A journal by artist and designer John Coulthart.
Fashion
It wouldn’t surprise me if there are more examples of the fashion world borrowing the Flandrin pose but this is the only one I’ve seen so far, part of a 1998 art-inspired photo series by Mario Sorrenti for Yves Saint-Laurent. There don’t seem to be any larger copies available, unfortunately.
Elsewhere on { feuilleton }
• The recurrent pose archive
Previously on { feuilleton }
• Last Suppers and last straws
• The last circle of the Inferno
left: tits t-shirt by Vivienne Westwood and Malcolm McLaren.
right: the Hipp Chronoscope via io9.
A new year brings new blogs which is perhaps just as well seeing as the old year drew a line under some regular reads.
The Look, “Adventures in pop and rock fashion”, began posting a couple of weeks ago, spinning off from Paul Gorman’s book of the same name. Pieces there which immediately catch my eye are a skate through Billy Bowers’ outrageous clothing designs and a nice potted-history of the “tits tee”. I’d not realised before that the history of this latter creation goes back beyond punk to the early Seventies, another example of the evolution from post-psychedelic freakery to punk being a process of gradual elision, not the clean break that lazy commentary often suggests.
Also arriving (and noted everywhere by now) is io9, a new addition to the Gawker network, which looks at sf-related culture. I’ve already had a traffic spike from there after they linked to my Hugh Ferriss post and it’s good to see that Bldg Blog‘s Geoff Manaugh is among their contributors.
Previously on { feuilleton }
• Ave Atque Vale!
Dragonfly woman corsage ornament (1897–1898).
Gold, enamel, chrysoprase, moonstones, and diamonds.
Seeing as dragonflies emerged as a theme this week I can’t resist mentioning my favourite of all, this bizarre confection by glass artist and jeweller René Lalique (1860–1945), a dragonfly with female torso and gryphon claws. This was owned by wealthy Armenian collector Calouste Gulbenkian (in whose museum it now resides) and was worn once by Sarah Bernhardt. You can barely tell from this picture but the delicate gold wings are hinged at several points so they wouldn’t be obtrusive for the wearer.
The Lalique company made more glassware than they did jewellery and these included a range of unique automobile mascots whose pedestrian-puncturing potential saw them banished to museum cabinets as road safety laws evolved. The dragonfly design was an especially splendid example, being placed above a multicoloured disc lit from beneath which rotated in accordance with the speed of the car. The faster the car travelled, the faster the colours changed.
Previously on { feuilleton }
• Lucien Gaillard
• Wesley Fleming’s glass insects
• The glass menagerie
Two dragonflies (1904).
Art Nouveau insect jewellery by Lucien Gaillard (1861–1933).
Perfume bottle (?) (c. 1923).
Moth pendant (1900).
And while we’re on the subject, a display of precious stones and metals has opened at London’s Natural History Museum in a new gallery they’re calling The Vault.
Previously on { feuilleton }
• Wesley Fleming’s glass insects
• The art of Sergei Aparin
• Insect Lab
• The glass menagerie
• The Museum of Fantastic Specimens
Peter Reed from a 1977 photo shoot for After Dark magazine. The Flickr page this is from also has photos of the dancer by Robert Mapplethorpe (no longer…see below), while the After Dark pools have a wealth of scanned material ranging from the sexy to the iniquitous, with hair and fashion crimes aplenty.
David Meyer in Salomé.
And if you make your way past the shirtless models and naked ballet boys, the 1975 pages have a nice set of pictures from Lindsay Kemp’s Salomé which I hadn’t seen before.
Update: Unfortunately Hilly Blue has had to delete all his Flickr pages but he’s now blogging here. He explains what happened in the comments below.
Elsewhere on { feuilleton }
• The Salomé archive
Previously on { feuilleton }
• Felix D’Eon
• Dancers by John Andresen
• Youssef Nabil
• Images of Nijinsky
• The art of Hubert Stowitts, 1892–1953