Moonlight in Glory

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Great abstract animation from the Trollbäck design company for Moonlight in Glory, a track from My Life in the Bush of Ghosts by Brian Eno & David Byrne. Via Design Observer.

In a similar vein there’s Bruce Connor‘s 1981 film for another track, Mea Culpa. Connor also produced a film for America is Waiting from the same album. Continuing the interpretative theme, Eno & Byrne made the album tracks publicly available in 2006 to potential remixers. Some results of that, Our Lives in the Bush of Disquiet, can be found here and here.

Update: the original Moonlight link was deleted but you can still see the video on their site if you hunt through the sample of works shown on the Trollbäck home page.

Elsewhere on { feuilleton }
The abstract cinema archive

Previously on { feuilleton }
Tiger Mountain Strategies
Generative culture
My Life in the Bush of Ghosts

My Name Is Buddy by Ry Cooder

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Ry Cooder rules. New album out today sees Ry accompanied by Mike & Pete Seeger, Roland White, Van Dyke Parks, Paddy Moloney, Flaco Jiménez, Stefon Harris, Joachim Cooder and Jon Hassell. Cover drawing and interior illustrations by Vincent Valdez.

On My Name Is Buddy, Ry Cooder revisits, in a new set of original material, the sound and feeling of the “dust bowl songs” he first explored more than three decades ago on such groundbreaking albums as his self-titled 1970 debut and 1971’s Into The Purple Valley. In fact, he’s joined by old friends like pianist Van Dyke Parks and drummer Jim Keltner who were with him at the start of his extraordinary, ultimately globe-spanning musical odyssey, which has yielded him six Grammy Awards to date, several more nominations, and perennial acclaim. My Name Is Buddy is also a journey, a phantasmagorical rendering in music, words and pictures of the travels of three unlikely cohorts—Buddy Red Cat, Lefty Mouse and Reverend Tom Toad—as they meander through the west “in the days of labor, big bosses, farm failures, strikes, company cops, sundown towns, hobos and trains…the America of yesteryear.” For this allegorical tale, Cooder marshals all his remarkable skills as a producer, arranger, songwriter, soundtrack composer and musicologist. (The Christian Science Monitor recently dubbed him “a modern-day Alan Lomax.”) My Name Is Buddy recalls Woody Guthrie’s Bound for Glory—that is, if it had been enacted by the articulate animal characters of Walt Kelly’s classic comic Pogo. Cooder conjures up the dark shadows of an earlier time to wryly comment on the political and social issues of the present. As back-story to his songs, Cooder has written short stories for each one and they’re accompanied by evocative illustrations from noted San Antonio-based painter and muralist Vincent Valdez, all of which are included in a specially designed package.

A wake for Arthur

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That which you will miss: Arthur #1–25.

“And till Arthur comes againus and sen peatrick’s he’s reformed we’ll pose him together a piece, a pace.” Finnegans Wake by James Joyce.

Awake, A Wake!

Come celebrate the happy, all-too-brief life of Arthur Magazine with free giveaways and a reading featuring Molly Frances, Oliver Hall, and Peter Relic.

Thursday, March 1, 7:30pm

arthur_flier_small.jpgFamily Bookstore, 436 N. Fairfax Avenue (across the street from Canter’s Deli), Los Angeles, 90036.

Arthur‘s “New Herbalist” columnist Molly Frances incited a revolution nationwide by informing readers of the true powers of almonds, sprigs of mint, and Lord Byron’s secret potion (a.k.a. apple cider vinegar). Molly’s eerily prescient horoscopes have been known to strike the melodic funny-bone of even the most determined non-believer. Tonight Molly will be giving astrological readings as well tripling any double entendre at hand.

Oliver Hall penned Arthur‘s cover story on Kim Gordon and memorably profiled folk radicals Faun Fables. He is the statuesque guitarist with L.A.’s newest psych-rock sensation E.S.P.S., and is seldom seen without his trusty Patsy Cline t-shirt. Tonight Hall will be dispensing priceless aphorisms as well as deconstructing the pungent, multi-faceted phrase “no money, no honey.”

Peter Relic eulogized Jam Master Jay and went on the road with the Black Keys and Sleater-Kinney for Arthur. Relic’s profile of the Geto Boys, reprinted in Da Capo’s Best American Music Writing 2006, was deemed by Seattle’s The Stranger to be “easily one of the most surreal, violent, and ludicrous artists encounters ever documented.” Tonight Relic will be reading from his storehouse of pantoums, an unjustly obscure Malaysian poetic form.

We look forward to seeing you there—dressing in black not a requirement!

Update: Village Voice post-mortem.