Comps

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The month in complimentary copies. In publishing you often get sent at least one copy of something you’ve worked on although there are plenty of occasions when this doesn’t happen. This trio turned up while I’ve been waiting for two other books to arrive, both of which I’d contributed to (one of them even has my name on the cover) but still had to request from editors. It’s always a quandary when this happens. You feel reluctant to add to somebody’s working day by making a petty request for a copy of that thing you provided some artwork for a year ago; on the other hand, one of the books I’ve been waiting for is published by an international company with a 70-year history who nevertheless didn’t have a budget to pay for all the artwork they were using. The comp was supposed to be my payment for their use of a single picture. It looks like I’ll be buying this one myself.

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Great Work of Time is a book I’ve already mentioned here, being a hardcover reprint of an award-winning novella by John Crowley. I designed the interior and the cover which has been beautifully printed by Subterranean Press on textured paper. The interiors feature two-colour printing, with various details picked out in magenta ink. A handsome edition that’s also one of the best time-travel stories I’ve read.

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Everything Keeps Dissolving: Conversations with Coil has also been mentioned here before. This is Nick Soulsby’s collection of interviews with Coil, a book that rescues from obscurity and potential loss a wealth of interview material—magazine features, fanzine profiles, video and tape transcripts—which chart the group’s career. I assisted in a very small way with this one, letting Nick see some of my written correspondence with John Balance. I’m also mentioned in one of the interviews which was a surprise to discover after all this time. This is a very large book which will be essential reading for all Coil cultists.

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Fifth Quarter: Derek Jarman, Keith Collins and Dungeness is a collection of personal responses to the films and art of Derek Jarman. The book has some slight relation to the Coil volume via the pictures that resemble the Jarman piece used on the cover of How To Destroy Angels. Fifth Quarter has been published by the Subtext record label to accompany Fifth Continent, an album by Alexander Tucker and the late Keith Collins, Jarman’s former partner and custodian of Prospect Cottage. I didn’t contribute to the book but I’ve done a lot of design work for Subtext who have been releasing avant-garde music now for almost 20 years. Book publishing is a new venture for them. The list of contributors to Fifth Quarter is an impressive one: Barry Adamson, Jennifer Lucy Allan, Sarah Bade, Derek Brown, Keith Collins, Garry Clayton, Peter Fillingham, William Fowler, Dan Fox, Elise Lammer, Matthew R. Lewis, James Mackay, Frances Morgan, Garrett Nelson, Stephen O’Malley, Paul Purgas, Damien Roach, Howard Sooley, Mark Titchner, Alexander Tucker, Peter Tucker, Luke Turner, Simon Fisher Turner, and Cosey Fanni Tutti.

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Previously on { feuilleton }
Great Work of Time
Man is the Animal, issue three
Derek Jarman album covers

Weekend links 678

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Interior of a Cathedral (1921) by Wenzel Hablik.

• The inevitable Cormac McCarthy features: “Cormac McCarthy took us beneath the surface,” says Kevin Berger at Nautilus magazine, publishers of McCarthy’s essay about the origins of language. At The Paris Review, three writers reminisce about reading McCarthy’s fiction.

• At Bajo el Signo de Libra: Bhupen Khakhar (1934–2003). “Su obra examina las implicaciones políticas y socioculturales de la homosexualidad en la India.”

Dennis Cooper’s favourite fiction, poetry, non-fiction, film, art, and internet of 2023 so far. Thanks again for the link here!

• New music: Telepathic Heights by Hawksmoor, and Golden Apples of the Sun by Suzanne Ciani & Jonathan Fitoussi.

• Mixes of the week: DreamScenes – June 2023, and isolatedmix 121: Oslated & Huinali Showcase mixed by S-Pill.

• At Unquiet Things: Crystal Castles and Harmonious Heavens: Wenzel Hablik’s Glittering Utopias.

• At Public Domain Review: Wonder and Pleasure in the Oude Doolhof of Amsterdam.

• At Spoon & Tamago: Exploring Tokyo’s Hidden Shrines.

• At Aquarium Drunkard: Bush Tetras interviewed.

Ben Chasny’s favourite albums.

• RIP Glenda Jackson.

Utopiat No. 1 (1973) by Utopia | Utopia (2000) by Goldfrapp | Utopia (2013) by Brown Reininger Bodson

Weekend links 677

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Design by Neville Brody, 1980.

• My work soundtrack for the past couple of weeks has been non-stop Cabaret Voltaire so this is pertinent. Neville Brody designed many of the group’s record sleeves in the 1980s as well as this poster and another one that I’ve only seen as a small picture in the first Brody book. He was also responsible for the CV logo which I never managed to find in badge form.

• “Anger’s preferred mode of artistry in his last decades was self-mythologising, and while he would return to filmmaking late in life, it was less as hierophant than totem—the worn keepsake of a once powerful magick.” Ryan Meehan remembers Kenneth Anger.

• New music: Waves by Ben Chasny and Rick Tomlinson, Topos by UCC Harlo, and Zango by WITCH.

Kafka’s perpetual redescription of his plight suggests that throughout his writing life he was less interested in finding a solution or even arriving at a single, definitive formulation of the problem than he was in exploring the implications and complications of his situation from new, unexpected angles and crafting an ever-expanding lexicon of figures for its inescapability.

Ross Benjamin, the translator of Franz Kafka’s diaries, on the neurotic concerns that Kafka turned into art

• “Why are men seemingly always naked in ancient Greek art?” Sarah Murray investigates.

Artists for Bibi: an auction in aid of Arthur Machen’s great-great-granddaughter.

• At Public Domain Review: Unidentified Floating Object: Edo Images of Utsuro-bune.

• Steven Heller’s font of the month is Acorn.

• Old music: Moon Journey by Mort Garson.

• RIP Tony McPhee.

Kafka (1964) by The Rowdies | Kafka (1982) by Masami Tsuchiya | Kafka (Main Title) (1992) by Cliff Martinez

Weekend links 676

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Sleeve Study, from Kakitsubata (1998) by Paul Binnie.

• “London was not a project for me. It was the curse that never stops giving.” Iain Sinclair talking to Matthew Stocker about his new book for Swan River Press, Agents of Oblivion.

The Ultimate DMT Breakthrough Replication Compilation, a video guide to the DMT experience by Josie Sims. Related: Kristen French on what hallucinogens will make you see.

• At Spoon & Tamago: A return to Tokyo Genso’s depictions of an urban Japan transformed by vegetation and neglect.

• New music: The Shell That Speaks The Sea by David Toop & Lawrence English.

• At Bajo el Signo de Libra: San Sebastián de Mártir a Icono Homosexual.

• Cosmic views from the Milky Way Photographer of the Year, 2023.

Nakamura Mitsue makes a Noh mask from a single block of wood.

• Mix of the week: A mix for The Wire by Eleni Poulou.

• At Dennis Cooper’s: Delphine Seyrig Day.

Of Ancient Memory (The Oblivion Seekers) (1994) by Jarboe | Oblivion (2001) by Lustmord | Oblivion (2004) by Redshift

Weekend links 675

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Lucifer (1890) by Franz Stuck.

• “I wanted to reclaim the word ‘psychonauts’ and take it back into the 19th century, where it describes not only renegades and rebels, but also establishment scientists, doctors, and pillars of the literary establishment. The word that was used at the time was “self-experimenter.” Mike Jay (again) talking to Steve Paulson about psychoactive research and the scientists who taste their own medicine.

• “How did countercultures commune before the internet?” asks J. Hoberman, reviewing Heads Together: Weed and the Underground Press Syndicate, 1965–1973 by David Jacob Kramer.

• At Public Domain Review: Medieval advice concerning the mythical Bonnacon: “the protection which its forehead denies this monster is furnished by its bowels”.

• DJ Food unearths posters and badges for The Kaleidoscope, a short-lived Los Angeles music venue of the late 60s.

• At Spoon & Tamago: Gaku Yamazaki has documented thousands of unusual road signs across Japan.

• New music: Psalm013: Unland by Pram of Dogs, and Intimaa by Bana Haffar.

• At Unquiet Things: A sneak peek from the forthcoming The Art of Fantasy.

• The Strange World of…Shirley Collins.

• At Dennis Cooper’s: Bruce Posner Day.

Kenneth Anger: a life in pictures.

• RIP Tina Turner.

Kaleidoscope (1967) by Kaleidoscope (UK) | Kaleidoscope (1984) by Rain Parade | Collideascope (1987) by The Dukes Of Stratosphear