Hermann Obrist: Art Nouveau Sculptor

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Cyclamen (1895).

An exhibition close enough for me to easily visit, Hermann Obrist: Art Nouveau Sculptor is a display of work by the German artist at the Henry Moore Institute, Leeds. Obrist (1863–1927) is featured in numerous histories of Art Nouveau for his Cyclamen wall-hanging of 1895, also known as The Whiplash on account of its writhing curves. This and other stylised studies Obrist made of natural forms were very influential. The gallery site only shows us one of the items on display (so much for advertising) but the trusty A Journey Round My Skull has further examples of the artist’s work.

Hermann Obrist: Art Nouveau Sculptor runs to 29th August, 2010.

Previously on { feuilleton }
Atelier Elvira
Karl Blossfeldt

Dodgem Logic #4

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The magazine isn’t out for another couple of weeks but my cover art has been posted to various websites so I can finally show this here. Alan Moore was in touch at the beginning of February asking for a wraparound cover design, the only brief being that he liked my Alice in Wonderland calendar and asked for something equally florid or—for want of a better term—psychedelic. Alan’s magazine owes something to the underground mags of the 1960s and a common feature of those, especially Oz magazine, was a degree of provocation in the choice of cover art. A picture of two boys kissing is nothing more than a show of affection yet to many people the sight still inspires enormous outrage. This was demonstrated a week or so after I’d finished the cover when the Washington Post was deluged by angry letters and emails after they showed a photo of two newly-weds outside the Washington DC Superior Court. People used to have a similar reaction to the sight of a black man kissing a white woman; the only way attitudes change is when something becomes so commonplace it’s no longer worthy of note.

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Aside from the politics, this was also an excuse to run riot with more Art Nouveau motifs, especially peacocks and butterflies. The butterfly-winged boys are a nod to the paintings of Yannis Tsarouchis, and this in turn gave me an excuse to borrow from another magazine cover, Frank X Leyendecker’s 1922 painting of The Flapper for Life. Frank X was the brother of the more renowned illustrator JC Leyendecker. Joseph C was known to have been discreetly homosexual; so too was brother Frank according to this article in which case his butterfly woman has an additional resonance.

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Having written a lengthy polemic about Roger Dean’s work in January I had the idea of doing the magazine title in his lettering style. I spent the best part of two days working on these as I wanted the result to be as accurate as possible. All the gold parts of the cover shown here are gradients but I made a slightly different version for print which will render those areas in gold ink. I’m looking forward to seeing this printed.

Previously on { feuilleton }
Roger Dean: artist and designer
The art of Yannis Tsarouchis, 1910–1989
Dodgem Logic
Psychedelic Wonderland: the 2010 calendar
Butterfly women

Alexandre de Riquer book covers

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A pair of cover designs by the very prolific Alexandre de Riquer (1856–1920), an illustrator and designer who might be described as the Catalan equivalent of Alphonse Mucha. It’s often the case with the artists of this period that you find one or two examples of their work in books but see little else. Riquer has better representation on the web than most. These are from a post at Bajo el Signo de Libra which features other cover designs while this site has many pages devoted to the artist’s paintings, bookplates, poster designs, decorative work and even his books of poetry.

Elsewhere on { feuilleton }
The book covers archive

Jugend, 1900

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Continuing the rake through back issues of Jugend magazine, the German fin de siècle periodical of “art and life”, this post covers the year 1900 and will be the final Jugend image trawl. I mentioned in the post for 1899 that the magazine loses its Art Nouveau dynamism as the years pass. 1900 represents the point where all the graphics which make Jugend valued today—and which gave the name to the German manifestation of Art Nouveau: Jugendstil—are being pushed aside by the burgeoning nationalist and militarist fervour which led eventually to the First World War. At this point a couple of the notable Art Nouveau stylists such as Otto Eckman and Julius Diez are still present, and the work of Hugo Höppener, aka “Fidus” is increasingly prominent. In subsequent years the eccentric Fidus is mostly on his own, pursuing his obsession with naked figures, and his work seems even more curious in such staid surrounds. As before, anyone wanting to see more of these graphics is advised to explore the bound volumes at the Heidelberg University archive. The two books for 1900 can be found here and here.

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A picture by the Symbolist and Secession artist, Max Klinger.

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Nymphs and satyrs by English artist and illustrator Robert Anning Bell.

Continue reading “Jugend, 1900”

Louis Rhead bookplates

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Yet another Internet Archive discovery, examples from a small book collection from 1907 of ex libris plates by Art Nouveau illustrator Louis Rhead (1857–1926). Rhead’s brightly-coloured poster art is often represented in Art Nouveau design books, less visible is his black-and-white work, some of which, like the example below, owes a clear debt to Aubrey Beardsley.

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Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Pratt Libraries Ex Libris Collection
The Evil Orchid Bookplate Contest
David Becket’s bookplates
Louis Rhead’s peacocks
More Arabian Nights
Buccaneers #1