Bollywood posters

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left: Jangal Mein Mangal (1972); centre: Shalimar (1978); right: Jaani Dushman (1979).

Three examples of the art of the lurid from this site which has a huge selection of Indian poster art from the Fifties on. I still haven’t seen Shalimar but I’ve been playing the great soundtrack by India’s Ennio Morricone, Rahul Dev Burman, continually for the past year. There’s also several pages of Lollywood billboards from Pakistan. And a gallery of posters for trashy horror movies from the west; these people are lurid connoisseurs. I actually own the David Cronenberg Shivers/Rabid poster on that pulp page, something I’d completely forgotten about. Had I seen the utterly dreadful art for Zuma 2: Hell Serpent earlier I could have included it in the Men with snakes post.

Previously on { feuilleton }
Lussuria, Invidia, Superbia
Zeppelin vs. Pterodactyls
The poster art of Bob Peak
A premonition of Premonition
Perfume: the art of scent
Metropolis posters
Film noir posters
Shalimar by Rahul Dev Burman

Family Dog postcards

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top: William Henry (1967); Victor Moscoso (1967).
bottom: Victor Moscoso (1967); Kelley/Mouse (1967).

Marvellous. Oldhandbills.com has a lot of this stuff, loads of designs I’ve never seen before. Via Arthur.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
The poster art of Marian Zazeela

Penguin Labyrinths and the Thief’s Journal

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Detail from La Havane by René Portocarrero; photo by C. Marker.

This week’s book finds are a pair of titles I hadn’t come across before in these particular editions, another haul from the vast continent that is the Penguin Books back catalogue. Labyrinths I’ve had for years in a later edition (see below) but the cover of this one seems more suited to Borges (as much as he can be illustrated) than the somewhat bland Surrealism of illustrator Peter Goodfellow. René Portocarrero (1912–1985) was a Cuban painter with a post-Picasso style who specialised in hallucinogenic profiles like the one here. And it’s a guess but I’d bet the “C. Marker” who photographed the painting is French filmmaker Chris Marker (who I compared to Borges last year), director of La Jetée and Sans Soleil. Marker worked as a photo-journalist for many years and made a documentary entitled ¡Cuba Sí! in 1961.

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