The Great God Pan

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Pan teaching Daphnis to play the panpipes; Roman copy of a Greek original from the 3rd-2nd centuries BCE by Heliodoros.

“The worship of Pan never has died out,” said Mortimer. “Other newer gods have drawn aside his votaries from time to time, but he is the Nature-God to whom all must come back at last. He has been called the Father of all the Gods, but most of his children have been stillborn.”

So says a character in The Music on the Hill, one of the slightly more serious stories from Saki’s The Chronicles of Clovis (1911). Saki’s Pan is a youthful spirit closer to a faun than the goatish creature of legend. But being a gay writer whose tales regularly feature naked young men (surprisingly so, given the time they were written) I’m sure Saki would have appreciated the Roman statue above. There’s nothing chaste about this Pan with his “token erect of thorny thigh” as Aleister Crowley put it in his lascivious 1929 Hymn to Pan, a poem which caused a scandal when read aloud at his funeral some years later. The Roman statue was for a long while an exhibit in the restricted collection of the Naples National Archaeological Museum where all the more scurrilous and priapic artefacts unearthed at Pompeii were kept safely away from women, children and the great unwashed. These are now on public display and include the notorious statue of a goat being penetrated by a satyr.

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Passage 11

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Ed Jansen writes to let me know that the latest edition of his web magazine, Passage, is now online. Once again, most of the features listed below are in Dutch but that doesn’t exclude all visitors here. David Britton has been recommending Jonathan Littell’s The Kindly Ones to me so I guess I’ll be reading that soon.

• Sylvia Plath, a biography.
• Ingrid Jonker, poet from South-Africa, essay on her life and work.
• Jack Kerouac & William Burroughs, a review of And The Hippos Were Boiled In Their Tanks.
• William Burroughs in Texas, a review of Rob Johnson’s, The Lost Years of William S. Burroughs.
• Aleister Crowley, an article about Crowley’s possible involvement with the Secret Service.
• Rudolf Hess, double agent? A view on his flight to Britain.
• Jonathan Littell, an in-depth review of his work The Kindly Ones. War as hallucination.
• Enrique Marty & Maurizio Cattelan, a review of the work from two conceptual artists.

Previously on { feuilleton }
Passage 10

JG Ballard, 1930–2009

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Panther Books paperback edition, 1968; cover painting: The Eye of Silence by Max Ernst.

If I can’t remember when I first encountered JG Ballard’s work, it’s not because I was reading him at a very early age, more that a childhood enthusiasm for science fiction made his books as omnipresent in my early life as any other writer on the sf, fantasy and horror shelves. I know that when I started to read the New Wave sf writers his work immediately stood out, not only for its originality but also for the numerous references to Surrealist painting which litter his early fiction, references which meant a great deal to this Surrealism-obsessed youth. Ballard was a lifelong and unrepentant enthusiast for the Surrealists, with repaintings by Brigid Marlin of two lost Paul Delvaux pictures prominent in one of his rooms (often featured in photo portraits). I always admired the way he never felt the need to apologise for Salvador Dalí’s excesses, unlike the majority of art critics who dismiss Dalí after he went to America. The paintings of Dalí, Delvaux, Tanguy and Max Ernst became stage sets which Ballard could populate with his affectless characters.

Once I’d encountered the New Worlds writers—Ballard, Michael Moorcock, M John Harrison, Brian Aldiss and company—and their American counterparts, especially Harlan Ellison, Samuel Delany and Norman Spinrad, there was no returning to the meagre thrills of hard sf with its techno-nerdery and bad writing. Ballard and Moorcock were the gateway drug to William Burroughs, Jorge Luis Borges and countless others, and I thought enough of his work in 1984 to attempt a series of unsuccessful illustrations based on The Atrocity Exhibition. It’s been an axiom during the twenty years I’ve worked at Savoy Books that Ballard, Moorcock and Harrison were (to borrow a phrase from Julian Cope) the Crucial Three of British letters, not Rushdie, Amis and McEwan. One of the books I designed for Savoy, The Exploits of Engelbrecht by Maurice Richardson, was a Ballard and Moorcock favourite, and included appreciations of Richardson by both writers. I wish Ballard could have seen the new (and still delayed) edition of Engelbrecht but he got a copy of the earlier book. Sometimes once in a lifetime is more than enough.

Ballardian.com
Pages of obits and MM comment at Moorock’s Miscellany
Ballard interview by V Vale at Arthur with an special intro by Moorcock
Jeff VanderMeer at Omnivoracious
Guardian | Times | Independent | Telegraph

Previously on { feuilleton }
Ballard in Barcelona
1st Ballardian Festival of Home Movies
Revenant volumes: Bob Haberfield, New Worlds and others
JG Ballard book covers

#Amazonfail

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I haven’t been using Twitter for very long and until today hadn’t seen the way it can spur people to action with incredible speed. Among my circle of people it was Neil Gaiman who set things rolling with a link to this post by author Mark R Probst which describes how Amazon.com have been quietly removing the sales rankings from books with gay content. Writer Craig Seymour notes it happening to a book of his back in February. They claim this is done as part of their policy of removing sales ranking from anything deemed “adult” and is intended to help (ie: protect by blanking) customers who don’t want to see “adult” material turn up in their searches:

In consideration of our entire customer base, we exclude “adult” material from appearing in some searches and best seller lists. Since these lists are generated using sales ranks, adult materials must also be excluded from that feature.

It quickly became apparent that gay and lesbian titles are being penalised in a very scattershot manner. As Jezebel.com noted:

Queer theory books, books on coming out, and feminism books lose their rankings, but A Parent’s Guide To Preventing Homosexuality gets to keep its rank? WTF?!?

Other people noted that Mein Kampf gets to keep its sales rank. There’s a growing list of affected titles here. Examples of inconsistency can be found all over; an early title by William Burroughs, Queer, has no sales ranking while Cities of the Red Night does. The latter contains a lot more hardcore gay sex than the former but I guess it was the title which damned Queer rather than the content. I could go on listing and comparing but you can do that yourself, it’s a curious diversion wondering what gets hit and what doesn’t. I had a quick look through Amazon.co.uk and that seems affected in an equally haphazard manner with gay-themed academic titles being stripped of their rankings while other books with erotic scenes (Alan Hollinghurst’s novels, for example) are left alone. Plenty of non-gay erotic books have also been left alone.

As a consequence of this the obvious thing to do is to boycott Amazon until there’s a clear change of policy, and I say this as someone who has a book of his own on sale there. Buy it elsewhere, people. I’m changing the Amazon Associates links on this site so they point to publishers’ pages or other booksellers. I’ve never made much from the Associates scheme but in the two years I’ve been a part of it the various clicks and orders from visitors have generated Amazon nearly £1000 ($1800). Given their present policy towards gay and lesbian books—accidental or otherwise—I don’t see why I should be assisting them any further.

Update: A theory that this was caused by some clever trolling. Um, I think not. As noted above, it’s been going on for some time.

Update 2: Amazon says: “We recently discovered a glitch to our Amazon sales rank feature that is in the process of being fixed. We’re working to correct the problem as quickly as possible.” Gay news blogs remain unconvinced. A pertinent quote from Andy Towle at Towleroad:

It … brings up a wider issue. This kind of double-standard happens not only across the internet but across media. Towleroad, for example, although we carry no pornographic content, is widely blocked as “adult” by many corporate filters simply because we write about gay issues. It’s the same reason magazines like OUT and The Advocate are often placed among porn titles on newsstands when they clearly don’t belong there.

Update 3: Patrick Nielsen Hayden’s appraisal of the farrago. Best theory I’ve seen so far (Amazon’s “glitch” excuse isn’t enough for most people, hence the ongoing theorising). Note that he doesn’t rule out the trolling theory either.

Update 4: Finally…a more detailed admission of culpability from someone at Amazon.

Update 5: NYT “Amazon Says Error Removed Listings“.

Update 6: Last word on the whole business (maybe).

Previously on { feuilleton }
The art of Shinro Ohtake