Vintage swordplay #2

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Even though I never really noticed before it’s become fairly obvious that adding a sword to a beefcake photo was a way of lending some spurious historicity to an otherwise overt piece of male nudity, the cheap version of having models pose among Greek or Roman ruins. Not that I’m complaining, of course. This example comes from Bob Anthony’s New York studio of the 1960s. Thanks to Aristan for the tip!

Elsewhere on { feuilleton }
The men with swords archive

Mishima’s Rite of Love and Death

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Yukio Mishima’s extraordinary, little-seen 28-minute film Yûkoku aka Patriotism aka Rite of Love & Death (1966) was released on DVD earlier this year via Criterion. You can also see it now on Ubuweb.

Playwright and novelist Yukio Mishima foreshadowed his own violent suicide with this ravishing short feature, his only foray into filmmaking, yet made with the expressiveness and confidence of a true cinema artist. All prints of Patriotism (Yûkoku), which depicts the seppuku of a army officer, were destroyed after Mishima’s death in 1970, though the negative was saved, and the film resurfaced thirty-five years later. New viewers will be stunned at the depth and clarity of Mishima’s vision, as well as his graphic depictions of sex and death.

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Previously on { feuilleton }
Secret Lives of the Samurai
Guido Reni’s Saint Sebastian
The art of Takato Yamamoto

Mikel Marton

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Mikel by Mikel.

Delectable Canadian photographer and self-proclaimed “renowned exhibitionist” Mikel Marton (aka Toxicboy) has finally moved from LiveJournal to Blogger. Looks like postings there of himself and his models will be more regular than before which is good to see. And his Toxicboy site is still active, of course.

Previously on { feuilleton }
Tiger Lily
Toxicboy

Sword on the rocks

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More unclothed men with swords and another vintage example, shamelessly swiped from Planet Fabulon.

And while we’re on the subject of men, the Kangaroo Court Theatre Company has another new adaptation of The Picture of Dorian Gray (Matthew Bourne’s dance version is still touring) opening this week at the Tabard Theatre, London.

A daring musical adaptation transports Oscar Wilde’s masterpiece into our own celebrity-obsessed, gossip-driven times – complete with shallow pop stars, sex-crazed artists and sleazy journalists. Co-produced with Kangaroo Court Theatre Company, this new adaptation of Dorian Gray updates the story incorporating new technology and an original musical score.

The company’s site has a few more details. The way they’re using the picture below to promote the work I think we can guess the audience they’re going for.

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Elsewhere on { feuilleton }
The men with swords archive

Previously on { feuilleton }
Matthew Bourne’s Dorian Gray
John Osborne’s Dorian Gray
Dorian Gray revisited
The Picture of Dorian Gray I & II