{music} – Page 323 – { feuilleton }

The L.S. Bumble Bee

“Freak out baby, the bee is coming!”

The L.S. Bumble Bee, a single by Peter Cook and Dudley Moore, Decca F 12551, February 1967. Mistakenly included on some Beatles bootlegs in the Seventies, about which Dudley Moore commented:

Regarding The L.S. Bumble Bee, Peter Cook and I recorded that song about the time when there was so much fuss about L.S.D., and when everybody thought that Lucy In The Sky With Diamonds was a reference to drugs. The exciting alternative offered to the world was L.S.B.!, and I wrote the music to, in some ways, satirize the Beach Boys rather than the Beatles. But I’m grateful if some small part of the world thinks that it may have been them, rather than us!”

Listen to it here. And while we’re at it, “You fill me with inertia!”

Previously on { feuilleton }
• Joe Orton
• The trip goes on
• Albert Hofmann
• Please Mr. Postman
• All you need is…
• Hep cats

The 14-Hour Technicolor Dream revisited

left: event poster by Hapshash & the Coloured Coat.
right: International Times 14-Hour Technicolor Dream special issue, April 1967.

The ICA goes psychedelic, baby. Lucky Londoners get to gorge themselves on this lot next Saturday.

2007 is a year of many anniversaries: twenty years since Acid House, thirty since the release of Never Mind The Bollocks, forty since Sgt. Pepper’s and fifty since the publication of Jack Kerouac’s On The Road.

One event that gets far less publicity, but that was at the heart of everything that came both before and after it also sees its 40th anniversary this year. The 14-Hour Technicolor Dream took place on April the 29th 1967 and was the UK’s first mass-participational all-night psychedelic freakout!

Organised and in a matter of weeks, the event was held in the cavernous confines of Alexandra Palace. The vision of Hoppy Hopkins and Miles, the night saw a glorious mingling of freaks, beats, mods, squares, proto-punks, pop stars and heads come together to dance, trip, love and be.

To celebrate the anniversary, the ICA presents Our Technicolor Dream—a one-off multi-media event that features an array of cult 60s films and animation, full-on psychedelic lightshows, groovy DJs, avant-garde theatre, a Q&A session with the leading lights of the 60s underground and live music with The Amazing World of Arthur Brown, The Pretty Things, Circulus and Mick Farren!

• Tell It Like It Was: The Round Table Speaks: Joe Boyd, Miles, Hoppy Hopkins & John Dunbar.
• Freak Out, Ethel! An Evening of Musical Mayhem: Malcolm Boyle’s play plus The Amazing World of Arthur Brown, Circulus, The Pretty Things and Optikinetics lightshow.
• Boyle Family Films With Music by The Soft Machine
• Weird and Wonderful 60s Animation: Films by Jan Lenica, Jan Svankmajer, Walerian Borowczyk, Chris Marker and Ryan Larkin.
• What’s A Happening? “90 minutes of rare, lost and unseen psychedelic masterpieces”.

Retrospective newspaper features: The Independent | The Times

Previously on { feuilleton }
• Verner Panton’s Visiona II
• The art of Yayoi Kusama
• All you need is…
• Sans Soleil
• Summer of Love Redux
• The Invasion of Thunderbolt Pagoda
• Oz magazine, 1967–73
• Strange Things Are Happening, 1988–1990

Scott Walker on film

Scott Walker: 30 Century Man is a long-overdue look at one of the most influential and enigmatic figures in rock history. The film will explore his music and career, from his early days as a jobbing bass player on the Sunset Strip, to mega-stardom in Britain’s swinging 60s pop scene as lead singer of The Walker Brothers, to his evolution into one of the most astonishing soundmakers of the last few decades.

He’s 63 years old and has just released his first album in over 10 years, The Drift on 4 AD Records. The film features exclusive behind-the-scenes footage of the making of the album as well as interviews with friends, collaborators, and fans including, among others:

David Bowie, Radiohead, Jarvis Cocker (Pulp), Brian Eno, Damon Albarn (Blur, Gorillaz), Neil Hannon (The Divine Comedy), Marc Almond, Alison Goldfrapp, Sting, Dot Allison, Simon Raymonde (Cocteau Twins), Richard Hawley, Rob Ellis, Johnny Marr, Gavin Friday, Lulu, Peter Olliff, Angela Morley, Ute Lemper, Ed Bicknell, Evan Parker, Benjamin Biolay, Hector Zazou, Mo Foster, Phil Sheppard, Pete Walsh, and more.

Directed by Stephen Kijak, who brought you the delightfully deranged documentary CINEMANIA (a profile of 5 of NYC’s most manic film buffs), this is a different form of obsession altogether. Inspiring god-like devotion from fans, Scott Walker’s has a cult that has grown considerably since his 1995 release Tilt, a dark and difficult masterwork. His new album takes that sound further than anyone could have imagined?

Collaborators include acclaimed DP/Director Grant Gee (Radiohead: Meeting People is Easy) and Graham Wood, formerly of legendary design collective Tomato.

Produced by Mia Bays, Liz Rose and Stephen Kijak

Associate Producer: Gale Harold

Executive Producer: David Bowie

On release in the UK from April 27th. Details here.

Previously on { feuilleton }
• Exodus art and Plague Songs
• The Drift by Scott Walker

Tim Buckley on DVD

Not before time. Thanks to Jay for the tip.

FOR IMMEDIATE RELEASE:
TIM BUCKLEY
My Fleeting House
Documentary featuring rare performance and interview footage spanning his entire career

My Fleeting House is first-ever DVD collection of performances of Tim Buckley. This essential DVD features rare live performances from various television shows and interview footage spanning his entire career.

The DVD has eleven full-length songs, and three partial performances. This DVD also features insightful interviews with Larry Beckett (co-writer of many songs with Buckley), Lee Underwood (Buckley’s guitarist) and David Browne (author of Dream Brother: The Lives of Jeff and Tim Buckley).

The footage spans his entire career, from 1967 to 1974, and includes unreleased video of interaction with Buckley on The Steve Allen Show (1969) and on WITF’s The Show (1970). The footage is taken from various television programs from 1967 to 1974 right up to the time of his death in 1975. All but two of the musical clips are unreleased. As an additional oddity, the clip of Buckley being interviewed on The Steve Allen Show includes Jayne Meadows complimenting Buckley on his hair.

Despite having produced nine studio albums, three live albums, and many “best of” compilations—My Fleeting House is the first-ever authorized collection of Buckley’s visual performances. Several segments on this new collection have not been seen for over thirty years. MVD Visual has secured the best possible, first-generation video sources for the compilation, including footage from American, British, and Dutch television, and also a forgotten feature film. This DVD has the full approval of the Estate of Tim Buckley.

Buckley was an experimental vocalist and performer who incorporated jazz, psychedelia, funk, soul, and avant-garde rock in a short career spanning the late 1960s and early 1970s. He often regarded his voice as an instrument, a talent most exploited on his albums Goodbye and Hello, Lorca, and Starsailor. He was the father of musician and singer Jeff Buckley, also known for his three-and-a-half octave voice, who died in 1997. Buckley released his debut album Tim Buckley on Elektra in 1966. A folk-rock album, it contained psychedelic melodies written with input from Beckett. He went on to release Goodbye and Hello (1967), Happy Sad (1969), Blue Afternoon (1969), Lorca (1970), Starsailor (1970), Greetings from L.A. (1972), Sefronia (1973), and Look at the Fool (1974).

Born in Washington DC, Tim Buckley lived for 10 years in New York before moving to southern California. During his childhood, he was a fan of Johnny Cash, Hank Williams, Nat King Cole, and Miles Davis, although country music was his foremost passion. He left school at 18 with twenty songs written with Larry Beckett under his belt—many of which later featured on his debut album. Mothers of Invention drummer Jimmy Carl Black introduced Buckley to Herb Cohen, and he quickly got him signed to Elektra record company. He also met guitarist Lee Underwood around this time, who became a big part of nearly all of Buckley’s artistic endeavors.

On June 28, 1975 after returning from the last show of a tour in Dallas, Buckley snorted heroin at a friend’s house. Having diligently controlled his habit while on the road, his tolerance was lowered, and the combination of a small amount of drugs mixed with the amount of alcohol he’d been consuming all day to celebrate the tour’s end was too much. His friend took him home thinking he was merely drunk. He was put to bed by his friends, who told his wife that he’d also used some barbiturates. As she watched TV in bed beside him, Buckley turned blue. Attempts by friends and paramedics to revive him were unsuccessful. Reportedly, Buckley’s last words were “Bye Bye Baby,” delivered in a way reminiscent of the line in Ray Charles’ Driftin’ Blues. Buckley was just 28 years of age.

Arranged in chronological order, My Fleeting House traces the evolution of Buckley’s music, voice, songwriting, and backup bands.

DVD extras:
A 12-page booklet of unreleased Buckley photos
An album-by-album review by Underwood, Beckett, and Browne
Beckett (also a poet) reciting ‘Song to the Siren’

Tracklist:
Inside Pop—’No Man Can Find the War’
Late Night Line Up—’Happy Time’
Late Night Line Up—’Morning Glory’
Old Grey Whistle Test—’The Dolphins’
The Monkees Show—’Song to the Siren’
Greenwich Village—’Who Do You Love’
Dutch TV—’Happy Time’
Dutch TV—’Sing a Song for You’
Music Video Live—’Sally Go Round the Roses’
Boboquivari—’Blue Melody’
Boboquivari—’Venice Beach (Music Boats by the Bay)’
The Show—’I Woke Up’
The Show—’Come Here Woman’
The Christian Licorice Store—’Pleasant Street’

• Official Website: http://www.timbuckleydvd.com/
• Trailer: http://www.youtube.com/watch?v=AHCccGEUMr0

Selection #: DR-4566
UPC: 022891456698
Street Date: 5/15/2007
List Price: $19.95
Running Time: 105 minutes

Joe Orton

Gary Oldman as Joe Orton in Prick Up Your Ears (1987).

Ken: At least you can say you’ve sat in the same chair as TS Eliot.
Joe: Yes, I’m never going to wipe my bum again.

Gay playwright Joe Orton receives a welcome renewal of attention this month with a showing of films at the ICA in London and the 20th anniversary re-release of Prick Up Your Ears, the great Orton biopic by Alan Bennett and Stephen Frears. Gary Oldman is marvellously sexy (and funny) as Orton in Frears’ film, Alfred Molina is equally good as his increasingly neurotic lover, Kenneth Halliwell (who eventually murdered Orton before killing himself), and there’s decent casting throughout, with Vanessa Redgrave playing Peggy Ramsay and Julie Walters hilarious as Orton’s mother.

Prick Up Your Ears was originally Halliwell’s title for a script Orton was writing for the Beatles (“…much too good a title to waste on a film,” said Orton.) That film idea, variously titled Up Against It and 8 Arms To Hold You, was deemed “too gay” by McCartney and co., not least because Orton had all four Beatles sleeping in the same bed. He also wrote that “…the boys, in my script, have been caught in flagrante, become involved in dubious political activity, dressed as women, committed murder, been put in prison and committed adultery. And the script isn’t finished yet.” Now you know why the third Beatles film was an animated one.

A feature in The Guardian examining Orton’s legacy, as well as the film, has this to say of Prick Up Your Ears:

it was the first mainstream British film to depict the gay underworld of West End toilets and sign language that existed in an age when homosexuality was still illegal.

And much of it was filmed on location in Orton’s haunts. Every time I’ve been through Islington tube station I think of the scene where Gary Oldman picks up a guy he’s been eying in the lift.

Orton had the misfortune to die in 1967, the year homosexuality was decriminalised in Britain. Well… decriminalised so long as you were both 21, not members of the Armed Forces and there was no one else in the room with you; Orton could have made a play out of such farcical restrictions. But the film makes it clear that the existence of a stupid law—which caused the downfall of another playwright, Oscar Wilde—did nothing to prevent him enjoying himself. The Guardian has another quote from him:

[The police] interfere far too much with private morals—whether people are having it off in the backs of cars or smoking marijuana, or doing the interesting little things one does.

They still do, Joe.

The web doesn’t serve Orton’s memory very well; the links below are some of the more interesting finds.

• An interview from June, 1967
• Joe Orton at the BBC Sound Archive
• Joe Orton at GLBTQ
• The Disappearing Gentlemens’ Lavatories of Old London
(A hymn to the public convenience by Dudley Sutton, dedicated to Joe Orton.)

Previously on { feuilleton }
• Passion play
• The Poet and the Pope
• Please Mr. Postman
• All you need is…
• Queer Noises