dracula by David J. Skal. I’ve not read Skal’s book so can’t comment on its claims but his earlier Hollywood Gothic (about Dracula on page and screen) includes some discussion of “sexual ambiguity” in Stoker’s work.

• Mixes of the week: FACT mix 625 by Elena Colombi, Secret Thirteen Mix 235 by Rhys Fulber, and XLR8R Podcast 514 by Tommaso Cappellato.

Help, Help, The Globolinks! is a previously unreleased electronic soundtrack by Suzanne Ciani, out next week.

La Région Centrale (1971), Michael Snow’s epic of landscape gyrations in two parts, here and here.

Alexander Calder and the Optimism of Modernism: Jed Perl in Conversation with Morgan Meis.

• Illustrations by Lynd Ward for The Haunted Omnibus (1935) edited by Alexander Laing.

Daniel Dylan Wray on the gay-porn music of disco pioneer Patrick Cowley.

• It’s that man again (and his drawings): Ernst Haeckel: the art of evolution.

• At Dennis Cooper’s: Steve Erickson presents A Black Psychedelia Primer.

Bootsy Collins‘ favourite albums.

Picasso (1948) by Coleman Hawkins | Pablo Picasso (1976) by The Modern Lovers | Picasso Suite pt. 1 (1993) by David Murray Octet