{fantasy} – Page 89 – { feuilleton }

Return to Wonderland

As the festive season shambles into view I’ve reworked my psychedelic interpretation of Alice’s Adventures in Wonderland from calendar to poster format for those who might prefer the latter. There are two poster sizes, the standard CafePress large and small, and the calendar is still on sale, of course. By coincidence, the dreadfully-named Syfy channel is currently running its own TV adaptation of the Lewis Carroll books. I haven’t seen Alice but the reviews I’ve read have been mixed. From the description I can’t imagine I’d enjoy it (Tim Burton’s film is the one I’m waiting for) but it shows once again how endlessly mutable the Alice stories have become.

Previously on { feuilleton }
• Dalí in Wonderland
• Virtual Alice
• Psychedelic Wonderland: the 2010 calendar
• Charles Robinson’s Alice’s Adventures in Wonderland
• Humpty Dumpty variations
• Alice in Wonderland by Jonathan Miller
• The Illustrators of Alice

More book covers

One of my Cthulhu portraits as it appears in Image Swirl, a new Google feature-in-search-of-a-purpose. Yes, I own a portion of the Googleverse, or the Googleverse owns a portion of me; the latter seems more likely. As well as being the cover of my Lovecraft volume, that picture appeared earlier this year on a reprint of The Call of Cthulhu from Barnes & Noble.

While we’re on the subject—and book covers are never far away, as yesterday’s post demonstrates—I was asked to contribute to this week’s Mind Meld discussion at SF Signal, answering the question “Which are the most memorable book covers in science fiction and fantasy?” Some of the entries in my list have been discussed here in the past. Compared to the other responses I come across like I’m giving a lecture… And there was further sf cover discussion at io9 this week. Good to see older generations of artists and designers still receiving enthusiastic attention.

Previously on { feuilleton }
• Science fiction and fantasy covers

Dalí in Wonderland

I’d only seen one or two of Salvador Dalí’s illustrations for Alice’s Adventures in Wonderland before but you can see the complete (?) set here. These date from 1969 when Dalí was well past his prime as an artist but they’re still worth a look to see how he tackled each chapter, using the skipping girl motif from earlier paintings as his Alice figure. The attraction of the Alice books for the Surrealists is no surprise; Max Ernst produced a rather enigmatic series of Alice-themed lithographs while André Breton had earlier made Alice the “Siren of Stars” in the set of Surrealist playing cards he designed in the 1940 (below). I’d imagine there are other connections I’ve missed; leave a comment if you know of any. (Thanks to Charity for the tip!)

For more Dalí, here’s something I neglected to link to a while ago, the legendary Dalí meets Disney short, Destino.

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Virtual Alice
• Psychedelic Wonderland: the 2010 calendar
• Charles Robinson’s Alice’s Adventures in Wonderland
• Humpty Dumpty variations
• Alice in Wonderland by Jonathan Miller
• Dalí and Film
• The Illustrators of Alice
• Surrealist cartomancy

Finch posters

I won’t say this is by popular demand but after persistent requests for posters of my cover art for Jeff VanderMeer’s latest novel, Finch, I’ve opened a new CafePress shop selling exactly that. The largest of these is 58.38cm x 82.55 (22.984″ x 32.5″) which should be big enough for most appetites. There’s also a smaller size 35.03cm x 49.53 (13.7904″ x 19.5″) and I’ve added some cards and postcards.

In Finch, mysterious underground inhabitants known as the gray caps have reconquered the failed fantasy state Ambergris and put it under martial law. They have disbanded House Hoegbotton and are controlling the human inhabitants with strange addictive drugs, internment in camps, and random acts of terror. The rebel resistance is scattered, and the gray caps are using human labor to build two strange towers. Against this backdrop, John Finch, who lives alone with a cat and a lizard, must solve an impossible double murder for his gray cap masters while trying to make contact with the rebels. Nothing is as it seems as Finch and his disintegrating partner Wyte negotiate their way through a landscape of spies, rebels, and deception. Trapped by his job and the city, Finch is about to come face to face with a series of mysteries that will change him and Ambergris forever.

Jeff is currently promoting Finch on his latest book tour, details of which can be found here.

Previously on { feuilleton }
• Finch

Virtual Alice

No, I didn’t go searching for this, I had my fill of Alice’s Adventures in Wonderland last month. The British Library website is a lot more amenable than it used to be for the casual browser, and one of its newer sections is a small collection of what they call virtual books which enable you to leaf through some of their exclusive volumes. The pages above are from the original handwritten manuscript, Alice’s Adventures Under Ground, from which the printed book was later adapted. I have this in a small facsimile edition so I don’t need a web version, and the illustrations are often reprinted, but this web copy allows you to see the work in its entirety. They also reproduce the text and have an audio facility. I went through my copy a couple of times whilst working on the calendar in order to see how Dodgson depicted some of his scenes. A few of his conceptions differ from the famous Tenniel illustrations, not least his drawing of Alice herself who closely resembles the real Alice Liddell.

Previously on { feuilleton }
• Psychedelic Wonderland: the 2010 calendar
• Charles Robinson’s Alice’s Adventures in Wonderland
• Humpty Dumpty variations
• Alice in Wonderland by Jonathan Miller
• The Illustrators of Alice