The art of Henri Privat-Livemont, 1861–1936

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left: Absinthe Robette (1896); right: Bitter Oriental (1897).

Henri Privat-Livemont, a Belgian artist and one of the best of the post-Mucha Art Nouveau stylists. I’ve featured his Absinthe Robette poster before but am including it again since it’s my favourite of the ones I’ve seen. All of these are from the Art of the Poster 1880–1918 collection at Lawrence University whose copies can be explored in extreme close-up.

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Biscuits & Chocolat Delacre (1896).

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Le Masque Anarchiste (1897).

Previously on { feuilleton }
Absinthe girls

Styles of Ornament

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Pages from Styles of Ornament (1904), a collection of ornamental designs by Alexander Speltz. This is one of a great collection of books from the Digital Library for the Decorative Arts and Material Culture at the University of Wisconsin. I only found their collection today so I’ve yet to take a detailed look at the rest of the volumes.

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And speaking of ornament, Callum at Front Free Endpaper posted this elegant Art Nouveau-styled cover from a Pearson’s Magazine collection, just the kind of thing I enviously covet.

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Previously on { feuilleton }
The Grammar of Ornament by Owen Jones

Jewelled butterflies and cephalopods

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Above: gold, silver & enamel butterfly and squid, both by John Paul Miller. More at this Flickr page.

Below: Tintenfisch und Schmetterling (Octopus and Butterfly; 1900) by Wilhelm Lucas von Cranach, a master jeweller who liked his octopuses.

Tips by Chateau Thombeau and Fine & Dandy (NSFW).

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Previously on { feuilleton }
Geoffrey Haberman’s brass insects
Elizabeth Goluch’s precious metal insects
Kelly McCallum’s insect art
The art of Jo Whaley
The art of Philippe Wolfers, 1858–1929
Lalique’s dragonflies
Lucien Gaillard

Art Nouveau Revival 1900 . 1933 . 1966 . 1974

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It was the slightly gamy residue of the super-elegant and exotic pictures of Aubrey Beardsley. I have always considered the 1900 period as the psycho-analytical end-product of the Greco-Roman Decadence. I said to myself: Since these people will not hear of aesthetics and are capable of becoming excited only over “vital agitations”, I shall show them how in the tiniest ornamental detail of an object of 1900 there is more mystery, more poetry, more eroticism, more madness, perversity, torment, pathos, grandeur and biological depth than in their innumerable stock of ugly fetishes, possessing bodies and souls of a stupidity that is simply and uniquely savage!

Salvador Dalí, The Secret Life of Salvador Dalí (1942).

More from Paris, whereupon it becomes necessary to ask: how much more groovy could this poster be? And the answer is none. None more groovy. Art Nouveau Revival 1900 • 1933 • 1966 • 1974 is an exhibition running at the Musée d’Orsay, Paris, which traces the echoes of Art Nouveau through Surrealism into the revival of the 1960s.

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Poster by Albert Angus Turbayne for Macmillan’s illustrated Standard Novels (1903).

Rejected and scorned in the decades following its brief flowering, Art Nouveau was spectacularly rehabilitated in the 1960s. This re-evaluation offers a particularly interesting interlude in the history of style in that many different areas were affected at the same time by this phenomenon: the history of art, the art market, contemporary creative work, particularly design and graphics.

There’s further detail here, along with photos of some of the exhibits. Verner Panton’s Visiona II makes another appearance and in addition to Dalí and company there’s the magic word “psychedelic”. The exhibition runs until February 4, 2010, and there’s a catalogue co-written by the V&A’s fin de siècle expert Stephen Calloway which I’m going to have to buy. Via.

Previously on { feuilleton }
Beardsley at the V&A
Michael English, 1941–2009
Temples for Future Religions by François Garas
Antonin Mercié’s David
Art Nouveau illustration
Dirty Dalí
Verner Panton’s Visiona II
Flowers of Love

Netherlands decorated books

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left: Over kunst en kunstenaars (1923); right: Over literatuur (1924).

A few examples from a collection of gorgeous Art Nouveau and Art Deco cover designs.

The books cover the period 1893–1939 and contains bindings in the Nieuwe Kunst and Art Nouveau styles by contemporary artists working in the Netherlands such as Jozef Cantre (1890–1957) and Jan Toroop (1858–1928). The collection is particularly strong on P.A.H. Hofman’s designs.

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left: Tziganen (1924); right: Rond de wereld (1931).

Elsewhere on { feuilleton }
The book covers archive