Barney Bubbles: artist and designer

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Image-heavy post! Please be patient.

Four designs for three bands, all by the same designer, the versatile and brilliant Barney Bubbles. A recent reference over at Ace Jet 170 to the sleeve for In Search of Space by Hawkwind made me realise that Barney Bubbles receives little posthumous attention outside the histories of his former employers. Since he was a major influence on my career I thought it time to give him at least part of the appraisal he deserves. His work has grown in relevance to my own even though I stopped working for Hawkwind myself in 1985, not least because I’ve made a similar transition away from derivative space art towards pure design. Barney Bubbles was equally adept at design as he was at illustration, unlike contemporaries in the album cover field such as Roger Dean (mainly an illustrator although he did create lettering designs) and Hipgnosis (who were more designers and photographers who drafted in illustrators when required).

Colin Fulcher became Barney Bubbles sometime in the late sixties, probably when he was working either part-time or full-time with the underground magazines such as Oz and later Friends/Frendz. He enjoyed pseudonyms and was still using them in the 1980s; Barney Bubbles must have been one that stuck. The Friends documentary website mentions that he may have worked in San Francisco for a while with Stanley Mouse, something I can easily believe since his early artwork has the same direct, high-impact quality as the best of the American psychedelic posters. Barney brought that sensibility to album cover design. His first work for Hawkwind, In Search of Space, is a classic of inventive packaging.

Update: BB didn’t work with Mouse in SF, I’ve now been told.

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Hawkwind: In Search of Space (1971).

It’s fair to say that Hawkwind were very lucky to find Barney Bubbles, he immediately gave their music—which was often rambling and semi-improvised at the time—a compelling visual dimension that exaggerated their science fiction image while still presenting different aspects of the band’s persona. In Search of Space is an emblematic design that opens out to reveal a poster layout inside. One of the things that distinguishes Barney Bubbles’ designs from other illustrators of this period is a frequent use of hard graphical elements, something that’s here right at the outset of his work for Hawkwind.

This album also included a Bubbles-designed “Hawklog”, a booklet purporting to be the logbook of the crew of the Hawkwind spacecraft. I scanned my copy some time ago and converted it to a PDF; you can download it here.

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City of Spades

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Today’s book purchase is a secondhand copy of the first novel in Colin MacInnes’ London trilogy (Absolute Beginners and Mr Love and Justice were the others). City of Spades was first published in 1957 but this is the 1985 reissue with a cover by Neville Brody which is the main reason for my picking it up. The books were reprinted in the mid-Eighties to coincide with the release of Julien Temple’s dreadful musical adaptation of Absolute Beginners, a film that must have done a lot to drive people away from MacInnes’ books; it certainly had that effect on me. Brody supplied all the faux-pulp covers for the reissued series.

MacInnes is remembered now by contemporary writers like Iain Sinclair for his pungent documenting of London lowlife. He was also something of a pioneer in writing about the Fifties’ gay scene in a matter-of-fact manner. You can read more about his works here.

Elsewhere on { feuilleton }
The book covers archive

iPhone at last

So it arrived. Not much of a surprise after a year of “will they? won’t they?” but the combination phone + iPod + web device is certainly more than most people expected. New Apple products always feel like a little taste of the future and this is no exception. The touch-screen interface is very impressive indeed. The iPhone pages on Apple’s site have some nice demos of the interface at work, all of which look very familiar to users of the current Mac OS. In effect, it’s like OS X blended with the old iPod interface. I’m knocked out by the way they’ve given the iPod what amounts to iTunes in miniature, with the same Cover Flow feature for selecting albums. The web part of the device uses OS X apps Mail and Safari for email and web surfing (proper web pages as well, not WAP foolishness). And the way the screen display automatically switches from portrait to landscape when the phone is rotated is one of those gorgeous design elements at which Apple excels. I’ve been complaining about the interface on my Motorola since I got it; this machine is simply light years ahead. As for the wretched Zune, now looking even more like something designed by an overworked Soviet committee, I almost feel sorry for Microsoft after today (almost…).

Would I buy one of these? It’s very tempting even though it’ll have a heavy price (UK cost not announced yet) and probably be tied to a single carrier. They won’t be available in Europe until the end of the year anyway so there’s plenty of time to decide.

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Metropolis posters

Fritz Lang’s masterpiece via some of its posters, all from 1927.
This site is a great source of information about the film.

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Designer: Heinz Schulz-Neudamm.
As of 2005, the world’s most expensive film poster, selling for $690,000.

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