Good Night and Good Luck

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Only just caught this and it’s an excellent piece of work from Clooney and co. (his second time as director). Impossible not to see parallels between Ed Murrow’s determination to expose the excesses of McCarthyism with the current battles between the press in America and the belligerent rabble currently occupying the White House. Senator Joe McCarthy famously developed a pattern of accusing all his critics of being Communists or fellow travellers with the Communist cause. Likewise today we have the Bush administration accusing their critics of being traitors and terrorist sympathisers. Swap the word Communist for terrorist and the arguments remain identical. Last week the New York Times was accused of treason for publishing a report into secret service investigations into international banking activity, not the first time America’s newspaper of record has suffered accusations of treachery. As the NYT said in response:

Government officials, understandably, want it both ways. They want us to protect their secrets, and they want us to trumpet their successes. A few days ago, Treasury Secretary John Snow said he was scandalized by our decision to report on the bank-monitoring program. But in September 2003 the same Secretary Snow invited a group of reporters from our papers, The Wall Street Journal and others to travel with him and his aides on a military aircraft for a six-day tour to show off the department’s efforts to track terrorist financing. The secretary’s team discussed many sensitive details of their monitoring efforts, hoping they would appear in print and demonstrate the administration’s relentlessness against the terrorist threat.

Meanwhile Republicans continue to howl for the editor’s head. Why does America seem to slip into this kind of rigid authoritarianism so easily? This is one question not answered in Clooney’s film, perhaps understandably; it’s not an easy one to answer. Ed Murrow reported from London during the height of the Blitz and, at the end of the Second World War, from Buchenwald; he didn’t need lectures about patriotism or the evils that men are capable of. His articulacy compared with the showroom dummies that comprise today’s TV presenters is astonishing. His words are as relevant now as they were in the 1950s:

“If we confuse dissent with disloyalty – if we deny the right of the individual to be wrong, unpopular, eccentric or unorthodox – if we deny the essence of racial equality, then hundreds of millions in Asia and Africa who are shopping about for a new allegiance will conclude that we are concerned to defend a myth and our present privileged status. Every act that denies or limits the freedom of the individual in this country costs us the . . . confidence of men and women who aspire to that freedom and independence of which we speak and for which our ancestors fought.”

“We cannot defend freedom abroad by deserting it at home.”

Postscript: There’s a good analysis of the NYT debacle and why it’s such a serious issue here.

So Much Fire to Roast Human Flesh

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So Much Fire to Roast Human Flesh

A benefit album curated
by Josephine Foster

“All profits from sales of this
compilation will be distributed to
specific counter-military recruitment
and pacifist organizations and
programs. We hope to assist them
in their efforts promoting peace
and non-militarism in the United States.

“All of the musicians represented
here are US citizens. Our voices
join with many others across this
land that freely question and
openly oppose war.”

Josephine Foster

Track listing:
THE CHERRY BLOSSOMS – ‘Dragonfly’ (live)
FEATHERS – ‘Dust’
MICHAEL HURLEY – ‘A Little Bit of Love for You’
MEG BAIRD – ‘Western Red Lily (Nunavut Diamond Dream)’
ANDREW BAR – ‘Don’t Trust That Man’
GOATGIRL – ‘President Combed His Hair’
DEVENDRA BANHART – ‘I Know Some Souls’ (demo)
KATH BLOOM – ‘Baby Let It Come Down On Me’
CHARLIE NOTHING – ‘Fuck You and Your Stupid Wars’
DIANE CLUCK – ‘A Phoenix and Doves’
JOHN ALLINGHAM & ANN TILEY – ‘Big War’
JOSEPHINE FOSTER – ‘Would You Pave the Road?’
ANGELS OF LIGHT – ‘Destroyer’
RACHEL MASON – ‘The War Clerk’s Lament’
PAJO – ‘War Is Dead’
MVEE – ‘Powderfinger’
KATHLEEN BAIRD – ‘Prayer for Silence’
LAY ALL OVER IT – ‘A Place’

Cover artwork by Fred Tomaselli

Available August 1. $12US/14Can/17World postpaid.

Click here for info on pre-ordering.

The Department of Prejudice

So 2.5 million people party in Brazil’s gay parade (below). Meanwhile, in that bastion of freedom to the north, it transpires that the Pentagon still regards being gay as a mental illness. Illegal wars, torture and imprisonment without trial are perfectly sane behaviour, no doubt. I wonder what the Pentagon thinks of the gay British soldiers currently serving alongside the US army in Iraq. And what do those soldiers feel about being insulted like this?

Manchester bomb

It was ten years ago today that the IRA exploded a 3,300lb bomb in the centre of Manchester. Pictures below show the destruction in Corporation Street and the way the street looks now after several years’ rebuilding. 200 people were injured as police tried to evacuate the area. I was several miles away at the time but still heard the explosion. The truck containing the bomb was parked just by the postbox which nevertheless survived intact (well, they are made of cast iron).

Despite the devastation, most people now agree that the IRA did the city a favour by forcing large-scale rebuilding of an area spoiled by the bad retail architecture of the 1960s. The city would have changed over time anyway, it always has (and, indeed, still is); the bomb acted as a catalyst that forced the pace of that change.

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Nineteen Eighty-Four

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WAR IS PEACE
Nineteen Eighty-Four, 1949

“I just want you to know that, when we talk about war, we’re really talking about peace.” George W. Bush, June 18, 2002

George Orwell’s classic novel was published fifty-seven years ago today. There’s little reason to remind anyone of its prescience or the ubiquity of the neologisms Orwell invented; examples like the one above are all too easy to find in the current political landscape. That prescience can also be seen in his essay ‘Politics and the English Language‘ written in 1946, which shows how much his mind was engaged with the use of language and its relationship to politics shortly before he began writing the novel. The extract below is especially pertinent and worth bearing in mind whenever you hear a politician talking.

In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality, as used in art criticism, are strictly meaningless in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, “The outstanding feature of Mr. Xs work is its living quality,” while another writes, “The immediately striking thing about Mr. X’s work is its peculiar deadness,” the reader accepts this as a simple difference of opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way.

Many political words are similarly abused. The word Fascism has now no meaning except insofar as it signifies “something not desirable.” The words democracy, socialism, freedom, patriotic, realistic, justice, have each of them several different meanings which cannot be reconciled with one another. In the case of a word like democracy, not only is there no agreed definition, but the attempt to make one is resisted from all sides. It is almost universally felt that when we call a country democratic we are praising it: consequently the defenders of every kind of regime claim that it is a democracy, and fear that they might have to stop using the word if it were tied down to any one meaning.

Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different. Statements like Marshal Petain was a true patriot, The Soviet Press is the freest in the world, The Catholic Church is opposed to persecution, are almost always made with intent to deceive. Other words used in variable meanings, in most cases more or less dishonestly, are class, totalitarian, science, progressive, reactionary, bourgeois, equality.