A journal by artist and designer John Coulthart.
Cities
Looking at panoramas of Venice yesterday reminded me of this panorama of my own which I pieced together after a trip to Paris two years ago. (See the very long version unsqueezed here.) The location was the small park at the point of the Île de la Cité where the Seine divides in two.
For some fully 360º panoramas of Paris there are plenty to choose from here, including a view from the top of the Eiffel Tower.
Elsewhere on { feuilleton }
• The panoramas archive
Piazza San Marco.
Gilles Vidal‘s 360º panoramas are justly celebrated but some of his photos benefit more from the location than others. The cathedral of St Cecilia is a great example of this, as is the city of Venice in this remarkable series of views. As well as showing a few less obvious locations, Vidal shows some of the more familiar sights in night views which are still fascinating due to the high quality of the pictures. The view of a misty Piazza San Marco (above) is wonderfully atmospheric.
Sestiere di Santa Croce.
Ponte dei Sospiri.
Elsewhere on { feuilleton }
• The panoramas archive
Previously on { feuilleton }
• Abelardo Morell’s camera obscura
Poster by Glen C Sheffer (1933).
The image galleries at Yale University’s Beinecke Rare Book & Manuscript Library have been garnering justifiable attention recently for the quality of their collection. Among the groupings, the World’s Fairs and the Landscapes of the Modern Metropolis section immediately caught the attention of this exposition and world’s fair fan. An amazing collection of posters, exposition booklets, photos and plans, many of which augment the subjects of previous postings including the 1900 Exposition Universelle. A very brief and cursory selection follows.
Des Jardins du Trocadéro l’Automne.
Paris again and a suitably autumnal scene from Thirty-Six Views of the Eiffel Tower (1902) by Henri Rivière (1864–1951). Inspired by the celebrated Thirty-Six Views of Mount Fuji, these do for the City of Light what Hokusai and Hiroshige did for Japan.
De la rue Beethoven.
Du Pont d’Austerlitz.
Previously on { feuilleton }
• Peter Eudenbach’s Eiffel Ferris wheel
• City of Light
Main entrance gate by René Binet.
I can’t leave the 1900 Paris exposition alone, and with good reason. If further proof were required that this event brought Winsor McCay’s Slumberland to earth for a few weeks, this stunning Brooklyn Museum Flickr set has the evidence. Not only five pages of high-resolution views but they’re all hand-tinted which adds to the splendour and highlights the ladies’ parasols.
For earlier posts on the Exposition Universelle, see the links below. Via Things Magazine.
Esplanade des Invalides.
Palace of Electricity.
Previously on { feuilleton }
• The Palais Lumineux
• Louis Bonnier’s exposition dreams
• Exposition Universelle, 1900
• The Palais du Trocadéro
• The Evanescent City
• Winsor McCay’s Hippodrome souvenirs