The Reactable

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An amazing tabletop synthesizer with some fantastic demonstration videos here.

Via Boing Boing.

The reactable is a multi-user electro-acoustic music instrument with a tabletop tangible user interface. Several simultaneous performers share complete control over the instrument by moving physical artefacts on the table surface and constructing different audio topologies in a kind of tangible modular synthesizer or graspable flow-controlled programming language.

The reactable hardware is based on a translucent round table. A video camera situated beneath, continuously analyzes the table surface, tracking the nature, position and orientation of the objects that are distributed on its surface, representing the components of a classic modular synthesizer. These objects are passive without any sensors or actuators, users interact by moving them, changing their position, their orientation or their faces (in the case of volumetric objects). These actions directly control the topological structure and parameters of the sound synthesizer. A projector, also from underneath the table, draws dynamic animations on its surface, providing a visual feedback of the state, the activity and the main characteristics of the sounds produced by the audio synthesizer.

New things for April II

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By an odd coincidence my work manifests in two different forms in Finland this month. Above is the Finnish reprint of ‘King Squid’ by Jeff VanderMeer, part of his City of Saints and Madmen fantasy novel which I designed as a self-contained work. SF magazine Tähtivaeltaja has produced this as a supplement to their latest issue and done a great job of maintaining the look of the original printing.

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And in the music world there’s a new CD design for Finnish metal band Turisas. This is their second album, The Varangian Way, a concept affair that describes the journey taken by Viking explorers from the Gulf of Finland to Byzantium via the rivers of Russia. Very bombastic stuff, with choir and orchestra backing the band so it’s probably fitting that I again referenced (ie: swiped) the bloated sun from Bob Peak’s Apocalypse Now poster for the cover.

Previously on { feuilleton }
The poster art of Bob Peak
New things for April
City of Saints and Madmen