Weekend links 615

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Tesla does the Astro. Hunter Dukes at Public Domain Review examines the promotion of Nikola Tesla’s ideas via this famous photograph.

• Coming soon from Side Real Press: Kokain—The Modern Revue, a magazine produced in Vienna that ran for five issues during 1925. “Original copies are so rare that it scarcely appears in any of the literature relating to the Weimar period and its contents have remained almost entirely ignored and certainly untranslated. Until now.”

• “Magritte had gotten this far in life by refusing to obey anyone, and in a way his disobedience proved that he understood Surrealism better than the leader of the Surrealists.” Jackson Arn reviewing Magritte: A Life by Alex Danchev.

• “Go as far into your dream as possible and find your own unique voice.” Meredith Monk (again) talking to Elizabeth Aubrey.

• Coming soon from Strange Attractor: City of the Beast: The London of Aleister Crowley by Phil Baker.

• At Spoon & Tamago: The natural world springs to life in kirie paintings by Tamami Kubota.

Antonia Mufarech on why sunflowers are Ukraine’s national flower.

• At Dennis Cooper’s: Etienne-Louis Boullée’s unbuildable tombs.

• Mix of the week: I Can’t Go For That by The Ephemeral Man.

• New music: Triumph Of The Oak by The Lord.

• RIP Philip Jeck.

Tesla (1997) by Jimi Tenor | Tesla (2011) by They Might Be Giants | Tesla Coil (2016) by Xhei

Man is the Animal, issue two

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Postcard not included.

In the post this week, the second issue of the Coil zine, Man is the Animal. 64 pages of esoteric exploration, plus a portrait of everyone’s favourite Elizabethan magus, Dr John Dee.

Contents:
A Slip (or a Jump) In Beverley Road by Nick Soulsby
Letter to the Esoteric Order of Dagon by John Balance
Towards a Magickal Appreciation of Coil by Patrick Weir
Agapanthus: Four Poems for John Balance by Jeremy Reed
The Chaosphere by Stephen Sennitt
Shakespeare, Jarman, Coil: A Conversation by Cormac Pentecost
Everything Keeps Dissolving by Sheer Zed

Previously on { feuilleton }
Man is the Animal: A Coil Zine

Invisible Jukeboxes

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A collection of visible jukeboxes.

Invisible Jukebox is one of the longest running regular features in The Wire magazine, a cross between music interview and music quiz in which a different interviewee each month is asked to listen to a piece of music and identify the title and artist. The musical selections all have a link either to the interviewee’s career or the idiom in which they operate. Right or wrong answers aren’t really the point, the interest comes from the way in which each piece prompts a discussion about either the music itself or some related matter. For the past two years the magazine has kept the feature Covid-free by asking musician colleagues or partners to test each other.

A large cache of Wire back issues turned up recently at the Internet Archive, the bulk of which is a complete run from 1982 to 1999. In its early years the magazine was almost solely devoted to jazz, old and new, but it changed direction in 1991 when the agenda broadened and the magazine slowly transformed into the forum for new music it still is today. I only became a regular reader in 1994 so it’s good to find these older issues and be able to read some of the Invisible Jukeboxes that I’d missed. What follows is a list of all the interviewees from the first Invisible Jukebox in 1991 up to the end of 1999, together with links to the relevant issue. I hadn’t realised before that the feature wasn’t always as regular as it seemed, there are occasional gaps in the first few years. The earliest ones also asked the interviewee to give each piece of music a rating from one to five, a rather pointless request that was soon dropped. Despite the increasing diversity of the magazine’s contents the list below remains male-heavy to the end. This may reflect the dominance of men in the music business as a whole but I’d still liked to have seen the test applied to (for starters) Laurie Anderson, Sheila Chandra, Alice Coltrane, Sussan Deyhim, Pauline Oliveros, Annette Peacock…

1991
Mark Springer
John Harle
Bob Stewart
Kate & Anna McGarrigle
Leon Redbone
Bill Bruford
Taj Mahal

1992
Cabaret Voltaire
Asley Maher
James Moody
Julian Lloyd Webber
Steve Martland
Ali Farka Toure
Humphrey Lyttleton & Acker Bilk
Billy Jenkins
Neneh Cherry

1993
Sonic Youth
Don Pullen
Coldcut
Jack Bruce
Lester Bowie
Lydia Lunch
Pee Wee Ellis
Paul Weller
Holger Czukay

Continue reading “Invisible Jukeboxes”

Weekend links 605

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UFO Mk2 (1967), a poster for the UFO club by Hapshash and the Coloured Coat (Michael English & Nigel Waymouth).

• Link of the week without a doubt is Yuka Fujii’s raw video footage of the sessions for David Sylvian’s solo debut, Brilliant Trees, which includes appearances by Jon Hassell, Holger Czukay and Ryuichi Sakamoto. Czukay’s contribution to this and other albums in the 1980s included the use of a second-hand IBM Dictaphone, a machine which was often credited on album sleeves but seldom discussed in interviews beyond Czukay’s claims that it was a superior sound-sampling tool. You can see the mysterious “instrument” in this film and discover (at last!) more about the machine here. Big thanks to Colin for the tip!

• “Part of what makes watching it so compelling now is Berger’s fascinated immersion in the culture of images itself.” Olivia Laing on 50 years of Ways of Seeing by John Berger.

• At The Wire: David Toop on what happens when the performance of music is extended over long durations, from all night concerts to sacred rituals that last for weeks.

• At Bandcamp: Tony Rettman profiles Audion magazine and its editors, indefatigable Krautrock experts Alan & Steve Freeman.

• New music: W by Boris, a remix of Laurie Anderson’s Big Science by Arca, and a cover of King Crimson’s Red by Hedvig Mollestad.

• The latest exploration of psychedelic graphics by DJ Food is a collection of posters for London’s UFO Club.

• Wolf Moon: Nina MacLaughlin has some questions for our ancient satellite.

• At Dennis Cooper’s: Frank’s Box: The Real Telephone to the Dead.

• Mix of the week: XLR8R Podcast 731 by Anthea.

• At Strange Flowers: 22 books for 2022.

UFO (1970) by Guru Guru | UFO Over Paris (1978) by Steve Hillage | El UFO Cayó (2005) by Ry Cooder

Weekend links 603

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Weird Tales (Canada), May 1942. Cover art by Edmond Good.

• “…in 1968, seven years after the MOMA retrospective, Orson Welles appreciatively got in touch and suggested that Bogdanovich do a book-length set of interviews with him like the one that Bogdanovich had just done with Ford. The resulting book, This Is Orson Welles (which took a winding path to publication, in 1992, seven years after Welles’s death), is a classic of the literature of movies.” Richard Brody on the late Peter Bogdanovich. The book of Welles interviews is one of my favourite film books, as good in its way as Hitchcock/Truffaut, and like Truffaut’s book you wish it was twice as long.

• At Public Domain Review: Paloma Ruiz and Hunter Dukes on Johann Caspar Lavater’s frog-to-human physiognomies. If you reverse the sequence, as I did for one of the illustrations in Lovecraft’s Monsters, you approach The Shadow Over Innsmouth.

• The week in virtual exploration (via MetaFilter): Mini Tokyo 3D and Explore the Soane Museum, London.

• Submissions are open for the 16th issue of Dada journal Maintenant which will have the theme “Nyet Zero”.

• At Spoon & Tamago: Artists and artisans collaborate on exhibition of 144 maekake aprons.

• DJ Food unearths flyers and posters for the Million Volt Light & Sound Rave, 1967.

• Mix of the week: Isolatedmix 116 by Chris SSG.

• At Dennis Cooper’s: Stephen Dwoskin Day.

The Little Blue Frog (1970) by Miles Davis | Jail-House Frog (1972) by Amon Düül II | Tree Frog (1995) by Facil