{horror} – Page 148 – { feuilleton }

Deborah Kerr, 1921–2007

The Innocents.

A great British actress died this week. She was also something of a movie star in the Fifties, rolling in the surf with Burt Lancaster in From Here to Eternity (1953) and standing up to Yul Brynner in The King and I (1956). Prior to that she starred in two films for Michael Powell and Emeric Pressburger, The Life and Death of Colonel Blimp (1943) (where she played three roles) and Black Narcissus (1947). But for me she’ll always be the (literally) haunted Miss Giddens in The Innocents (1961), Jack Clayton’s superb adaptation of The Turn of the Screw. Still one of the most effective screen ghost stories; try and see it this Halloween.

Previously on { feuilleton }
• Freddie Francis, 1917–2007

Cain’s son: the incarnations of Grendel

Beowulf wrestles with Grendel, Lynd Ward (1939).

There’s nothing new in pointing out Hollywood’s crimes against literature, the film business has been screwing up book adaptation since the earliest days of silent cinema. But sometimes the wound is so grievous you can’t help but speak out, in this case against Roger Avary’s Beowulf which is released next month. This is another CGI-heavy confection along the lines Polar Express, with the actors being given digital bodies via motion-capture, and it’s something I’d probably have ignored until I saw this picture of Grendel, the story’s principal monster. Beowulf is one of the earliest surviving Anglo-Saxon poems and Grendel, the bloodthirsty creature which Beowulf battles, is one of the ur-fiends of English literature, along with his equally monstrous, lake-dwelling mother and the dragon which fatally wounds the hero. The trio give us a peek back into the dark imagination from a time before recorded history and Grendel especially has always had something raw and primal about its character. So when you see a beast with such a history portrayed as little more than a diseased muppet you wonder what’s going on. Are the creators inept? Ignorant? Were studio restrictions at work? How does an industry with the talent to give splendid life to the trolls and Balrog of Lord of the Rings, or Davy Jones and crew in Pirates of the Caribbean, screw up so badly?

Continue reading “Cain’s son: the incarnations of Grendel”

New things for October

“Mirage in time—image of long-vanish’d pre-human city.”

A couple pieces of news to catch up with here, both Lovecraft-related which is very apt for the month of Halloween. The first is the work I gave a teaser view of in August, a commission for Maison d’Ailleurs, the Museum of Science Fiction, Utopia and Extraordinary Journeys in Yverdon-Les-Bains, Switzerland. The brief for An Exhibition of Unspeakable Things: Lovecraft’s Commonplace Book was to choose an entry from HP Lovecraft’s Commonplace Book, his source of story ideas. The entry I chose implies some of the alien architecture which is a feature of At the Mountains of Madness although I’ll admit that the final result is debatable as architecture.

Continue reading “New things for October”

Strange cargo: things found in books

The Secret Oral Teachings in Tibetan Buddhist Sects by Alexandra David-Neel & Lama Yongden, City Lights Books (1972).

One of the additional pleasures of buying old books besides finding something out-of-print (or, it has to be said, something cheap) occurs when those books still possess traces of their previous owners. A recent posting on The Other Andrew’s page concerned book inscriptions, something any book collector will be used to seeing. Less common are the objects which slip from the pages when you’ve returned home. There are several categories of these.

1: Bookmarks

I have a substantial collection of bookmarks proper, from embossed strips of leather to the more mundane pieces of card of the type that bookshops frequently give away. But I also make a habit of using odd inserts to mark a place as did the previous owners of these volumes. The City Lights book (above) came with a very fragile leaf inside it which may well be as old as the book. Another City Lights book I own, the Artaud Anthology from 1965, included a newspaper article about Artaud. Newspaper clipping inserts are discussed below.

Continue reading “Strange cargo: things found in books”

Hugo Steiner-Prag’s Golem

Der Golem, first edition (1915) and Dover reprint (1986).
Illustrations by Hugo Steiner-Prag.

Before leaving Prague (for the time being), it’s worth mentioning the lithograph illustrations by Hugo Steiner-Prag (1880–1945) for Gustav Meyrink’s The Golem. These atmospheric drawings always remind me of the production sketches Albin Grau created for Murnau’s Nosferatu, eine Symphonie des Grauens in 1922. Grau was an occultist as well as a horror aficionado and would certainly have read Meyrink’s book which was a Europe-wide bestseller when first published. The success of the novel inspired Paul Wegener’s first Golem film (now lost) which in turn helped fuel the demand for horror films that led eventually to Nosferatu.

Nosferatu poster by Albin Grau (1922).

There’s little of Steiner-Prag’s work available on the web but the Dover paperback above contains all the illustrations. The novel has been re-translated recently but I’ve yet to read one of the more recent editions to see how it compares with Dover’s 1928 Madge Pemberton version.

The Golem by Hugo Steiner-Prag (1915).

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Nosferatu
• Barta’s Golem