Particle physics

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It’s perhaps fitting that in the same week (almost the same day) that the Large Hadron Collider was finally switched on, Apple should release iTunes v. 8.0. The improved Visualizer for this application generates patterns not so far removed from the graphics created to explain quantum interactions or cosmic motion. (And while we’re discussing quantum events, let’s not forget this.)

I enthused last year about the Jelly setting of the Visualizer but these new graphics are a step—a quantum leap, even—beyond that, with a variety of spinning orbs and glowing lights which shoot out streams of sparks and flares of colour. Variations can be had by pressing the M key which cycles through the settings. The abstract fish and/or spermatozoa are especially impressive the way they charge around the screen while their world revolves in three dimensions. If Jelly makes you feel like you’re on drugs, watching these new effects reacting in time to some suitably contemporary music—Aerial by 2562, for instance—makes me feel for once that I’m living in the future I expected to find this side of the year 2000.

Nature explains what the LHC has actually been built for.

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Previously on { feuilleton }
Aerial by 2562
From LSD to OSX
iTunes 7

Albert Kahn’s Autochromes

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“Lying on a raised dais, this woman may have been the concubine of an affluent opium smoker.” (1915)

In 1909 the millionaire French banker and philanthropist Albert Kahn embarked on an ambitious project to create a colour photographic record of, and for, the peoples of the world. As an idealist and an internationalist, Kahn believed that he could use the new Autochrome process, the world’s first user-friendly, true-colour photographic system, to promote cross-cultural peace and understanding. More.

More Albert Kahn Autochromes and similar early views in colour at this Flickr pool.

Update: And there’s The Wonderful World of Albert Kahn, site and book.

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The Palais du Trocadéro from the Eiffel Tower (1912).

Previously on { feuilleton }
The Palais du Trocadéro
The Dawn of the Autochrome
German opium smokers, 1900

Absinthe girls

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The classic absinthe poster from 1896 by Henri Privat-Livemont (1861–1936), one of the best exponents of the post-Mucha style. Don’t let anyone tell you that using unclad women’s bodies in advertising is a new thing.

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And a couple more Mucha-esque examples circa 1900, both credited to “Nover”, from the wide selection of absinthe graphics at the Virtual Absinthe Museum.

The printer was L. Revon et Cie, situated in Paris at 93 Rue Oberkampf. The artist’s signature “Nover” is a mystery—no designer by that name is recorded. Since however the word is a palindrome of Revon, the assumption must be that the artist was Revon himself, or alternatively an anonymous employee of the firm. The same artist was responsible for the well-known Absinthe Vichet poster, also printed by Revon et Cie.

Interesting that so many of these posters show the women holding the glasses aloft as though receiving a libation from the gods. Privat-Livemont’s painting adds to the sacred effect by putting a halo behind the absinthe-bearer’s head.

Also at the Virtual Absinthe Museum is this warning against the dangers of the Green Fairy which would make a good addition to the Men with snakes post.

Previously on { feuilleton }
8 out of 10 cats prefer absinthe
Smoke
Flowers of Love

Happy birthday, Mr Hofmann

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Albert Hofmann by Alex Grey.

Albert Hofmann, discoverer of LSD, 102 years old today. Last month Scientific American reported that hallucinogenic drugs are once again being considered as a way to treat psychiatric disorders.

Previously on { feuilleton }
The art of LSD
The trip goes on
Albert Hofmann
Hep cats