{music} – Page 313 – { feuilleton }

Earth in Manchester

Earth, looking suitably infernal.

Out this evening to the Zion Centre in Hulme to see Seattle drone metal band Earth. I didn’t get to see their performance at the 2005 Arthurfest in Los Angeles but this event made up for that. Support—which we missed due to late arrival—was from Sir Richard Bishop, whose portrait I produced for the last issue of Arthur Magazine.

Earth play that kind of slowed-to-a-crawl metal which has its roots in Black Sabbath (the origin of their name) and Swans. The band have some great album and track titles, among them Thrones and Dominions, Hex (Or Printing in the Infernal Method) and Teeth of Lions Rule the Divine, the latter being borrowed by a drone doom supergroup. Unlike followers Sunn O))), who don robes and fill the stage with fog, the Earth presentation is a minimal one: no vocals, just the music, and no effects, red light only. I’d heard a couple of Earth CDs but what becomes obvious when you see them live is that this kind of music really benefits from loud volume and a good sound system. Both those elements were in place tonight which made for a thoroughly immersive experience.

Earth have a new album out at the end of this month, The Bees Made Honey in the Lion’s Skull, on the Southern Lord label.

Alex Steinweiss: creator of the album cover

Contrasts in Hi-Fi by Bob Sharples.

A Tribute to Alex Steinweiss
The Creator of the Album Cover

Robert Berman Gallery announces an exhibition of Alex Steinwiss. Original album covers, paintings, and collages by Steinweiss, and special tribute by selected artists. Co-curated by Kevin Reagan and Greg Escalante.

In 1939, a 23 year-old graphic designer revolutionized the music industry. No longer would records come in plain brown wrappers. As Art Director at Columbia Records, Steinweiss created the ‘album package.’ His idea was to create a visual to complement the musical. It was an instant success, and spawned an entire new field of illustration and design: Album Cover Art. Steinweiss was the king of the genre; his covers are still regarded as icons.In his four decade career, Steinweiss created album covers for musical luminaries such as Louis Armstrong, Duke Ellington, Igor Stravinsky and Benny Goodman.

The Miraculous Mandarin (circa 1977).

The Steinweiss exhibition will feature 50 of his original cover designs, plus 50 original ‘tribute’ works, created specifically for this show. Artists that are honoring Steinweiss in the show include: Clive Barker, Bill Barminski, Ron English, Mick Haggerty, Raymond Pettibon, Shag, and Glenn Wexler. The featured artists have created album covers for a wide range of musicians, including Black Flag, Dixie Chicks, Goo Goo Dolls, Supertramp, and Rob Zombie.

“Steinweiss is 90 years old this year; this tribute is long over-due. The art community is excited to have a chance to pay homage to Alex’s unprecedented contribution to album cover art,” says Kevin Reagan, three time GRAMMY winning Art Director.

“It’s amazing to discover this one man, this un-sung hero, who is responsible for inventing the album. Steinweiss should be a household name,” says Greg Escalante, curator of Juxtapoz, and co-founder of Copro-Nason Gallery.

“The opportunity to highlight ‘the art of music’ is exciting. You have the energy of two different genres, and their combination is explosive,” says gallery owner Robert Berman. “Just plain design didn’t mean a damn thing,” Steinweiss says. You had to know music. I had to find a way to bring out the beauty of the music and the story.” (dwell, 10/07)

Alex Steinweiss lives in Sarasota, Florida, where he continues to design and paint.

A Tribute to Alex Steinweiss
Gala Opening: January 19th
Show runs through February 12th, 2008

Robert Berman Gallery
Bergamot Station Arts Center
2525 Michigan Avenue, C2
Santa Monica, CA 90404

• Alex Steinweiss at the Art Director’s Club Hall of Fame
• For the Record: The Life and Work of Alex Steinweiss at Amazon
• Alex Steinweiss at Soundfountain

Elsewhere on { feuilleton }
• The album covers archive

Design as virus 2: album covers

Electric Funk by Jimmy McGriff (1969).

Okay, so the graphical similarity between Jimmy McGriff’s album sleeve and Nick Drake‘s, which appeared a year later, is probably coincidence but I couldn’t help noting it. Electric Funk was released on the Blue Note Records label which was highly regarded for its sleeve design so it wouldn’t be too surprising if someone at Island Records had seen it.

Bryter Later by Nick Drake (1970).

The album below by Japanese band Boris is a copy of Nick Drake’s, of course, a pastiche technique they’ve adopted for a couple of their other releases. The Japanese seem to be especially fond of this approach, Kawabata Makoto and Acid Mothers Temple (also below) having released many CDs which work playful riffs on western rock history.

Akuma No Uta by Boris (2003).

Hot Rats by Frank Zappa (1969); Hot Rattlesnakes by Kawabata Makoto and the Mothers of Invasion (2001).

Elsewhere on { feuilleton }
• The album covers archive

Previously on { feuilleton }
• Design as virus 1: Victorian borders

Exploiting Sound, Exploring Silence

Exploiting Sound, Exploring Silence
| Sound design for the Coen Brothers.

Blog this: tits out for the future

left: tits t-shirt by Vivienne Westwood and Malcolm McLaren.
right: the Hipp Chronoscope via io9.

A new year brings new blogs which is perhaps just as well seeing as the old year drew a line under some regular reads.

The Look, “Adventures in pop and rock fashion”, began posting a couple of weeks ago, spinning off from Paul Gorman’s book of the same name. Pieces there which immediately catch my eye are a skate through Billy Bowers’ outrageous clothing designs and a nice potted-history of the “tits tee”. I’d not realised before that the history of this latter creation goes back beyond punk to the early Seventies, another example of the evolution from post-psychedelic freakery to punk being a process of gradual elision, not the clean break that lazy commentary often suggests.

Also arriving (and noted everywhere by now) is io9, a new addition to the Gawker network, which looks at sf-related culture. I’ve already had a traffic spike from there after they linked to my Hugh Ferriss post and it’s good to see that Bldg Blog‘s Geoff Manaugh is among their contributors.

Previously on { feuilleton }
• Ave Atque Vale!