Earth in Manchester

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Earth, looking suitably infernal.

Out this evening to the Zion Centre in Hulme to see Seattle drone metal band Earth. I didn’t get to see their performance at the 2005 Arthurfest in Los Angeles but this event made up for that. Support—which we missed due to late arrival—was from Sir Richard Bishop, whose portrait I produced for the last issue of Arthur Magazine.

Earth play that kind of slowed-to-a-crawl metal which has its roots in Black Sabbath (the origin of their name) and Swans. The band have some great album and track titles, among them Thrones and Dominions, Hex (Or Printing in the Infernal Method) and Teeth of Lions Rule the Divine, the latter being borrowed by a drone doom supergroup. Unlike followers Sunn O))), who don robes and fill the stage with fog, the Earth presentation is a minimal one: no vocals, just the music, and no effects, red light only. I’d heard a couple of Earth CDs but what becomes obvious when you see them live is that this kind of music really benefits from loud volume and a good sound system. Both those elements were in place tonight which made for a thoroughly immersive experience.

Earth have a new album out at the end of this month, The Bees Made Honey in the Lion’s Skull, on the Southern Lord label.

Giant Lantern Festival

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The Giant Lantern Festival is an annual festival held in December (Saturday before Christmas Eve) in the City of San Fernando in the Philippines. The festival features a competition of giant lanterns. Because of the popularity of the festival, the city has been nicknamed the “Christmas Capital of the Philippines”.

Lots of Flickr photos and YouTube video.

Previously on { feuilleton }
Maximum Silence by Giancarlo Neri

Boredoms in Manchester

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Anyone who subscribes to the stereotype about Japanese people always being quiet and unassuming has never seen a Japanese rock band. Last time I returned from a gig with my ears ringing the way they are now was after seeing Acid Mothers Temple a few years ago. Tonight it was the turn of Boredoms who drummed up an absolute storm in a sweaty, airless dungeon under the Student’s Union. Boredoms have been active since the mid-Eighties in various shapes and sizes, more recently working under variations on their name. Early albums were always experimental but tended to be nastily noisy with it. They really caught my attention at the end of the Nineties with Super Ae (1998) and Vision Creation Newsun (2000), a pair of drum-powered albums that owe a great deal to the “kosmische” atmosphere of the best Krautrock, especially Amon Düül II circa Yeti.

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Tonight we had a great deal of the thundering cross-patterns of drum rhythms amended by some of the piercing extended crescendos found on VCN. Very loud and very powerful. There was some unusual instrumentation involved as well, including what appeared to be hand-held lightbulbs triggering samples and harmonised feedback, and also a rack of guitar necks (above) with what I assume must be open tunings given the way these were used as percussion devices. It was difficult to tell who was doing what (or using what) for much of the time due to the density of the crowd. But such details are beside the point, this was a tremendous performance that was overwhelmingly intense at times. It’s rare indeed to find a band still working at this peak after 21 years. Along with the very different performance by Machinefabriek in May, best gig of the year so far.

Deaf Center in Manchester

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Out this evening to Trinity Church again to see Deaf Center as part of a Type Records-themed event. Greg Haines set things rolling with a mysterious e-bow/autoharp performance where he managed to coax from a stringed instrument the kind of sounds more usually associated with electronic music.

Deaf Center are Norwegians Erik Skodvin and Otto Totland who were assisted this evening by Kristin Evensen Giæver on wordless vocals. Much of their set seemed to be versions of their Pale Ravine album which sounded a lot more substantial played live. Especially good were the clouds of noise with shifting harmonic layers, the kind of thing Boards of Canada do then often spoil by introducing a plodding rhythm. Deaf Center avoid plodding rhythms and are all the better for it.

Previously on { feuilleton }
Machinefabriek in Manchester
Trinity rendezvous
Helios in Manchester