You, me and the continuum

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More magazine covers as Time makes everyone using the web (yes, you, dear reader) its person of the year. The first Time cover to favour an object over a human also featured a computer back in 1982, in a picture that looks like one of Ed Kienholz’s assemblages. Steve Jobs must be pleased they used an iMac as the model for this year.

“It is no longer possible to be rooted in history. Instead, we are connected to the topography of computer screens and video monitors. these give us the language and images that we require to reach others and see ourselves.” Celeste Olalquiaga, writing presciently in Megalopolis: Contemporary Cultural Sensibilities (University of Minnesota Press, 1992).

In print

magazines1.jpgBattling through the Xmas post, two new volumes arrived here this week, from Black Velvet and Black Dog Publishing respectively. First up was Serpenti & Scale, the Italian edition of Snakes & Ladders by Alan Moore and Eddie Campbell. This has been available for some time in English, of course. The translated version features some of my artwork for the Moon and Serpent CDs by Alan and Tim Perkins in the lengthy interview section that precedes Eddie’s comic strip. Thanks to Smoky Man for that.

Inevitably overshadowing this was 100 Years of Magazine Covers which author Steve Taylor very graciously had sent to me. A heavyweight book in all senses of the word, with a solid cover, thick paper stock and tremendous design by Neville Brody. Taylor navigates the overcrowded field of 20th-century magazine design with great skill, managing to cover all the principal areas of magazine as news medium, fashion journal, literary forum and vehicle of cultural transgression, whether that be the Sixties’ underground, Seventies’ punk or the disparate worlds of gay life and feminism. Illustrations range from the elegance of early Collier’s and Vogue to the garish incoherence of today’s celebrity rags such as Heat. Given such a broad field of study there are bound to be omissions; I would have liked to have seen something from the New Worlds of the late-Sixties, for example, and maybe one of the Non-Format covers for The Wire. But they got Lilliput in there which is pretty impressive considering that magazine now seems to be largely forgotten. Essential stuff.

Previously on { feuilleton }
It’s a pulp, pulp, pulp world
A few thousand science fiction covers
Vintage magazine art II
Neville Brody and Fetish Records
View: The Modern Magazine
Vintage magazine art
Oz magazine, 1967–73

Atelier 2.3

It’s just over a year since I refashioned the main site with a better, all-CSS layout. I’ve made some cosmetic changes to this design over the past week that are now complete and uploaded, the new look being a variation on the old, presented in the style of pages from a layout application. I’m sure I’ve seen this done this somewhere before but I forget where so don’t go thinking it’s wildly original. Still needs testing properly across a range of browsers but I’ve not played with the underlying structure very much so everything should work as it did previously.

High Priorities 2

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I didn’t win but I made the second round apparently (along with 120 others…middle row in the above picture, second from the right). Congratulations to Spencer Fruhling whose winning design you can see at the bottom of this page. An interesting choice, there were a number of pastiche-based entries which I thought might be rejected in favour of something more abstract. You can see the rest of the entries here and my attempt in larger form here.

Previously on { feuilleton }
High Priorities