{art nouveau} – Page 27 – { feuilleton }

The art of Melchior Lechter, 1865–1937

The first issue of yesterday’s arts and crafts magazine Deutsche Kunst und Dekoration includes an article about Melchior Lechter, a German artist and designer whose illustration work I knew from books by gay poet Stefan George but who seems unjustly neglected by fin de siècle art histories. The reminder prompted me to search a bit more actively and doing so turned up another Internet Archive document, Melchior Lechter, a monograph from 1904 by Maximilian Rapsilber. These are Google scans and the quality is very good for once, with a collection of impressive graphic works in Lechter’s religious Art Nouveau style, as well as photos of his furniture and stained glass window designs. I can’t say much more about artist since all the available documentation is in German but the visuals in Rapsilber’s book make me wish we could see more of his work.

(Note: if you want to download the full PDF, do so here.)

Elsewhere on { feuilleton }
• The illustrators archive

Previously on { feuilleton }
• Deutsche Kunst und Dekoration

Deutsche Kunst und Dekoration

Deutsche Kunst und Dekoration (1897) by Joseph Rudolf Witzel.

One of the discoveries made by following leads from the back issues of Jugend magazine was the unearthing of another cache of German periodicals at the Internet Archive. Deutsche Kunst und Dekoration (German Art & Decoration) was founded by Alex Koch in 1897 and the early editions are heavily advertised in the back pages of Jugend. Koch’s journal covers similar ground to the art magazine Pan which was running at the same time but includes additional features on furniture, architecture and interior design. Given the period, all the early issues are heavily biased towards Art Nouveau as the following samples demonstrate. I’m not sure what the figures in Joseph Rudolf Witzel’s poster are supposed to represent. Jugend means “youth”, and most of the Art Nouveau artists and designers were relatively young so it’s possible to see the boy as representative of this. In which case the woman would have to be a muse since it’s only as muse figures (or goddesses, like the picture of Athena below) that women are allowed much of an active role in art of this period.

The Internet Archive has 50 volumes of Deutsche Kunst und Dekoration covering 1898 to 1922. I’ve barely begun to look at these, and I’ve already found more journals along similar lines so expect this to be a recurrent theme for a while. The following graphics are samples from the first volume, a series of designs for posters and bookplates.

Previously on { feuilleton }
• Jugend, 1896
• Jugend Magazine revisited
• The Great God Pan
• Jugend Magazine

Weekend links 5

A poster design by Yusaku Kamekura. More here, via A Journey Round My Skull.

First of all this week, there’s a new interview posted which I gave last year to Crows ’n’ Bones magazine. The replies skate around the usual subjects (Cthulhu et al) and you also find out why I don’t think design and illustration for music is going to vanish as soon as some people think.

• A Journey Round My Skull has announced The Raymond Roussel Illustration Contest which is open to all.

• Cover designs: David Pearson on redesigning Cormac McCarthy’s UK covers, a huge improvement on the previous Picador series. Also, The Robert Lesser Pulp Art Collection.

• Last year I discussed Teleny, Or the Reverse of the Medal, the novel of gay erotica attributed to Oscar Wilde, giving a mention in passing to Jon Macy’s comic strip adaptation of the book. That adaptation has now been published and is available via his website.

The Kiss (1896) by Will Bradley.

• More Art Nouveau (because too much is never enough): Will Bradley’s work at Golden Age Comic Book Stories. Can’t understand how I missed this one.

• A discussion: The Magic Mystery and Melancholy of Five Leaves Left by Nick Drake.

• Sandi Vincent’s Flickr pages overflow with Graphis Annual goodness.

• A new edition of the Arthur Radio Voyage is available to download. And Trunk Records’ Jonny Trunk has a mix of obscure vinyl for you.

• Song of the week: We Want War by These New Puritans. Slow motion shots in the video are a plus.

Jugend, 1896

So, then, I’ve now looked through several thousand pages of Jugend magazine and a few things have become apparent. If you’re interested in fin de siècle art and design then all the most interesting material is in the first four years of the magazine’s run, from 1896 on. After 1900 there are still examples of the florid Art Nouveau motifs which filled their earlier pages but the overall style becomes progressively dull, with endless pictures of German towns and hearty country folk. The magazine also begins to reflect an obviously belligerent mood in the country as a whole, pictures of military types and patriotic themes proliferate and the satirical material grows overtly aggressive towards neighbouring nations. Racist cartoons are to be expected—British magazines of the period are much the same—but there’s also a vicious antisemitism boiling away in later issues of Jugend which creates a toxic mix when seen beside the war-mongering on display elsewhere.

Politics aside, these magazines are still a revelation. Pan magazine was being published at the same time (its entire run is also available in the Heidelberg archives) and is the finer journal if it’s art you’re interested in. But Jugend, being a lighter read, contains a wealth of strange and surprising illustrations. Many are naive or just plain bad, of course, but some are quite remarkable. This is the first of a number of posts I’ll make which highlight illustrations that catch my eye. I’ll also be making some follow-up posts about individual artists as the magazine has been a great introduction to minor illustrators I’ve not come across before. This first post is from the two volumes covering 1896 which can be browsed and downloaded here and here.

Continue reading “Jugend, 1896”

Keim & Czeschka’s Nibelungen

It’s all Art Nouveau again round here while I go through back issues of Jugend preparing a series of posts about the artists and graphics featured in that magazine. Just now, however, I’m too busy to do anything substantial so this will have to suffice, some of the illustrations by Carl Otto Czeschka (1878–1960) for a 1909 adaptation of the Nibelungen Saga by Franz Keim (1840–1918), for which Czeschka utilised the rectilinear style of Art Nouveau popularised by the Wiener Werkstätte.

This small, almost square volume in the popular series of children’s books is rather unassuming in its external appearance, only sporting a small vignette with the title on the cover. Carl Otto Czeschka (1878–1960) was responsible for the complete design of the text to be found inside, and interspersed it with the illustrations characteristic of his work. These reveal his credentials as an outstanding artist of the Secessionist school and the Jugendstil. The eight double-page spreads coloured in clay block technique and rare gold prints, in particular, contributed to the volume’s fame. (More.)

The rest of the pages can be seen on this great Art Nouveau site which has a wealth of material from the period.

Elsewhere on { feuilleton }
• The illustrators archive