A journal by artist and designer John Coulthart.
Male objects of desire
Feathers maketh the man, extra points if they’re peacock feathers. I’ve been unable to find a photographer or model credit for this picture, unfortunately (if anyone knows, please leave a comment), but it comes from He Said, He Said via Fabulon. The winged boy below is creditable, however, being one Lyle Lodwick photographed by Tyler Riggs for Contributing Editor.
“For A Definition Of The Nude”.
After yesterday’s post I can’t resist repeating something seen at Fabulon, Thombeau and I both being cock fanatics (so to speak). Dimitris Yeros is a Greek artist and photographer whose site features a series of studies of male and female nudes juxtaposed with a variety of animals. This isn’t the only peacock photo, there’s also a female portrait and, in one of the other sections, that recurrent object of obsession, a naked man with a sword. As well as photography, Yeros presents examples of his very distinctive paintings.
While we’re on the subject of masculine eye candy, I’ve been enjoying some of the discoveries at Homotography (“Photography with homosexual tendencies”) not least their recent interview with Exterface, French masters of luscious homoerotica.
Previously on { feuilleton }
• Exterface
You don’t have to agree with bullfighting to appreciate Torero, Ruven Afanador‘s photo series which brings to the surface the usually latent but always present homoerotics of the sport. These were part of a book collection in 2001 which seems now to be out of print.
With Torero, Ruven Afanador lays open a world of poignant beauty and sensuality – not the atmosphere of the bullfight, but the intimate world of proud young matadors in all their manly valor, and youthful dreams intact. This exquisitely produced volume of Afanador’s black-and-white portraits, taken over a period of two years comprise the most substantial collection of torero images ever published. In Mexico, Peru, Spain and his native Columbia, Afanador opens the door to the famously closed society of bullfighters, offering his elegant, private view of the boys and young men raised in a centuries-old Latin tradition, capturing their balletic beauty, and their distinctly, undeniably erotic aura. Through these iconic portraits, Afanador also gorgeously documents the sumptuous and richly-crafted couture-like costumes and the timeless symbols of the torero culture.
How else to name this obsession? (Which, it should be noted, is more a mild preoccupation than a full-on fetish.) Xiphoid isn’t a word one hears very often:
\Xiph”oid\ (?; 277), a. [Gr. ? sword-shaped; xi`fos a sword + ? form, shape: cf. F. xiphoide.] (Anat.)
(a) Like a sword; ensiform.
(b) Of or pertaining to the xiphoid process; xiphoidian.
Ensiform is less of a challenge but doesn’t lend itself to a suffix while foinery is a term which only refers to combat with foils. Xiphophilia will have to suffice.
The Aragorn type at the top of the post is a Polish model, Jared Koronkiewicz, and his uncredited photo is via Queerty. The identity of the pouting sword boy is a mystery but this picture and another look like scans from a fashion mag. Thanks to Callum for the tip. Finally, the umbrella swords are a design concept from Materious. While these might be useful for keeping commuters at bay, in the current climate of security theatre they’d probably only lead to your arrest or worse. But they look good. Via Core77.
Elsewhere on { feuilleton }
• The men with swords archive
