Readouts

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The HAL Project.

January flew by in a blizzard of work so posting here tended to rely more on pictures than words. As usual the things I’ve been designing will be unveiled when they’re closer to being published or released but for now here’s some new or not-so-new items worthy of note.

The HAL Project screensaver. I’ve never had much time for gaudy screensavers, I prefer something which doesn’t get annoying when I’m otherwise engaged. For a while now I’ve been using the Mac-only Lotsawater which turns your monitor into a vertical water tank with slow motion ripples. I replaced that this week with Joe Mackenzie’s HAL Project screensaver (for Mac and Windows) which throws up random samplings of the HAL 9000 monitor animations from 2001: A Space Odyssey. Sounds a bit dull until you see it in action, very crisp and detailed graphics, many of which mimic the animations of those in the film. I’ve belatedly realised how similar these fields of colour and their lines of white type are to the opening titles of A Clockwork Orange, yet another connection between the two films. Now I can sit trying to figure out some of the less obvious 3-letter codes for the spacecraft’s systems; Stanley Kubrick was so thorough you just know they all mean something.

Via the Kubrick obsessives at Coudal.

A pair of new blogs. Designer Barney Bubbles should need little introduction here but if you require one then read this. Paul Gorman has been in touch to inform me of a new online companion to his BB book, Reasons To Be Cheerful, which already looks like a treat with displays of Bubbles creations that didn’t make the book.

Writer Russ Kick was also in touch this week with news of his books and book culture blog, Books Are People, Too. Russ is the author of several books for Disinformation and his Memory Hole website notoriously caused a headache for the Bush regime when he forced photos of flag-draped coffins returning from Iraq onto the front pages of American newspapers.

Songs of the Black Würm Gism. And speaking of books, the much delayed sequel to DM Mitchell’s landmark Lovecraft anthology, The Starry Wisdom comes shambling into the light of day at last. The Creation Oneiros website describes it thus:

The Black Würm Gism Cult – oceanic insect porn – a vortex of cosmic mayhem stalked by ravening lysergic entities – a post-human psychedelic seizure of Lovecraftian text, art and fragments. SONGS OF THE BLACK WÜRM GISM picks up where the acclaimed anthology THE STARRY WISDOM left off and goes beyond – way beyond! – what H.P. Lovecraft dared to show. Editor D.M. Mitchell presents an illustrated brainstorm of visceral deep-sea dream currents, aberrant trans-species sex visions, and frenzied ophidian entropy.

Contributors include: alan moore (cover illustration), john coulthart (introduction), grant morrison, david britton, ian miller, john beal, david conway, kenji siratori, herzan chimera, james havoc, reza negarestani, & many others

Yes, the rather pompous introduction for this volume is mine and the cover is Alan Moore’s psychedelic arachnoid rendering of the demon Asmodeus, the same picture I used to create my little hidden film on the Mindscape of Alan Moore DVD. The Starry Wisdom roused a vaporous fury among the more staid Lovecraft readers so I look forward to seeing what squeaks of outrage this new book inspires. Publication is set for September 2009 but you can order it now from Amazon and other outlets.

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Ghost Box haunts again. And if anything was going to provide a suitable soundtrack to “aberrant trans-species sex visions, and frenzied ophidian entropy” you could do worse than some of the works of the Ghost Box collective, especially the spooky and abrasive Ouroborindra by Eric Zann. Ritual and Education is a new download-only sampler of Ghost Box tracks and probably an ideal place to start if your curiosity is piqued by my recurrent raves about these releases. From An Ancient Star is the latest CD from Belbury Poly which swaps the Pelican Books graphics of earlier works for a convincing piece of crank lit. cover art which wouldn’t look out of place in the RT Gault archives.

Previously on { feuilleton }
The Demon Regent Asmodeus
The Séance at Hobs Lane
Ghost Box
2001: A Space Odyssey program

Cosmic Zoom

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Cosmic Zoom (1968) is a short, semi-animated film by Eva Szasz, one of the many great shorts financed by the National Film Board of Canada. When I wrote about this in 2006 there was only a low-res version available for viewing on the NFB site while Powers of Ten (1977), a very similar film by Charles and Ray Eames, could be seen on YouTube. Three years on and Powers of Ten has disappeared behind a registration wall but Cosmic Zoom can now be seen in higher quality on the newly relaunched NFB site. A shame about the annoyingly obtrusive onscreen logo but it’s worth browsing the site for more of their excellent animations, not least the work of Norman McLaren. The time when these shorts would regularly turn up on UK TV are long gone so it’s good to know that they’re now available for viewing any time we wish.

Previously on { feuilleton }
Norman McLaren
Cosmic Zooms

Junkopia

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A curious short film over at Ubuweb by Chris Marker, John Chapman and Frank Simeone, depicting driftwood sculptures at the shore of San Francisco Bay which resemble the remnants of some Ballardian cargo cult. The film was made in 1981 and the sculptures look weathered and dated enough (rainbow stripes; what appears to be a lunar lander) to be products of the early 1970s. The atmospheric soundtrack is reminiscent of Max Eastley’s recordings, some of which use the force of sea-borne winds to generate their sounds.

And while we’re on the subject of Mr Marker, I hadn’t noticed this Marker-related blog before.

Previously on { feuilleton }
Max Eastley’s musical sculptures
Penguin Labyrinths and the Thief’s Journal
Short films by Walerian Borowczyk
Monsieur Chat
Sans Soleil

Poe at 200

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Poe by Harry Clarke.

Happy birthday Edgar Allan Poe, born two hundred years ago today. I nearly missed this anniversary after a busy weekend. Rather than add to the mountain of praise for the writer, I thought I’d list some favourites among the numerous Poe-derived works in different media.

Illustrated books
For me the Harry Clarke edition of 1919 (later reworked with colour plates) has always been definitive. Many first-class artists have tried their hand at depicting Poe’s stories and poems, among them Aubrey Beardsley, Gustave Doré, Arthur Rackham, W. Heath Robinson and Edmund Dulac; none complements the morbid atmosphere and florid prose as well as Clarke does. And if it’s horror you need, Clarke’s depiction of The Premature Burial could scarcely be improved upon.

Honourable mention should be made of two less well-known works, Wilfried Sätty’s The Illustrated Edgar Allan Poe (1976) and Visions of Poe (1988) by Simon Marsden. I wrote about Sätty’s collage engravings in Strange Attractor 2, and Sätty’s style was eminently suited to Poe’s work. Marsden’s photographs of old castles and decaying mansions are justly celebrated but in book form often seem in search of a subject beyond a general Gothic spookiness or a recounting of spectral anecdotes. His selection of Poe stories and poems is a great match for the photos, one of which, a view of Monument Valley for The Colloquy of Monos and Una, was also used on a Picador cover for Blood Meridian by Cormac McCarthy.

Recordings
These are legion but among the outstanding one-off tracks I’d note two poems set to music, Dream Within a Dream from Propaganda‘s 1985 album, A Secret Wish, and The Lake by Antony & The Johnsons. The latter appeared on the landmark Golden Apples of the Sun compilation and also on Antony’s own The Lake EP.

Among the full-length works, Hal Willner’s 1997 2-CD collection Closed on Account of Rabies features lengthy readings set to music from a typically eclectic Willner line-up: Marianne Faithfull, Christopher Walken, Iggy Pop, Diamanda Galás, Gavin Friday, Dr John, Deborah Harry, Jeff Buckley (one of the last recordings before his untimely death) and Gabriel Byrne. Byrne’s reading of The Masque of the Red Death is tremendous and the whole package is decked out in Ralph Steadman graphics.

Antony Hegarty appears again on another double-disc set, Lou Reed’s The Raven (2003), a very eccentric approach to Poe which I suspect I’m in the minority in enjoying as much as I do. An uneven mix of songs and reading/performances, Reed updates some Poe poems while others are presented straight and to often stunning effect by (among others) Willem Defoe, Steve Buscemi, Laurie Anderson, David Bowie, Amanda Plummer and Elizabeth Ashley.

Films
Once again, there’s too many films but The Masque of the Red Death (1964) has always been my favourite of the Roger Corman adaptations, not least for the presence of Jane Asher, Patrick Magee and (behind the camera) Nicolas Roeg. I wrote last May about the animated version of The Tell-Tale Heart from UPA. That adaptation, with narration by James Mason, is still on YouTube so if you haven’t seen it yet you can celebrate Poe’s anniversary by watching it right now.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
The Tell-Tale Heart from UPA
William Heath Robinson’s illustrated Poe
The art of Harry Clarke, 1889–1931