Groove is in the art
| Hercules and Love Affair get groovy.
Category: {music}
Music
Light in the west
Light in the west
| The return of Portishead.
Arthur #28
It’s always a red letter day when a new issue of Arthur Magazine appears and this one is especially good, featuring a substantial history of the creation and influence of pulp villain Fantômas (for which I helped source some photos) and an interview with extraordinary singer and musician Diamanda Galás. Lots more besides and as always it’s FREE in the US & Canada. If your local record store or coffee house isn’t carrying it (or you’re outside North America) you can subscribe or download the PDFs.
Previously on { feuilleton }
• Another playlist for Halloween
• Judex, from Feuillade to Franju
• Fantômas
• A playlist for Halloween
Earth in Manchester
Earth, looking suitably infernal.
Out this evening to the Zion Centre in Hulme to see Seattle drone metal band Earth. I didn’t get to see their performance at the 2005 Arthurfest in Los Angeles but this event made up for that. Support—which we missed due to late arrival—was from Sir Richard Bishop, whose portrait I produced for the last issue of Arthur Magazine.
Earth play that kind of slowed-to-a-crawl metal which has its roots in Black Sabbath (the origin of their name) and Swans. The band have some great album and track titles, among them Thrones and Dominions, Hex (Or Printing in the Infernal Method) and Teeth of Lions Rule the Divine, the latter being borrowed by a drone doom supergroup. Unlike followers Sunn O))), who don robes and fill the stage with fog, the Earth presentation is a minimal one: no vocals, just the music, and no effects, red light only. I’d heard a couple of Earth CDs but what becomes obvious when you see them live is that this kind of music really benefits from loud volume and a good sound system. Both those elements were in place tonight which made for a thoroughly immersive experience.
Earth have a new album out at the end of this month, The Bees Made Honey in the Lion’s Skull, on the Southern Lord label.
Alex Steinweiss: creator of the album cover
Contrasts in Hi-Fi by Bob Sharples.
A Tribute to Alex Steinweiss
The Creator of the Album Cover
Robert Berman Gallery announces an exhibition of Alex Steinwiss. Original album covers, paintings, and collages by Steinweiss, and special tribute by selected artists. Co-curated by Kevin Reagan and Greg Escalante.
In 1939, a 23 year-old graphic designer revolutionized the music industry. No longer would records come in plain brown wrappers. As Art Director at Columbia Records, Steinweiss created the ‘album package.’ His idea was to create a visual to complement the musical. It was an instant success, and spawned an entire new field of illustration and design: Album Cover Art. Steinweiss was the king of the genre; his covers are still regarded as icons.In his four decade career, Steinweiss created album covers for musical luminaries such as Louis Armstrong, Duke Ellington, Igor Stravinsky and Benny Goodman.
The Miraculous Mandarin (circa 1977).
The Steinweiss exhibition will feature 50 of his original cover designs, plus 50 original ‘tribute’ works, created specifically for this show. Artists that are honoring Steinweiss in the show include: Clive Barker, Bill Barminski, Ron English, Mick Haggerty, Raymond Pettibon, Shag, and Glenn Wexler. The featured artists have created album covers for a wide range of musicians, including Black Flag, Dixie Chicks, Goo Goo Dolls, Supertramp, and Rob Zombie.
“Steinweiss is 90 years old this year; this tribute is long over-due. The art community is excited to have a chance to pay homage to Alex’s unprecedented contribution to album cover art,” says Kevin Reagan, three time GRAMMY winning Art Director.
“It’s amazing to discover this one man, this un-sung hero, who is responsible for inventing the album. Steinweiss should be a household name,” says Greg Escalante, curator of Juxtapoz, and co-founder of Copro-Nason Gallery.
“The opportunity to highlight ‘the art of music’ is exciting. You have the energy of two different genres, and their combination is explosive,” says gallery owner Robert Berman. “Just plain design didn’t mean a damn thing,” Steinweiss says. You had to know music. I had to find a way to bring out the beauty of the music and the story.” (dwell, 10/07)
Alex Steinweiss lives in Sarasota, Florida, where he continues to design and paint.
A Tribute to Alex Steinweiss
Gala Opening: January 19th
Show runs through February 12th, 2008
Robert Berman Gallery
Bergamot Station Arts Center
2525 Michigan Avenue, C2
Santa Monica, CA 90404
• Alex Steinweiss at the Art Director’s Club Hall of Fame
• For the Record: The Life and Work of Alex Steinweiss at Amazon
• Alex Steinweiss at Soundfountain
Elsewhere on { feuilleton }
• The album covers archive