Beksinski on film

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Polish artist Zdzislaw Beksinski filmed at different stages of his career. There was more of this than I expected when Beksinski’s work ran so counter to contemporary trends. We have Andy Teszner to thank for making so much footage available and also providing English subtitles. Taken together, the films show the evolution of Beksinski’s workplace as much as his art, a space which becomes lighter, tidier and increasingly filled by audio-visual technology. Don’t expect any enlightening comments where the paintings are concerned. Beksinski was always adamant that they didn’t mean anything beyond what they were. I find this a refreshing attitude, especially when so many artists today attach a pompous explanatory statement to their work.

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Zdzislaw Beksinski in 1975. “He always works with music.”

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Beksinski, 1978. “Would you like to say something to the audience?” “No. Absolutely not.”

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Zdzislaw Beksinski – A Stroll through Warsaw (1989). A film by Hubert Waliszewski and Elzbieta Dryll-Glinska in which Beksinski and Piotr Dmochowski wander around the city for a while then look at some of Beksinski’s paintings.

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Beksinski at work, 1990.

Elsewhere on { feuilleton }
The fantastic art archive

Previously on { feuilleton }
Beksinski at Mnémos

Weekend links 676

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Sleeve Study, from Kakitsubata (1998) by Paul Binnie.

• “London was not a project for me. It was the curse that never stops giving.” Iain Sinclair talking to Matthew Stocker about his new book for Swan River Press, Agents of Oblivion.

The Ultimate DMT Breakthrough Replication Compilation, a video guide to the DMT experience by Josie Sims. Related: Kristen French on what hallucinogens will make you see.

• At Spoon & Tamago: A return to Tokyo Genso’s depictions of an urban Japan transformed by vegetation and neglect.

• New music: The Shell That Speaks The Sea by David Toop & Lawrence English.

• At Bajo el Signo de Libra: San Sebastián de Mártir a Icono Homosexual.

• Cosmic views from the Milky Way Photographer of the Year, 2023.

Nakamura Mitsue makes a Noh mask from a single block of wood.

• Mix of the week: A mix for The Wire by Eleni Poulou.

• At Dennis Cooper’s: Delphine Seyrig Day.

Of Ancient Memory (The Oblivion Seekers) (1994) by Jarboe | Oblivion (2001) by Lustmord | Oblivion (2004) by Redshift

Chirico by Tanaami and Aihara

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If I’d have seen it earlier I would have included this animated film in my Echoes of de Chirico post. Chirico (2008) is a wordless 4-minute homage to the maestro of pittura metafisica directed by Keiichi Tanaami with Nobuhiro Aihama. In addition to being a celebrated artist and designer, Keiichi Tanaami has been making short animations since the 1960s, usually with the assistance of other artists. This one puts familiar de Chirico motifs through a metamorphic Surrealist wringer in a manner that could easily have been extended into a much longer film. De Chirico has evidently been a preoccupation for Tanaami in recent years, providing a landscape he can appropriate for his bad-trip take on psychedelic art.

Elsewhere on { feuilleton }
The Surrealism archive

Previously on { feuilleton }
Echoes of de Chirico
Sweet Friday, a film by Keiichi Tanaami
Keiichi Tanaami record covers

Kenneth Anger, 1927–2023

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Kenneth Anger, Topanga Canyon (composite with Gustave Doré engraving) (1954) by Edmund Teske.

The other day…I had a date with Tom Luddy at a New York hotel in the East Fifties to meet Kenneth Anger, the genius who made Scorpio Rising and whose New York flat is a shrine to Valentino.

Michael Powell, from A Life in Movies, 1986

There’s not much I can add to all the plaudits, especially when Kenneth Anger has been a continual fixture here since 2007, with the last post about him going up only two weeks ago. I always find it impossible to make one of those lists where people name their ten favourite films but Anger’s Magick Lantern Cycle is one of the very few titles I could add to such a list, and it probably sits in the top five. What the other four might be depends on changes of mood or weather.

The most Anger recent post came about after I’d been re-reading the unofficial Bill Landis biography, a book I’d dipped into over the years but not gone all the way through again since it was published in 1995. It’s an uneven study of Anger’s life and erratic career, detailed yet slapdash, but Landis did at least interview many of Anger’s colleagues and acquaintances while they were still around. Even though Anger himself hated the results of the often gossipy investigation the book will remain an invaluable resource for future writers.

Some links:
Kenneth Anger’s Hollywood Babylon (1991). In which Nigel Finch persuaded a reluctant Anger to drive around Los Angeles in a hearse visiting sites of death or disaster mentioned in Anger’s first book. I suspect Finch was more interested in discussing Anger’s films, which are also featured, but needed the scandalous stuff to get the thing made at all. The BBC hadn’t done anything about Anger before this, and haven’t done anything since.

Kenneth Anger–Magier des Untergrundfilms (1970), a 53-minute documentary made for WDR by Reinhold E. Thiel. A frustrating film, being a mix of awkward interviews (Anger didn’t like Herr Thiel very much) with priceless footage showing the filming of parts of Lucifer Rising. A shame, then, that all the copies which have been circulating for the past decade are low-grade and blighted throughout by one of those proprietary signatures that idiots stick onto footage they don’t own. WDR must still have the film so maybe we’ll get to see a better copy one day.

Sex, Satanism, Manson, Murder, and LSD: Kenneth Anger tells his tale. Paul Gallagher recounts his own meetings with Anger and also posts several Anger-related pages from Kinokaze zine, 1993.

Hollywood Bohemia: An interview with Kenneth Anger by AL Bardach for Wet magazine, 1980.

Previously on { feuilleton }
Anger Magick Lantern Cycle, 1966
Don’t Smoke That Cigarette by Kenneth Anger
Kenneth Anger’s Maldoror
Donald Cammell and Kenneth Anger, 1972
My Surfing Lucifer by Kenneth Anger
Inauguration of the Pleasure Dome: The Eldorado Edition
Brush of Baphomet by Kenneth Anger
Anger Sees Red
Kenneth Anger’s Hollywood Babylon
Lucifer Rising posters
Missoni by Kenneth Anger
Anger in London
Arabesque for Kenneth Anger by Marie Menken
Edmund Teske
Kenneth Anger on DVD again
Mouse Heaven by Kenneth Anger
The Man We Want to Hang by Kenneth Anger
Relighting the Magick Lantern
Kenneth Anger on DVD…finally

Phantastische Edelmann

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There’s more to Heinz Edelmann than the designs he created for Yellow Submarine, as Edelmann himself often used to remind people. And there’s more to his work for animated film than the Beatles’ exploits. Der Phantastische Film is a short introductory sequence for a long-running German TV series which has been doing the rounds for a number of years. Brief it may be but a couple of the monstrous details resemble those that Edelmann put into his covers for Tolkien’s books.

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Edelmann had plans to capitalise on the success of Yellow Submarine with more films like this when he set up his own animation company, Trickfilm, but the only other example is The Transformer, a short about steam trains which he designed. (The direction was by Charlie Jenkins, with animation by Alison De Vere and Denis Rich.) Given the persistent popularity of Yellow Submarine I keep hoping someone might revive its style for something new. The first animated feature directed by Marcell Jankovics, Johnny Corncob, comes close but lacks the trippy Surrealism of the Beatles film. The Japanese can certainly do trippy Surrealism (see Mind Game or Paprika) but I’ve yet to see anything that approaches the Edelmann style. Johnny Corncob, incidentally, is now available on Region B blu-ray from Eureka. It’s worth seeing but the main film in the set, Son of the White Mare, is Jankovics’s masterpiece.

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On a slightly related note, until today I hadn’t looked at ISFDB.org for Heinz Edelmann’s genre credits so I hadn’t seen this Lovecraft cover before. Hard to tell if this creature is supposed to be Cthulhu or Wilbur Whateley’s brother when The Dunwich Horror is one of the stories in the collection. Either way, it belongs in the Sea of Monsters. Insel Verlag published this one in 1968, a year before launching their special imprint devoted to fantastic literature, Bibliothek des Hauses Usher.

Previously on { feuilleton }
Return to Pepperland
The groovy look
The Sea of Monsters
Yellow Submarine comic books
Heinz Edelmann