Category: {comics}

Comics

Hip Gnostics and more Moore

gnostic.jpg

Coincidence abounds: on Wednesday I was following a few referral URLs to see who’d been linking here and was led to a Lexic.us page about hermaphrodites which in turn had me looking again at the wonderful Borghese Hermaphroditus in the Louvre. Thursday’s postal delivery brought issue 1 of The Gnostic which prominently features the Louvre sculpture on its cover. Inside there’s my portrait of William Burroughs illustrating a piece about Burroughs’s Gnostic identification by Sven Davisson. (I linked to another essay on the same theme in 2007.) The Gnostic is an excellent publication which, the Alan Moore interview aside, I’ve only skimmed through so far. Alan’s piece is very enlightening since the discussion stays fixed around religion, science and the occult and includes the most thorough extrapolation I’ve seen to date of his long work in progress, Jerusalem. There’s also a transcript of part of his William Blake piece from 2001, Angel Passage. If you want to know more I suggest you order a copy ($12 / £8 / €9) from Bardic Press.

Coincidence further abounds as this arrived just as Pádraig Ó Méalóid publicly announced his discovery of the long-lost and unpublished third issue of Alan Moore’s Big Numbers. This was Alan’s self-published “real life” comic series from 1989 which got off to a great start then fatally collapsed when artist Bill Sienkiewicz, then his replacement, Al Columbia, both dropped out of the project. It’s one of the great lost projects of contemporary comics and seeing the third issue sustaining the quality of the first two is deeply frustrating.

The last piece of Moore news concerns The Mindscape of Alan Moore once again which is now available to buy through iTunes. $9.99 will only get you the feature-length documentary, however. If you buy the double-disc DVD you also get my groovy interface design and an extra disc of interviews with major comic artists.

Update: Alan Moore has certainly ruled the week in this household with the delivery on Friday of The Extraordinary Works of Alan Moore, a new edition of George Khoury’s book-length autobiographical interview with Alan, and an essential purchase for anyone with more than a cursory interest in Alan’s life and work. The book features copious artwork examples by many Moore collaborators including my CD designs and the cover for the forthcoming Moon & Serpent Bumper Book of Magic.

Previously on { feuilleton }
• William Burroughs: Gnostic visionary

DeZ did it first

mindscape1.jpg

Rorschach from The Mindscape of Alan Moore.

The hype over the Watchmen film reached critical mass this week and as a consequence there’s been a spike of interest in the two Alan Moore interviews I posted in 2006, with Empire magazine and other movie sites linking here. I won’t bore you with my lack of interest in the film—read the book, it’s a masterpiece—but it’s worth noting that the feature-length DeZ Vylenz documentary, The Mindscape of Alan Moore, dramatised scenes from V for Vendetta and Watchmen back in 2003, long before Hollywood put either of them on screen. The Rorschach scene is especially interesting for having the opening monologue from Watchmen voiced by Alan himself. I’d never thought of Rorschach having such a gravel-throated delivery until I heard this. If Zack Snyder’s version is the same then you know where they swiped it from.

mindscape2.jpg

V’s dressing-room from The Mindscape of Alan Moore.

As I’ve mentioned a few times here, The Mindscape of Alan Moore is available on DVD in Europe and the US and includes a bonus disc of interviews with Alan’s collaborators, Dave Gibbons among them. All the packaging and interface was designed by yours truly.

Previously on { feuilleton }
• The Mindscape of Alan Moore: US edition
• The Demon Regent Asmodeus
• New things for June
• Alan Moore in Arthur magazine
• Watchmen
• Alan Moore interview, 1988

Buccaneers #2

pirate1.jpg

Continuing from yesterday’s post, these nameless characters were sketches for a proposed comic strip that writer Jamie Delano and I were planning in the mid-Nineties. We had a feeling that the long-neglected pirate genre was due for a revival and talked about a revisionist take on buccaneering which would dispense with the Robert Newton antics and steer closer to the brutal reality. Among the touchstones there was On Stranger Tides by Tim Powers, the anarchist pirate community in Cities of the Red Night by William Burroughs and the ferocious scalp-hunters in Cormac McCarthy’s masterpiece, Blood Meridian. There was also talk of throwing some voodoo into the mix, hence the veve tattoos. It wasn’t to be, of course. Little of my work has ever resembled mainstream comics fare and Jamie’s publishers, DC Comics, had already been underwhelmed by the detailed style I was using in the Lovecraft and Lord Horror comics. When I tried presenting them with some trial pages in a more open style I was told that they’d been expecting to see more of my detailed line work…

We had a couple of other characters planned, including a tattooed islander inspired by Queequeg from Moby Dick, but the samples here are the best of the sketches. The shark- or whale-jaw false leg was my own invention and something I’m fairly sure I’ve not seen before. I’ve no idea whether such a thing is workable but it was a nice touch.

Continue reading “Buccaneers #2”